Mark Christiansen
Mark Christiansen is the author of After Effects Studio Techniques (Adobe Press). He has created visual effects and animations for feature films including Pirates of the Caribbean 3, The Day After Tomorrow and films by Robert Rodriguez. Past corporate clients include Adobe, Cisco, Sun, Cadence, Seagate, Intel and Medtronic, and broadcast work has appeared on HBO and the History Channel. Mark's roles have included producing, directing, designing and effects supervision, and his solo work has appeared at film festivals including L.A. Shorts Fest.
Long a Contributing Editor at DV Magazine during its heyday, Mark has been contracted as a marketing and technical writer on numerous occasions for Adobe Systems Inc. as well as related companies such as Red Giant Software. He has taught at fxPhd.com and Academy of Art University. His career began at LucasArts Entertainment and he is a Phi Beta Kappa graduate of Pomona College.
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Monday, July 27, 2009
7 DVD set is full of solid fundamentals for production people moving into VFX
The past decade has seen visual effects pervade film and television production to the extent that it is rare to see a television commercial with no visual effects, even documentary-style dramatic programs are sweetened and cleaned up via compositing, and films outside the big-budget action movie genre often have vfx shot counts in the dozens or even hundred.
This changing of the guard has not been without its difficulties; principle among these are the veteran directors and art directors who learned how to craft compelling images and stories before the computer became a routine part of the process. Good visual effects shooting is all about planning, but effective planning requires experience.
Visual Effects for Directors, a 7 DVD set released by Hollywood Camera Work, is inspiring for how thoroughly and patiently it visually explains how to shoot ordinary, bread-and-butter visual effects shots. Far from the mystifyingly complex techniques used to push the entire medium forward in, say, the latest recipient of the Visual Effects Oscar, the approaches shown on these seven videos are in the realm of what should be common knowledge among effects professionals.
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