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Michael Goldman
Michael Goldman is a longtime entertainment industry journalist who served as Senior Editor for the award-winning film journal, Millimeter, for 11 years, and before that, was an editor at Daily Variety. He's the author of four books and is currently hard at work on his fifth. Michael has penned articles for numerous consumer and trade publications, but his specialty is in covering the worlds of production and post-production for movies, television, and new media. Over the years, he has written for Millimeter and other publications about the people, tools, workflows, innovations, and trends behind projects large and small--ranging from blockbuster Hollywood movies to corporate videos and everything in-between. In that time, he has gained unique access to, and insight from, many of the world's leading filmmakers, particularly directors, cinematographers, editors, and visual effects' professionals. He was among the earliest industry journalists to cover the birth and maturation of the digital intermediate process and has been reporting on digital cinematography and workflows in professional environments for as long a such tools and techniques have existed. He can be reached at michael.goldman@me.com, and you can find an extensive archive of his Millimeter articles at www.millimeter.com.
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Wednesday, July 14, 2010
Chatting with Jeffrey Okun, Part 1
I recently called Jeffrey Okun, a well-respected visual effects supervisor and Chairman of the Board of Directors for the Visual Effects Society (VES) to tap his brains about the state of the visual effects industry and all the wonderful technology that is fundamentally changing it at a startling pace. Jeffrey, of course, has been around since the early 1980’s and has supervised effects on many big films, including Ed Zwick’s work on “The Last Samurai” and “Blood Diamond,” among others. He’s currently in Vancouver, supervising on Catherine Hardwick’s upcoming “Little Red Riding Hood.”
more »Click to play audio / video »
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