Mike Curtis

Mike Curtis writes and runs HD for Indies, a consultancy and website dedicated to using affordable digital technology for independent filmmaking. Mike started HD for Indies after a 15 year digital media career making content for everything from cell phones to cinema screens for clients such as Ford, Dell, Compaq, etc.. As a consultant, he focuses on production and post production hardware, software, and workflows to achieve maximum results at a variety of budget levels.

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Canon’s new EOS C300 digital cinema line - competition for Red or Sony?
Single Chip Camera Evaluation screening tomorrow morning at CineGear
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Yo, Creative Pros—Apple Doesn’t Love You Any More. Here’s why.
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Apple Releases New iMacs - good enough for video editing?
Apple Announces New 12 core Macs….for $5000
I went and saw nitrate prints and Soderbergh on the same evening…
Arri Alexa - look out Red!
Mike’s iPad rant-good device, bogus marketing
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Tuesday, June 17, 2008

Couple bits of awesomeness

Red Build 16 and Ben Buttons trailer

Quick note on some things:

a.) Busy, not dead. Waaaaaaaay busy.

b.) The trailer is (finally) out for The Curious Case of Benjamin Button, which was shot digitally on the Viper, recorded to S.two recorders. I’ve been working with the vendor that provided the gear, it is nice to see what masters of the game (director David Fincher, DoP Claudio Miranda) can do with digital tools when they commit and know EXACTLY what they are doing.

c.) Red Build 16 is imminent, and it is a Big Deal for those tracking Red. Months later than wanted/expected, but major new stuff in there. IF it does what Jannard and crew claim, I’d say the Red will have finally, fully arrived, fulfilling virtually all of the promised capabilities. (How soon till we can save curves on Red Alert and load into camera?)

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