Michael Goldman

Michael Goldman is a longtime entertainment industry journalist who served as Senior Editor for the award-winning film journal, Millimeter, for 11 years, and before that, was an editor at Daily Variety. He's the author of four books and is currently hard at work on his fifth. Michael has penned articles for numerous consumer and trade publications, but his specialty is in covering the worlds of production and post-production for movies, television, and new media. Over the years, he has written for Millimeter and other publications about the people, tools, workflows, innovations, and trends behind projects large and small--ranging from blockbuster Hollywood movies to corporate videos and everything in-between. In that time, he has gained unique access to, and insight from, many of the world's leading filmmakers, particularly directors, cinematographers, editors, and visual effects' professionals. He was among the earliest industry journalists to cover the birth and maturation of the digital intermediate process and has been reporting on digital cinematography and workflows in professional environments for as long a such tools and techniques have existed. He can be reached at michael.goldman@me.com, and you can find an extensive archive of his Millimeter articles at www.millimeter.com.


Thursday, April 01, 2010

Rodney Charters Pre-NAB Podcast, Part 1

Respected cinematographer discusses digital acquisition trends, options, and issues

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There was a certain irony present when I dialed up my friend, Rodney Charters, ASC, recently to discuss the latest digital camera acquisition trends as we head into NAB 2010. Rodney had just learned hours earlier what he had been suspecting for quite some time—that the hit Fox TV show he has shot for eight seasons, “24,” would finally be canceled at long last. It was a bit of a melancholy moment for Rodney, and for me, since I’ve edited one behind-the-scenes book on the show and penned the fan book for it, as well. (24: Ultimate Guide). Extending the irony, though, was the fact that the show lasted this long despite the fact that Rodney had fought hard the last two years to keep “24” in the film acquisition universe even as most of the rest of episodic television had dived headlong into the transition from film to digital.

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