Mike Curtis

Mike Curtis writes and runs HD for Indies, a consultancy and website dedicated to using affordable digital technology for independent filmmaking. Mike started HD for Indies after a 15 year digital media career making content for everything from cell phones to cinema screens for clients such as Ford, Dell, Compaq, etc.. As a consultant, he focuses on production and post production hardware, software, and workflows to achieve maximum results at a variety of budget levels.

NAB 2012: Motion Control Systems - CamBLOCK
Top Ten Trends of NAB 2012
Arri Booth NAB 2012
BlackMagic Design’s Cinema Camera - Supermodel Backrub with Ninja Claws?
Miss me? I hope so. Here’s what I stayed up all night writing.
So…where’ve I been?
Red (finally) takes the wraps off new camera - Scarlet-X
Canon’s new EOS C300 digital cinema line - competition for Red or Sony?
Single Chip Camera Evaluation screening tomorrow morning at CineGear
Come see my footage from F3 S-log & Leica Summilux-C lenses TONIGHT at CineGear
Mike finally gets to play with an Epic-M and HDRx
Mike’s NAB 2011 Day One Part One
Coming to NAB? Come see results of our 12 camera test Tuesday night
Yo, Creative Pros—Apple Doesn’t Love You Any More. Here’s why.
Did Apple actually lame out on the new Mac Pros?
New Quad Cores: iMac or Mac Pro?
Apple Releases New iMacs - good enough for video editing?
Apple Announces New 12 core Macs….for $5000
I went and saw nitrate prints and Soderbergh on the same evening…
Arri Alexa - look out Red!
Mike’s iPad rant-good device, bogus marketing
The Return of Blogwad
Aperture 3.01 update released, update on my iPhoto ‘09 migration
Another good article on color correction from Stu
On iPhoto to Aperture 3 migration difficulties and new hard drives
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Friday, September 11, 2009

Nikon D300S vs Canon 7D Specdown

I just got my D300S, and then here’s the 7D - some thoughts

So I got a Nikon D90 almost exactly a year ago - it was my first DSLR, and I was in love - I’ve totally had a blast with it. But there were a few things it didn’t have that I really wanted - I was getting into HDR (high dynamic range) photography, and I was limited to 3 exposures, a maximum of 2 stops apart. And I wanted to shoot timelapse without having to be tethered to a laptop (which had to be powered too), which the D90 couldn’t do without the umbilical.

I really coveted my friend’s D300 with its higher frame rate and intervalometer as well. If only there were a camera that combined the best of both worlds….then Nikon announced the D300S - adding 720p24 HD video, Live View, intervalometer, up to 9 shots in a bracket….I was sold.

I got it while I was out of town, and then read about the new Canon 7D….

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(5) Comments • Most recent comments by: Yuli, Steve Hullfish, Ben Ramsey, Steve Hullfish, • Permalink


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