Mike Curtis
Mike Curtis writes and runs HD for Indies, a consultancy and website dedicated to using affordable digital technology for independent filmmaking. Mike started HD for Indies after a 15 year digital media career making content for everything from cell phones to cinema screens for clients such as Ford, Dell, Compaq, etc.. As a consultant, he focuses on production and post production hardware, software, and workflows to achieve maximum results at a variety of budget levels.
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Wednesday, May 07, 2008
7 part video series talks about how to understand how digital images are made and work
John Galt (Panavision) and Larry Thorpe (Canon), two well respected industry veterans, gave along talk at the Hollywood Post Alliance about how to really understand what is going on in digital cameras. It went over so well they revised & expanded it and did another one at Panavision, entitled Demystifying Digital Camera Specifications. This is looooooong, but HIGHLY recommended if you want to really understand what is going on. As a Red owner, I couldn’t help but notice that the press release mentioned something about “pixels aren’t resolution,” which is true, but clearly a response to the Red One’s 4K resolution. I haven’t had a chance to watch them all yet, so I can’t fairly state whether there is an agenda at work (it would be somewhat fair to presume that Panavision and Canon cameras won’t be looked on TOO unkindly), but these two guys are well known and respected, and have been doing this stuff for a long time. Chime in with comments about your take on it all - I’m prepping for a big client demo, no time to watch today…
-mike
Monday, April 21, 2008
1.) Red Scarlet/Red Epic - one for home, one for SERIOUS D-cinema work. Scarlet is easily summed up - “3K for $3K” - with 3K sensor that can shoot up to 120 fps for under three grand, when it ships in 2009 it will be a tough price point to beat. Red Epic, meanwhile, with better quality Redcode RAW, and 5K resolution at up to 100fps for only $40K, should be an indie filmmaker’s new Must Have.
2.) Codex Portable - record dual link HD-SDI or even RAW formats the latest cameras using 4:1 wavelet technology, on a breadbox sized package you can sling over your shoulder. Add the virtual file system on top of that, as well as the ability to transcode material in-the-box, you’ve got a helluva solution for a damned attractive price.
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Monday, April 14, 2008
Build 16 news, new lenses & details, new Pro Accessories
...so besides Scarlet, Epic, and Red Ray, there was (Oh Yeah!) news for Red One too. They have some new lenses, accessories, and firmware builds coming for the Red One. I got hands on with the big honkin’ 18-85mm zoom, and it is GOOD. I looked at the new 7” Pro LCD and I like it. Read on for the details that aren’t on the website.
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Monday, April 14, 2008
4K from Red cameras or Red Ray DVDs play back at 4K, 2K, 1080p, 720p, or SD resolutions
On the show floor, I’ll try to clean this up later, but here’s the scoopage:
EXECUTIVE SUMMARY:
Playback device, 4K in, 4K, 2K, 1080p, 720p, or SD out from Red Disc, Red Express, or native R3D files from CF
RED / RED RAY
Favorite quote from Ted Schilowitz, Leader of the Revolution for Red:
“We consider 1080p Blu-ray to be a stopgap solution. The future is way beyond 1080p.”
Read on below for all the nifty details:
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Monday, April 14, 2008
....and sometimes 180 fps
Again, I’m on the show floor and working fast, so here’s the scoop on Red’s new professional camera that is high end consumer priced:
EXECUTIVE SUMMARY: 3K for $3K, 2/3” Mysterium X Sensor, 1-120 fps (180 fps burst mode), up to 100 MB/sec Redcode RAW & RGB recording to dual compact flash, 4.8” LCD, 8x T2.8 Red Zoom lens (fixed lens), full auto or manual shooting modes, HDMI, HD-SDI (4:2:2 likely), FW800, Still mode, WiFi control, compatible with many Red One accessories (as shown on show floor).
RED / SCARLET
Here’s some of my own pictures of the prototype.
Read on the all the gory details:
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Monday, April 14, 2008
I thought he said “Red Effin’” - that woulda worked fine for me
OK, I’m on the show floor and furiously typing this up, so this is quick, rough, but info-laden -
EXECUTIVE SUMMARY: $40K, 5K, 1-100 fps, Super35mm coverage, up to 100MB/sec Redcode (yes, MB not Mb), FW800 & USB 2.0, Redcode RAW & RGB to RedFlash, dual link HD-SDI, 2 XLR, upgradeable sensor, body, boards & mount, 6 pound machined aluminum body, hybrid stainless steel mount, compatible with MOST but not all Red accessories. Ships “early 2009”
RED / EPIC
Read on below for all the gory details.
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Sunday, April 13, 2008
Here’s a bunch of PR material on things that sounded kewl
So I’m digging through all 100+ NAB related emails, to figure out what is worth checking out this week. In no particular order, here is cut & paste PR copy of what caught my eye to check out. I’m not advocating anything in particular, other than just “this caught my eye.”
First item, goes without saying, is abusing my Exhibitor badge to be parked front and center Monday morning at Red’s booth, I have a 10am interview with Ted, which will have given me enough time to see what’s up in the booth to start drilling him on questions. OK, let the PR-speak commence - this is copy/paste, not my interpretation:
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Sunday, April 13, 2008
EXCELLENT interview with James Cameron, all about shooting 3D, in Variety. Detailed, GOOD, and dovetails/contrasts nicely with my notes from the 3D panel at NAB I attended yesterday.
James Cameron supercharges 3-D - Entertainment News, Technology News, Media - Variety
John August has a lengthy commentary as well where he calls James Cameron the Steve Jobs of 3D (and explains why he calls him that).
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Art Adams | 11/21- 08:15 AM
Wherein I realize I’m finally wise enough to give lighting advice to others Not long ago a student asked me a question that on its surface seemed very…
Mike Curtis | 11/20- 11:11 PM
Well, rewrappered QTs - as native as P2 is… Apple and Red have teamed up to support native (OK, rewrapped QTs, akin to how P2 is handled) .R3D support…
Richard Harrington | 11/20- 06:39 PM
New software to fix a cranky app If you’ve ever had issues launching Apple’ Compressor software, you’re not alone. The software seems to frequently get…
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