New workflow options for Red announced from Apple, Adobe, & Avid

I spent much of today on the Fox lot, watching Ted Schilowitz talk about what’s up with Red. I’ll have another article up shortly about their new hardware, but in terms of workflow, some interesting things were discussed today for upcoming changes coming this year from Apple, Adobe, and Avid for native (or more native) Red workflows. Details after the jump.

Red Drops the (Specs) Bomb

It is 5am.

And I still haven’t gone to sleep. Then Pliny from Offhollywood drops me an link to Reduser’s page on all the specs for Epic, Scarlet, and the whole DSMC (Digital Stills and Motion Camera) thread that Jim has been posting to tonight. Read on....

“The Conversation” Conference starts today in SF

Starting this morning, The Conversation begins in Berkeley, California. The Schedule is here. Speakers will include John Gaeta (VFX super on The Matrix trilogy & Speed Racer), John Knoll (of ILM, also created Photoshop), Phil Tippett, and a slew of new media folks. I’m crushed that I’m missing the first day - I’ll be talking about what’s new in post & production tomorrow at 1:30, and my Red One camera wasn’t ready to drive up to San Francisco until this morning. In any case, if you can, dart on over to Berkeley and check it out - if you’re curious about where content is going and how it’ll be created, this should be fascinating. On site registration is about $150 for the two day event.

-mike

QuVis Wraptor to export your own DCI DCP (that’s theatrical digital file package)

QuVis has announced a new product - QuVis Wraptor - a $699 Compressor plug-in for Final Cut Studio that allows independent content producers to create their own DCI DCP. That is a Digital Cinema Initiative’s Digital Cinema Package, which is the digital file format and wrapper used for digital projection, a standard that only came about in the last few years. Why is this such a big deal? Because I’ve heard encoding of even just TRAILERS was about $6K a pop, and features were about $20K. Now you can “roll your own” for about $700. So that’s BIG.

Read on for more about it…

Bloggage - I’ve got my own Nikon D90 on the way

Just a simple blog post - I’ve ordered one of the new Nikon D90 cameras for myself - I wanted a DSLR so I could learn more about RAW shooting, I also wanted a Nikon, so I could doodle with the Red One’s Nikon lens mount. BH Photovideo has the D90 with a VR 18-105 lens for $1295, I’d asked for B&H gift certificates for my birthday back in June, so I was able to use those to offset the cost. I got the camera with lens (the body alone is about $1000, but not available until October according to B&H’s site), a coupla 4GB cards, a remote trigger, an extra battery, the big battery pack that lets it do something extra I recall, and a monopod. It should, in theory, all get here Friday, so I’ll let you know how it all turns out. I’m really a post guy at heart, been learning more about what happens in front of the sensor the last few years. My iPhoto has about 20K+ images in it, so I figure it is time to step up to a DSLR and start learning more. Plus, the camera has a nifty 720p video mode which will be fun for doodling/documenting. DPreview mentioned a Nikon GP-1 GPS tagging gadget, BH didn’t list it, but that sounds like the kind of thing I’d definitely want to play with, and could lead to some fun web stuff to doodle with. All in time.

-mike

Nikon D90 vs Red’s Scarlet - Specdown!

Nikon is about to ship the D90, a 12MP DSLR that shoots HD movies. Wait a minute, doesn’t that sound a lot like Red’s Scarlet?

If you aren’t familiar with the D90, check out my post on the neat little camera.

And more importantly, what will this trend mean for the industry at large?

Read on to see how the about-to-be-released Nikon D90 stacks up against the current specs for next year’s Red Scarlet.

Nikon D90 - nice DSLR that also shoots HD video

Nikon is about to ship their new DX format DSLR, the D90.

So why should you care?

Because it also shoots 720p movies.

Yep, that’s right - 1280x720, progressive frame, nice depth of field (roughly equivalent to Super35mm/Red One), 24 frame per second movies.

With sound.

How much? $1000 for the body, $1300 with an 18-105mm lens.

Read on for the deets.

iSee4K - MUST HAVE iPhone/iPod Touch app for Red One users

My buddy Paul Alvarado sent me a link to this one - it is a GREAT little app for iPhone/iPod Touch that is a MUST have for anybody working with a Red One camera that can have an iPhone/iPod Touch on set. It is called iSee4K, and it helps you figure out a bunch of the things you need to know both for the cinematography as well as data wrangling aspects of the Red One camera. If you ever saw my post on Red One Geekery: Real World Info on Redcode, you saw the handy charts that showed data rates, maximum frame rates, frame sizes, codecs, etc. It took several charts to contain all that info, there’s lots of variables, and it is too much to keep in your head. So Edward Watkins has turned all that and more into a handy little iPhone App. Read on for the most excellent deets.

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