Mike Curtis

Mike Curtis writes and runs HD for Indies, a consultancy and website dedicated to using affordable digital technology for independent filmmaking. Mike started HD for Indies after a 15 year digital media career making content for everything from cell phones to cinema screens for clients such as Ford, Dell, Compaq, etc.. As a consultant, he focuses on production and post production hardware, software, and workflows to achieve maximum results at a variety of budget levels.

NAB 2012: Motion Control Systems - CamBLOCK
Top Ten Trends of NAB 2012
Arri Booth NAB 2012
BlackMagic Design’s Cinema Camera - Supermodel Backrub with Ninja Claws?
Miss me? I hope so. Here’s what I stayed up all night writing.
So…where’ve I been?
Red (finally) takes the wraps off new camera - Scarlet-X
Canon’s new EOS C300 digital cinema line - competition for Red or Sony?
Single Chip Camera Evaluation screening tomorrow morning at CineGear
Come see my footage from F3 S-log & Leica Summilux-C lenses TONIGHT at CineGear
Mike finally gets to play with an Epic-M and HDRx
Mike’s NAB 2011 Day One Part One
Coming to NAB? Come see results of our 12 camera test Tuesday night
Yo, Creative Pros—Apple Doesn’t Love You Any More. Here’s why.
Did Apple actually lame out on the new Mac Pros?
New Quad Cores: iMac or Mac Pro?
Apple Releases New iMacs - good enough for video editing?
Apple Announces New 12 core Macs….for $5000
I went and saw nitrate prints and Soderbergh on the same evening…
Arri Alexa - look out Red!
Mike’s iPad rant-good device, bogus marketing
The Return of Blogwad
Aperture 3.01 update released, update on my iPhoto ‘09 migration
Another good article on color correction from Stu
On iPhoto to Aperture 3 migration difficulties and new hard drives
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Saturday, February 13, 2010

Giz Explains: Why ISO Is the New Megapixel

Light sensitivity is more important than megapixels. Really.

Giz Explains: Why ISO Is the New Megapixel - Digital Cameras - Gizmodo

BOOM.

And THAT is why I’d rather have a 12MP Nikon D3S than a 24MP most anything else - because the D3S has a sufficient but not overly large # of pixels spread across a BIG HONKIN sensor.

This is why I was vexed to see Red spec out Scarlet at 5K for S35 sized sensor - I’d MUCH rather have 3K Bayer (to generate a sharp 1080p) with more dynamic range, better low light performance, and less rolling shutter (aka image skew when panning) than a 5K similar sensor.

EDIT - see Graeme’s response in the comments - it is more subtle than just these issues. Rolling shutter is read/reset, not total pixel count. More pixels may make it more difficult to reduce the read/reset time (I am GUESSING), but higher resolution doesn’t HAVE to mean lower read/reset. My bad. Higher resolution also offers the benefit of reduced aliasing, and cleaner signal/noise once scale back down to target size.

I’d been meaning to write an article about this, but like most things, if you wait a bit, somebody will write a better one than you were going to.

I am, apparently, quite the lazy writer.

My backup on this? Arri went with 3K for their next gen digital camera - dynamic range and better high ISO performance beats “high resolution” any day. EDIT - again, see the comments.

-mike

The human eye sees contrast and color before it sees detail. That’s why I’d rather have better dynamic range and high ISO performance (with low noise, please) rather than a massive megapixel count on my cameras, be they still or motion. EDIT - results vary - see comments again.

(3) Comments • Most recent comments by: Sebastian, Graeme Nattress, Brett802, Permalink


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