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Mike Curtis
Mike Curtis writes and runs HD for Indies, a consultancy and website dedicated to using affordable digital technology for independent filmmaking. Mike started HD for Indies after a 15 year digital media career making content for everything from cell phones to cinema screens for clients such as Ford, Dell, Compaq, etc.. As a consultant, he focuses on production and post production hardware, software, and workflows to achieve maximum results at a variety of budget levels.
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Wednesday, July 23, 2008
Everything you wanted to know about shooting Redcode, but were afraid to ask - Part 1
Shortly after I got my Red One camera, I went out to go play with it. I wanted to do some baseline testing - from my many talks with Graeme Nattress, Red’s codec guru, I knew that Redcode was a variable bitrate codec. That means that the datarate can vary depending on the content of the scene. OK…so how MUCH can it vary? Quite a bit, I found out. Read on for this and other geekery…
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