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Michael Goldman
Michael Goldman is a longtime entertainment industry journalist who served as Senior Editor for the award-winning film journal, Millimeter, for 11 years, and before that, was an editor at Daily Variety. He's the author of four books and is currently hard at work on his fifth. Michael has penned articles for numerous consumer and trade publications, but his specialty is in covering the worlds of production and post-production for movies, television, and new media. Over the years, he has written for Millimeter and other publications about the people, tools, workflows, innovations, and trends behind projects large and small--ranging from blockbuster Hollywood movies to corporate videos and everything in-between. In that time, he has gained unique access to, and insight from, many of the world's leading filmmakers, particularly directors, cinematographers, editors, and visual effects' professionals. He was among the earliest industry journalists to cover the birth and maturation of the digital intermediate process and has been reporting on digital cinematography and workflows in professional environments for as long a such tools and techniques have existed. He can be reached at michael.goldman@me.com, and you can find an extensive archive of his Millimeter articles at www.millimeter.com. 
January 2011October 2010July 2010April 2010February 2010December 2009November 2009Complete Archives |
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Podcast: Adventures of Anthony Dod Mantle, part IAward-winning DP discusses playing with the SI2K system, “Slumdog Millionaire,” “127 Hours,” 3D, and lots more
With Academy Award nominations out, the movie awards’ season is now at full heat. In the cinematography category, last year’s big bling collector—the innovative Anthony Dod Mantle—wasn’t nominated this time around for a chance at back-to-back Oscar or ASC awards, although he and “127 Hours” co-DP Enrique Chediak were nominated for a BAFTA award for their work on that film. Still, when I reached Anthony recently by Skype after he had just wound up a long day of golf in Cape Town, South Africa, where he was shooting a European 3D sci-fi feature called “Dredd,” he chuckled about his doubts that “127 Hours” could earn him the same award recognition as “Slumdog Millionaire” did last year. He suggested that perhaps “127 Hours,” this year’s collaboration with director Danny Boyle, was “just a little radical for common taste.” Nonetheless, as with “Slumdog Millionaire” before it, “127 Hours” featured extensive and unique utilization of the Silicon Imaging 2k camera system that Mantle has been on the forefront of pioneering in feature films in recent years. He was gracious enough to spend his time recovering from golf to discuss those applications, and more, with me. more »Click to play audio / video »Page 1 of 1 pages Advertisement |
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