» InfoComm: New Routing Switcher from PESA Offers Internal Power, Optional Pushbutton Control

PESA PRO line includes several new features that make it attractive for small to mid-sized video switching environments

» FOR-A to Introduce the FT-ONE—World’s First Full 4K Super Slow Motion Camera—at Cine Gear

FT-ONE will record up to 1,000 frames per second

» All-New ready2go Projects & Templates Collection Pushes the Limits of Creativity

Digital Juice Releases New Multipurpose ready2go Collection 16 for After Effects® in Instant Download or DVD Format

» Grass Valley Exhibits File–Based Workflow Innovations At InfoComm 2012

Stop by the Starin Marketing booth (#C6023) for a hands-on demonstration

» Maximize the Performance of Your 3D Applications

Get in the winner’s circle with BOXX

» MTI Film Extends Cortex::Capture Giveaway

WIN a FREE seat of Digital Camera Decoding Software

» FUJIFILM Optical Devices Division to EXHIBIT AT CINE GEAR EXPO

Product Display to Include New PL 19-90 Cabrio Lens

» DVEO Announces U.S. Introduction of World’s First Seamless IP Redundancy Switch

IPGuard™ Secures the Delivery of any Digital TV, Radio and Data Services Over IP Networks

The Editblog on PVC

by Scott Simmons
» My lengthy Adobe Premiere Pro CS6 review now online
» Final Cut Pro X Multicam Editing webinar now available on-demand

Camera Log

by Adam Wilt
» NAB 2012: Assorted Snapshots
» NAB 2012: RED

Stunning Good Looks

by Art Adams
» LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse
» CAMERAS: Food Fights with the FS700

Picture Elements

by Richard Harrington
» Lowel Prime LED Lights
» Trimming in the Adobe Premiere Pro CS6 timeline

FRESHDV

by Matthew Jeppsen & Kendal Miller
» How to get good production dialogue
» Shane Ross Reports from NAB on Post Production

AE Portal

by Rich Young
» Learn After Effects CS6: a basics series
» Another week in After Effects

CMG Keyframes

by Chris & Trish Meyer
» After Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 Composition
» After Effects Apprentice Free Video: Using Parenting to Animate Layers as a Unit

Creating Motion Graphics

by Chris & Trish Meyer
» Our Sessions at Post|Production World 2012
» After Effects Apprentice: The Final Project

Final Cut Pro & Motion

by Mark Spencer
» Compositing in FCP X
» Rigging the Bird

TecnoTur

by Allan Tépper
» Blackmagic: We’re ready to remove the Band-Aid!
» How the Blackmagic Cinema Camera will indirectly take sales from AJA, Matrox, and MOTU

Video Gear & Adventure

by Dan Carr
» Phantom Miro - First Footage & Interview With Jim Geduldick
» Hands On With RED & 3ality Technica’s Meizler Module For Epic

Bruce's Blog

by Bruce Johnson
» NAB 2012: Trucolor Ohm Space Light
» NAB 2012: EZ-Jib

HD for Indies

by Mike Curtis
» NAB 2012: Motion Control Systems - CamBLOCK
» Top Ten Trends of NAB 2012

HDSLR Shooter

by Clint Milby
» Adobe Says:  “Get Your Head Into the Cloud”
» Blackmagic Steals NAB 2012 With Their New Cinema Camera

Production Values

by Mark Christiansen
» Adobe Media Encoder - another hidden gem?
» After Effects Script of the Week: Add Parented Null to Each Selected Layer

CUT.N.COLOR

by Steve Hullfish
» Color Correction Practice Game
» “Courageous” Part Two: on-line

A Working Filmmaker

by Eric Escobar
» My Adventure in Indie VFX + a Review of Cinema 4D R13
» The Indie Economics of SLOG and the Sony PMW-F3.  Is it worth it?

Motion Graphics & Visual Effects

by PVC Contributors
» Expression Shorts - loop
» An A to Z of Building Projections - Part 2

Editing & Post

by PVC Contributors
» The HPA Tech Retreat, Technology’s Leading Edge
» Putting the After Effects CS6 3D Camera Tracker to the Test

Lights Camera Action

by PVC Contributors
» The Masters of Compositing Series - Part 2: Paul Vlahos
» The Masters of Compositing Series - Part 1: Petro Vlahos

Livewire

by Sony
» NXCAM® Firmware Upgrades

Adobe on Adobe

by Adobe
» David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection

Finish Faster

by Autodesk
» Editing and Effects Together in One Editor Part 2

Datavideo

by Datavideo
» The Datavideo SE-2000 Kit for Large Outside Venues

Videoguys

by Videoguys
» Videoguys NAB 2012 Reflections

Createasphere

by Createasphere
» The ‪ARRI M40‬ Outshines the Competition at NAB 2012

LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse

Art Adams | 05/24

Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

I love stacking cucolorii (plural of “cucoloris”) and I thought it was time to write an article about how this technique works and why I like it so much. I was a bit stretched for ideas that would illustrate this concept… and then an eclipse happened. Why that made a difference is a very interesting story…

more »

Schneider Optics Puts Their 50mm Tilt-Shift Lenses on the C300

Jeremiah Karpowicz | 05/24

See how the lens fits onto and works with the camera

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Niki Mustain from Schneider Optics took the time to tell us about the Tilt/Shift Lenses they were showing off at NAB.  The high-resolution optics are combined with a precise zero-play mechanism in a lens housing ensuring long-term stability required for professional photography.

more »

See the Reach of Libec’s SWIFT JIB50 Telescopic Arm Jib

Jeremiah Karpowicz | 05/24

The SWIFT JIB50 was on display at NAB 2012

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We talked with Jose Larios, Sales and Marketing for Libec of America, to learn more about their SWIFT JIB50. The product is equipped with a telescopic arm that can be easily adjusted by simply turning the arm’s lock levers. In addition, the jib can be retracted at both ends.

more »


Sponsored Article by ARRI

Compositing in FCP X

Mark Spencer | 05/23

On this week’s MacBreak Studio

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On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.

more »

Final Cut Pro X Multicam Editing webinar now available on-demand

Scott Simmons | 05/15

Plus a little screencast in this blog post on a topic we didn’t get to cover.

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I had great fun last week presenting the Final Cut Pro X multicam editing webinar for Moviola Filmmaking Webinars. It was a lightning fast 90 minutes and we covered a lot of ground but we didn’t get through everything I wanted to cover. The On-Demand version can be purchased and I recorded an extra screencast about one topic that I didn’t get to cover in the webinar. Check it out after the jump.

 

more »


Sponsored Article by Adobe

After Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 Composition

Chris and Trish Meyer | 05/21

...plus an update on what’s next for the Apprentice series.

As we mentioned what now seems like ages ago, we spent a year and a half creating an extensive, multi-course video training series based on our popular beginner’s book After Effects Apprentice. The introduction plus one or more additional videos from each course are available for free preview; we re-posted here on PVC the videos that contain tips and instruction you might find useful. Well, the series is done, and we’re off writing the next edition of the book. But before we go, we had one last video to share with you, which may be… more »

David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection

Todd_Kopriva | 05/22

Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.

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In December 2011, the 12th quadrennial Arab Games took place in Doha, Qatar at Khalifa International Stadium. As part of the planning process for the Doha games, the world-renowned event production agency, David Atkins Enterprises (DAE), was commissioned to conceive and produce the opening and closing ceremonies. Following this commission, DAE contracted Australian digital design and video production specialists, Digital Pulse, to produce the animated visuals for the opening ceremony including the athletes’ parade and cultural segments. Far from a conventional production canvas, the animated visuals that the Digital Pulse team were to produce for the event would… more »


Sponsored Article by Createasphere

Editing and Effects Together in One Editor Part 1

Brian Mulligan | 05/15

The NLE revolution isn’t over… Enter Autodesk Smoke for Mac.

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Post NAB 2012 Adobe has released the CS6 suite, Avid is pushing Symphony, and you may think that the editing revolution is over… but you would be wrong. Autodesk announced Smoke 2013 for the Mac platform for $3495.  There has been quite a buzz about Smoke since NAB. 

more »

Editing and Effects Together in One Editor Part 2

Brian Mulligan | 05/15

The NLE revolution isn’t over… Enter Autodesk Smoke for Mac

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Editing & Effects All-In-One
Autodesk has always been known for the strength of their effects and image processing tools. The tools in Smoke have been used in everything from major Hollywood blockbusters, to national commercials for major corporations, to finishing shows airing on premium cable and broadcast networks.  Personally, knowing that I am using these same tools for my local broadcast promos… gets me where my geek lives.  Smoke has some very powerful tools.  Who wouldn’t want to use those same tools on their own projects?

more »


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CAMERAS: Food Fights with the FS700

Art Adams | 05/15

You want 240fps 1920x1080? I’ve got your high-speed HD right here… for less than $10K.

When Adam Wilt and I shot “Fire and Ice” together on a prototype FS700 we had no idea that it would be shown at NAB… and that it would be hit. We wanted to do more, so we pitched Sony a commercial concept for a local company that involved high speed “veggie baseball.” Guess what: they sent us an FS700 again. Edible baseball never looked so good.

more »

(2) Comments: • Most recent comments by: Art Adams, Mike N,

How to get good production dialogue

Matt Jeppsen | 05/15

Use a boom mic and some common sense!

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Here’s a short and sweet video with a tip on the best way to get good production dialogue audio from your talent. Watch below.

more »


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Litepanels Illuminates Chroma and Luma at NAB 2012

Jeremiah Karpowicz | 05/22

Check out two on-camera lights that were featured at the show

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We have more from Litepanels as Toby Sali showed us their newest on-camera lights from the floor of NAB 2012. He gives us some details about the Luma, which is a daylight only light, and the new Chroma which is a bi-color light.

more »

Orad News and Products from NAB 2012

Jeremiah Karpowicz | 05/18

Learn about what we discovered when we stopped by the Orad booth

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Shaun Dail from Orad took the time to tell us about what they had to show and talk about at NAB 2012. He tells us about TD Control, a sports specific MAM system as well as their virtual studio that was on display at the show

more »

ATTO Debuts New Products at NAB 2012

Jeremiah Karpowicz | 05/16

Take a look at the ExpressSAS 6Gb/s Host Bus Adapters

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Jeff Okonczak from ATTO Technologies took some time to tell us about what they were showing off at NAB 2012. He lets us take a look at the ExpressSAS 6Gb/s Host Bus Adapters (HBAs) which deliver the fastest available connection to SAS or SATA tape or disk storage.

more »



Drobo Delivers Data Defense
Sara Frances

Super Heroic efforts rule the digital universe,

My lengthy Adobe Premiere Pro CS6 review now online
Scott Simmons

Studio Daily posted the review last week after pounding the thing on a number of edits

The ‪ARRI M40‬ Outshines the Competition at NAB 2012
Jeremiah Karpowicz

See why this light is in such high demand

See the Reach of Libec’s SWIFT JIB50 Telescopic Arm Jib
Jeremiah Karpowicz

The SWIFT JIB50 was on display at NAB 2012

Schneider Optics Puts Their 50mm Tilt-Shift Lenses on the C300
Jeremiah Karpowicz

See how the lens fits onto and works with the camera

LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse
Art Adams

Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

Compositing in FCP X
Mark Spencer

On this week’s MacBreak Studio

Litepanels Illuminates Chroma and Luma at NAB 2012
Jeremiah Karpowicz

Check out two on-camera lights that were featured at the show

David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection
Todd_Kopriva

Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.

After Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 Composition
Chris and Trish Meyer

...plus an update on what’s next for the Apprentice series.

Orad News and Products from NAB 2012
Jeremiah Karpowicz

Learn about what we discovered when we stopped by the Orad booth

ATTO Debuts New Products at NAB 2012
Jeremiah Karpowicz

Take a look at the ExpressSAS 6Gb/s Host Bus Adapters

Check out a Number of Hardware and Software Options from B&H
Jeremiah Karpowicz

Everything you need in one place

Final Cut Pro X Multicam Editing webinar now available on-demand
Scott Simmons

Plus a little screencast in this blog post on a topic we didn’t get to cover.



From Createasphere

The ‪ARRI M40‬ Outshines the Competition at NAB 2012

See why this light is in such high demand

We asked John Gresch, ARRI Vice President of Lighting Products, to tell us more about the products ARRI had to show at NAB 2012 and he gave us some details about the ARRI M40. It offers more light than what you’d get from a traditional power lamp and features the ARRIMAX reflector.

more »

See the Reach of Libec’s SWIFT JIB50 Telescopic Arm Jib

The SWIFT JIB50 was on display at NAB 2012

We talked with Jose Larios, Sales and Marketing for Libec of America, to learn more about their SWIFT JIB50. The product is equipped with a telescopic arm that can be easily adjusted by simply turning the arm’s lock levers. In addition, the jib can be retracted at both ends.

more »






image

Drobo Delivers Data Defense

Sara Frances | 05/26- 10:09 AM

Super Heroic efforts rule the digital universe,

where we’re all acquiring and creating media at an alarming rate—media that requires vast amounts of storage space. If your clients are like mine, they are remarkably unsophisticated, sometimes even careless, about how and why to protect the valuable images we make for them. Drobo® changes all that. When they come crying to you, wouldn’t it be great to be the hero and say, “yes, I’ve got you covered!”

My lengthy Adobe Premiere Pro CS6 review now online

Scott Simmons | 05/26- 07:08 AM

Studio Daily posted the review last week after pounding the thing on a number of edits

Last week Studio Daily published my Adobe Premiere Pro CS6 review. It’s a longie but a goodie as I tried to go into detail about what I really like and what I kinda don’t like about this brand new Premiere Pro. I had been pounding it hard on several projects before writing the review. I have had a few questions about exactly what kind of jobs I’ve been working on with it.

To be considered for listing, contact pr (at) provideocoalition (dot) com


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