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Michael Goldman
Michael Goldman is a longtime entertainment industry journalist who served as Senior Editor for the award-winning film journal, Millimeter, for 11 years, and before that, was an editor at Daily Variety. He's the author of four books and is currently hard at work on his fifth. Michael has penned articles for numerous consumer and trade publications, but his specialty is in covering the worlds of production and post-production for movies, television, and new media. Over the years, he has written for Millimeter and other publications about the people, tools, workflows, innovations, and trends behind projects large and small--ranging from blockbuster Hollywood movies to corporate videos and everything in-between. In that time, he has gained unique access to, and insight from, many of the world's leading filmmakers, particularly directors, cinematographers, editors, and visual effects' professionals. He was among the earliest industry journalists to cover the birth and maturation of the digital intermediate process and has been reporting on digital cinematography and workflows in professional environments for as long a such tools and techniques have existed. He can be reached at michael.goldman@me.com, and you can find an extensive archive of his Millimeter articles at www.millimeter.com. 
January 2011October 2010July 2010April 2010February 2010December 2009November 2009Complete Archives |
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Social Network gets RED, and really virtualCo-editor Angus Wall discusses what’s next out of Fincher land in terms of the Pix platform for enhanced collaboration on Girl with the Dragon Tattoo and beyond
I’ve been as absorbed as anybody lately in the buzz surrounding David Fincher’s new movie, Social Network—his and writer Aaron Sorkin’s rendering of the madness surrounding the founding of the Facebook social networking web site. That’s because I recently penned two articles about the movie—thankfully, not dealing with whether the movie is, or is not, a faithful telling of what actually went down at Harvard University a few years ago. Rather, I wrote about the undisputed innovations Fincher and his digital filmmaking team utilized in making the movie in the data realm without using physical media for the most part, both in production and in editorial. more »Click to play audio / video »Page 1 of 1 pages Advertisement |
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