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Mike CurtisMike Curtis writes and runs HD for Indies, a consultancy and website dedicated to using affordable digital technology for independent filmmaking. Mike started HD for Indies after a 15 year digital media career making content for everything from cell phones to cinema screens for clients such as Ford, Dell, Compaq, etc.. As a consultant, he focuses on production and post production hardware, software, and workflows to achieve maximum results at a variety of budget levels. 
NAB 2012: Motion Control Systems - CamBLOCKTop Ten Trends of NAB 2012Arri Booth NAB 2012BlackMagic Design’s Cinema Camera - Supermodel Backrub with Ninja Claws?Miss me? I hope so. Here’s what I stayed up all night writing.So…where’ve I been?Red (finally) takes the wraps off new camera - Scarlet-XCanon’s new EOS C300 digital cinema line - competition for Red or Sony?Single Chip Camera Evaluation screening tomorrow morning at CineGearCome see my footage from F3 S-log & Leica Summilux-C lenses TONIGHT at CineGearMike finally gets to play with an Epic-M and HDRxMike’s NAB 2011 Day One Part OneComing to NAB? Come see results of our 12 camera test Tuesday nightYo, Creative Pros—Apple Doesn’t Love You Any More. Here’s why.Did Apple actually lame out on the new Mac Pros?New Quad Cores: iMac or Mac Pro?Apple Releases New iMacs - good enough for video editing?Apple Announces New 12 core Macs….for $5000I went and saw nitrate prints and Soderbergh on the same evening…Arri Alexa - look out Red!Mike’s iPad rant-good device, bogus marketingThe Return of BlogwadAperture 3.01 update released, update on my iPhoto ‘09 migrationAnother good article on color correction from StuOn iPhoto to Aperture 3 migration difficulties and new hard drives
May 2012April 2012March 2012November 2011June 2011May 2011April 2011July 2010May 2010April 2010March 2010February 2010January 2010December 2009November 2009September 2009August 2009July 2009June 2009May 2009April 2009March 2009January 2009December 2008November 2008October 2008September 2008August 2008July 2008June 2008May 2008April 2008March 2008February 2008January 2008Complete Archives |
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Mike finally gets to play with an Epic-M and HDRxFirst impressions, what works, digging into HDRx
This week my friend Eric Ulbrich that I met while working on the SCCE (Single Chip Camera Evaluation) got his Epic-M. He was nice enough to invite me over to play with it on Friday, here’s some first impressions on the camera and its HDRx mode. Notes and pics follow. more »
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Cameras •
GentryMedia Sister Sites •
ProVideo Coalition •
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RC Fisher,
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Apple Announces New 12 core Macs….for $5000Coming in August, starting at $5000….ouch!
The good news - Apple today announced new 12 core Macs that are up to 1 1/2 times faster than the current speedy Nehalem 8 core Macs. The bad news - “Coming August” and starting at $5000* So after the jump for the full info and breakdown. more »
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Editing •
Hardware •
Post Production •
Final Cut Pro •
(5) Comments •
Most recent comments by:
Mike Curtis,
mikeburton,
Paul Conigliaro,
Synaptic Light,
IEBA,
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TRULY native Red support in Final Cut Studio…finally!Well, rewrappered QTs - as native as P2 is…
Apple and Red have teamed up to support native (OK, rewrapped QTs, akin to how P2 is handled) .R3D support in Final Cut Pro 6.0.5 and Color 1.0.3. Red has a plugin to work with those new versions, including access to the 12 bit RGB data within Color…even letting you manipulate exposure, white balance, etc. on the native R3Ds in a 32 bit floating point space. Keep reading for either: a.) to understand WTH all that means, or b.) all the gory details if you do ....after the jump. more »
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Cameras •
Post Production •
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Most recent comments by:
mikeburton,
billS,
mgilna,
Scott Simmons,
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Drobo Delivers Data Defense
Super Heroic efforts rule the digital universe,
where we’re all acquiring and creating media at an alarming rate—media that requires vast amounts of storage space. If your clients are like mine, they are remarkably unsophisticated, sometimes even careless, about how and why to protect the valuable images we make for them. Drobo® changes all that. When they come crying to you, wouldn’t it be great to be the hero and say, “yes, I’ve got you covered!”
My lengthy Adobe Premiere Pro CS6 review now online
Studio Daily posted the review last week after pounding the thing on a number of edits
Last week Studio Daily published my Adobe Premiere Pro CS6 review. It’s a longie but a goodie as I tried to go into detail about what I really like and what I kinda don’t like about this brand new Premiere Pro. I had been pounding it hard on several projects before writing the review. I have had a few questions about exactly what kind of jobs I’ve been working on with it.
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