Mike Curtis

Mike Curtis writes and runs HD for Indies, a consultancy and website dedicated to using affordable digital technology for independent filmmaking. Mike started HD for Indies after a 15 year digital media career making content for everything from cell phones to cinema screens for clients such as Ford, Dell, Compaq, etc.. As a consultant, he focuses on production and post production hardware, software, and workflows to achieve maximum results at a variety of budget levels.

Red (finally) takes the wraps off new camera - Scarlet-X
Canon’s new EOS C300 digital cinema line - competition for Red or Sony?
Single Chip Camera Evaluation screening tomorrow morning at CineGear
Come see my footage from F3 S-log & Leica Summilux-C lenses TONIGHT at CineGear
Mike finally gets to play with an Epic-M and HDRx
Mike’s NAB 2011 Day One Part One
Coming to NAB? Come see results of our 12 camera test Tuesday night
Yo, Creative Pros—Apple Doesn’t Love You Any More. Here’s why.
Did Apple actually lame out on the new Mac Pros?
New Quad Cores: iMac or Mac Pro?
Apple Releases New iMacs - good enough for video editing?
Apple Announces New 12 core Macs….for $5000
I went and saw nitrate prints and Soderbergh on the same evening…
Arri Alexa - look out Red!
Mike’s iPad rant-good device, bogus marketing
The Return of Blogwad
Aperture 3.01 update released, update on my iPhoto ‘09 migration
Another good article on color correction from Stu
On iPhoto to Aperture 3 migration difficulties and new hard drives
Great new blog to read - PostWorld
Giz Explains: Why ISO Is the New Megapixel
Aperture 3 announced - time to upgrade from iPhoto ‘09?
WOW! Here’s why to go cheap/fast/light!
iPad Follow-up Thoughts - thoughts on v2 hardware and v1.5 software
Apple’s iPad - All the Details, What It Means For Us
November 2011
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December 2008
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February 2008
January 2008

Complete Archives
Monday, April 11, 2011

Mike’s NAB 2011 Day One Part One

I visited Blackmagic, AJA, Red, Arri, Canon, Fujinon, Abel Cinetech, and others

Hey all! I’m here at NAB and am wandering the show checking out what interests me. My coverage will be based on what I saw in the order I saw it. Today I visited: Blackmagic Design, AJA, Red, Arri, Canon, Abel Cine, and Sony. So here we go:

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Cameras
Editing
Hardware
NAB 2011
Post Production
Production • (1) Comments • Most recent comments by: jcposner, Permalink


Thursday, July 29, 2010

Did Apple actually lame out on the new Mac Pros?

FW1600/3200, PCI 3.0, 10GigE, eSATA, NVIDIA, Blu-ray, 1st to market, $3500 “Big Macs” - wherefore art thou?

Apple rolled out new Mac Pros Tuesday, so of course I wrote about’em. Impressed by the power at first, after the warm fuzzy glow of new Macs wore off, I started noticing some things. Or rather, noticing some things that weren’t there - PCI 3.0, USB 3.0, eSATA, faster FireWire, 10GigE networking, Blu-ray burners, NVIDIA GPUs, and a $3500 price point for the “Big Mac.” What gives? Read on for what Apple giveth and taketh.

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GentryMedia Sister Sites
Mac Coalition
Hardware
Post Production • (7) Comments • Most recent comments by: JamesKatt, RonEvans, Maarten Butter, Rob, stephen v2, Mike Curtis, cls105, Permalink


Tuesday, July 27, 2010

Apple Announces New 12 core Macs….for $5000

Coming in August, starting at $5000….ouch!

The good news - Apple today announced new 12 core Macs that are up to 1 1/2 times faster than the current speedy Nehalem 8 core Macs.

The bad news - “Coming August” and starting at $5000*

So after the jump for the full info and breakdown.

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*VIDEO*
Editing
Hardware
Post Production
Final Cut Pro • (5) Comments • Most recent comments by: Mike Curtis, mikeburton, Paul Conigliaro, Synaptic Light, IEBA, Permalink


Tuesday, March 10, 2009

So - what’s up with Apple and Mini DisplayPort?

some notes on Mini DisplayPort and its possible uses

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I didn’t pay a whole lot of attention when Apple introduced the new Macbook Pros with a Mini DisplayPort connector. Now that they are also in use ALL the new Macs introduced the other week (Mac Pro towers, iMacs, and Mac Minis), I figured it was time to do a little digging and find out what it is all about. Read on after the jump.

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Hardware • (2) Comments • Most recent comments by: Eric Larson, hmurchison, Permalink



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Monday, February 25, 2008

Blu-ray Won - What’s Next For…

OK - Blu-ray won. Now what? Apple, Adobe, Microsoft, etc.

As I guessed (once it was getting pretty obvious), Blu-ray has won the high definition optical disc format war. After Warners announced they were going exclusively Blu-ray, then Netflix, Best Buy, Blockbuster and Walmart said they were too, and Toshiba finally acquiesced and took HD DVD out in the back yard and shot it. Poor Old Yeller, but he had to be put down.

OK, so what will this mean? Lets run through repercussions for us as consumers, and more interestingly, as content creators.

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Hardware • (3) Comments • Most recent comments by: Anthony Burokas, Jeff Bach, Daniel K, Permalink


Thursday, January 31, 2008

AppleTV Take 2: New Software, Same Hardware

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I very carefully and duly noted when Steve Jobs, during an interview, said that Apple had 3 businesses (Macs, iPods/iTunes, and iPhones) and a hobby (AppleTV).

If that wasn’t a tacit, explicit admission that a product hadn’t done as well as they’d hoped, I don’t know what is. To launch a product and then call it a hobby, you might as well say “Dude - it tewdally tanked.”

And with good reason - more expensive than a DVD player, with less content available, AppleTV didn’t add up to the sum of its parts in consumers eyes.

For high end users, it made for a nice way to have a good interface to their iTunes library that was constantly available, and also display pictures in high def on an HDTV. As bonus round, it could play movies in a pricey, low quality format, and Oh Cool! - it also could play back purchased TV episodes if you missed them. This was how I perceived it when I bought mine, and quickly realized I wanted a MUCH bigger hard drive than the 40GB unit it came with. * I was enamored and excited about it enough I even started a blog about it called AppleTV Hacker (which I haven’t updated since last August).

So I was pleasantly surprised to Steve Jobs spend some time talking about AppleTV again at this year’s MacWorld, as he described it as AppleTV Take 2.

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Hardware • (3) Comments • Most recent comments by: Pliny, Richard, Richard, Permalink


Thursday, January 31, 2008

Let’s Play “20 Questions” About Red Drives…

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Let’s play “20 Questions” about Red Drives…

Jarred Land announced on Reduser the other week that Red Drives were shipping.

For those not keeping score, the Red Drives is the hard drive recording solution for the Red One camera. Up until Red Drives shipped, your only recording option was the special high speed CF cards (compact flash) recording officially 4 1/2 minutes of 4K at 24p apiece *. Since only one Red CF card can be loaded at a time, this was roughly the equivalent of a 400 foot film load. Survivable for steadicam work, a nonstarter for sitdown interviews.

That changes with the release of the Red Drives - you can record over TWO HOURS of 4K footage to the Red Drives, and many more hours of 2K footage (details below).

The Red Drives are comprised of two 160GB 2.5” mechanism hard drives set up in a RAID 0 (striped) configuration. This doubles the capacity and speed versus a regular drive….and also doubles the chances of failure - if one drive fails, you’d lose ALL the data on the pair due to how information is split between the two.

I emailed Ted Schilowitz, Red’s Leader of the Rebellion, a bunch of questions about the Red Drives, here’s what he had to say:

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Hardware • (2) Comments • Most recent comments by: Laptoper, Martin Weiss, Permalink


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2D Footage with a Stereo 3D Rig in After Effects CS5.5

Jeff Foster | 02/10- 06:09 PM

Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5

Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output.

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How to get the “24p” look for your live-switched multicam shoot

Allan Tépper | 02/10- 04:23 PM

A contracted article, sponsored by Datavideo Corporation.

Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.

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