Mike Curtis

Mike Curtis writes and runs HD for Indies, a consultancy and website dedicated to using affordable digital technology for independent filmmaking. Mike started HD for Indies after a 15 year digital media career making content for everything from cell phones to cinema screens for clients such as Ford, Dell, Compaq, etc.. As a consultant, he focuses on production and post production hardware, software, and workflows to achieve maximum results at a variety of budget levels.

Red (finally) takes the wraps off new camera - Scarlet-X
Canon’s new EOS C300 digital cinema line - competition for Red or Sony?
Single Chip Camera Evaluation screening tomorrow morning at CineGear
Come see my footage from F3 S-log & Leica Summilux-C lenses TONIGHT at CineGear
Mike finally gets to play with an Epic-M and HDRx
Mike’s NAB 2011 Day One Part One
Coming to NAB? Come see results of our 12 camera test Tuesday night
Yo, Creative Pros—Apple Doesn’t Love You Any More. Here’s why.
Did Apple actually lame out on the new Mac Pros?
New Quad Cores: iMac or Mac Pro?
Apple Releases New iMacs - good enough for video editing?
Apple Announces New 12 core Macs….for $5000
I went and saw nitrate prints and Soderbergh on the same evening…
Arri Alexa - look out Red!
Mike’s iPad rant-good device, bogus marketing
The Return of Blogwad
Aperture 3.01 update released, update on my iPhoto ‘09 migration
Another good article on color correction from Stu
On iPhoto to Aperture 3 migration difficulties and new hard drives
Great new blog to read - PostWorld
Giz Explains: Why ISO Is the New Megapixel
Aperture 3 announced - time to upgrade from iPhoto ‘09?
WOW! Here’s why to go cheap/fast/light!
iPad Follow-up Thoughts - thoughts on v2 hardware and v1.5 software
Apple’s iPad - All the Details, What It Means For Us
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Complete Archives
Thursday, July 29, 2010

Did Apple actually lame out on the new Mac Pros?

FW1600/3200, PCI 3.0, 10GigE, eSATA, NVIDIA, Blu-ray, 1st to market, $3500 “Big Macs” - wherefore art thou?

Apple rolled out new Mac Pros Tuesday, so of course I wrote about’em. Impressed by the power at first, after the warm fuzzy glow of new Macs wore off, I started noticing some things. Or rather, noticing some things that weren’t there - PCI 3.0, USB 3.0, eSATA, faster FireWire, 10GigE networking, Blu-ray burners, NVIDIA GPUs, and a $3500 price point for the “Big Mac.” What gives? Read on for what Apple giveth and taketh.

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GentryMedia Sister Sites
Mac Coalition
Hardware
Post Production • (7) Comments • Most recent comments by: JamesKatt, RonEvans, Maarten Butter, Rob, stephen v2, Mike Curtis, cls105, Permalink


Tuesday, July 27, 2010

New Quad Cores: iMac or Mac Pro?

As an editor, should you get an iMac or Mac Pro? How different in price and performance?

New Quad core Macs: high end iMac or low end Mac Pro?

Apple today announced new Mac Pros (coming sometime in August) and new iMacs (available now). Both have available Quad Core (4 processor) models. The iMac has a built in screen which the Mac Pro lacks, but the tower has scads of easy expandability. Which to buy?

Read on for the deets and analysis.

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(5) Comments • Most recent comments by: June, Mike Curtis, Charles Angus, Mike Curtis, Dimitri LaBarge, Permalink


Tuesday, July 27, 2010

Apple Releases New iMacs - good enough for video editing?

Yes, but only if you meet these criteria

So Apple has rolled out their latest round of iMacs. I recently finally updated my trusty black MacBook to Snow Leopard, and disappointed myself when I’d forgotten that I can’t run the latest Final Cut Pro on it at ALL. So revisiting these iMacs, how are they for running the Final Cut Studio suite? And beyond can they, should you consider it as an editing platform?

Apple rolled out new iMacs today - short version - OK for video editors? Yes, but ONLY if the following criteria are met:

-only editing file based formats - not tape*
-don’t need professional calibrated video output for preview or recording to tape*
-don’t need additional high speed storage (anything faster than FW800)
-don’t need other card based capabilities

Read on after the jump for all the specs, options, my buying recommendations, and what iMacs are suitable for what editing operations.

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(13) Comments • Most recent comments by: jasoncall, cmoore, IEBA, cmoore, myaple, IEBA, gridguy, Chris Lawes, Mike Curtis, cmoore, Permalink


Tuesday, July 27, 2010

Apple Announces New 12 core Macs….for $5000

Coming in August, starting at $5000….ouch!

The good news - Apple today announced new 12 core Macs that are up to 1 1/2 times faster than the current speedy Nehalem 8 core Macs.

The bad news - “Coming August” and starting at $5000*

So after the jump for the full info and breakdown.

more »

*VIDEO*
Editing
Hardware
Post Production
Final Cut Pro • (5) Comments • Most recent comments by: Mike Curtis, mikeburton, Paul Conigliaro, Synaptic Light, IEBA, Permalink



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Sunday, May 02, 2010

I went and saw nitrate prints and Soderbergh on the same evening…

One of the benefits of living in LA - I was going to go see The Girl With the Dragon Tattoo tonight with a friend, but he emailed me in the afternoon to go see something else instead -

Just saw (OK, last night, internet connection down when got home) Steven Soderbergh speak at a UCLA film restoration thing - we watched The Devil Is A Woman, a 1935 black and white Marlene Dietrich film, shown on a rare nitrate print (the dies-from-the-edges, flammable-like-in-Inglorious-Basterds film stock), then we watched a digital projection of The Girlfriend Experience, his shot on Red in 15 days with crew of 12 indie flick I saw previously at Sundance. Notes from Q&A follow:

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(2) Comments • Most recent comments by: RobShaver, RobShaver, Permalink


Tuesday, April 06, 2010

Arri Alexa - look out Red!

Records ProRes4444, RAW, or HD-SDI out; killer looking footage, WOW

I went to the Arri Alexa rollout - quickie summary - AMAZING looking footage, ProRes to SxS cards onboard! ProRes4444 (w/out alpha) for 4:4:4, and ProResHQ for 4:2:2. Also 4:2:2 or 4:4:4 HD-SDI, also ArriRAW raw bayer data at 3.5K resolution - LOTS of choices. More later, here below are my raw (haha) notes. Will update with pics and more tomorrow.

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(5) Comments • Most recent comments by: reidvv, IEBA, Mike Curtis, Mike Curtis, WestwoodCreek, Permalink


Monday, March 29, 2010

Mike’s iPad rant-good device, bogus marketing

It is good, but it ain’t “Magical” Steve….

With the iPad about to ship in bulk for Saturday delivery and retail launch, some friends on mine were discussing who is getting one and who isn’t, and somebody asked for the group’s thoughts. What started out as an email didn’t get sent, it turned into this here. Apple calls the iPad “magical” and “revolutionary” and that it has an “unbelievable price” - welllllllllll….lets talk about that.

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(4) Comments • Most recent comments by: wsmith, IEBA, keenast, stephen v2, Permalink


Tuesday, March 16, 2010

The Return of Blogwad

Interesting bits - Bad 3D moviemaking, Lensbaby, and data backup/recovery advice

I used to have a semi-regular feature on hdforindies.com where I’d just scoop up all the interesting things that weren’t quite worth their own articles, and publish those as what I called a blogwad. Today I’m bringin’ it back, with a nice little collection showing my current interests these days - an article on why after-the-fact stereoscopic conversion is weak/lame/bad, a review of the LensBaby selective focus system (which is designed for still lenses, but no reason why I couldn’t use it on my Red with my Nikon mount adaptor), and an article on data recovery and good backup techniques (relevant since I accidentally trashed my 800GB iPhoto library recently, and have been poking along at getting it all back together). NEW - Also stuff on Canon 5D Mk II 24p firmware problems and AJA updates.

Continues after the jump.

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(4) Comments • Most recent comments by: scottieb, WestwoodCreek, Mike Curtis, Ivan Oliveira, Permalink


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2D Footage with a Stereo 3D Rig in After Effects CS5.5

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Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5

Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output.

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How to get the “24p” look for your live-switched multicam shoot

Allan Tépper | 02/10- 04:23 PM

A contracted article, sponsored by Datavideo Corporation.

Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.

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