Wednesday, February 04, 2009

After Effects Tips - Installment 4

Trish Meyer | 02/04- 10:26 PM

A Tip a Day Keeps the Doctor Away

Continuing our series of After Effects tips, including the itty bitty tilde key and other essential shortcuts for manipulating panels, layers and markers:

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Monday, February 02, 2009

After Effects Apprentice Video Tutorial #2

Chris Meyer | 02/02- 12:25 PM

Taking advantage of the Effects & Presets panel.

We’ve recently released After Effects Apprentice (2nd Edition). The DVD-ROM that comes with the book includes an hour and a half of video tutorials that provide gentle introductions to major features inside After Effects, such as text and expressions. In this second video, we give a guided tour of the Effects & Presets panel, showing how to use it to find and apply effects, apply and customize animation presets, and save presets of your own to help you save time. Click on the Play Video link below, and enjoy!

(Note: For those who are hearing-impaired, lynda.com has added Closed Captioning to these tutorials. They are available here. We are also in the process of creating video training for all of the After Effects Apprentice lessons; they will also appear on lynda.com. If you do not have a lynda.com subscription, click here for a free 7-day pass.)

After Effects Apprentice was designed for students looking to learn After Effects from scratch, as well as those who do not use AE full time (such as editors or web designers). It starts gently with an introduction to keyframing, and progresses through the important features (such as masks, mattes, effects, text, audio, 3D space, shape layers, expressions, parenting, and building advanced hierarchies of compositions) until you end up keying, stabilizing, and compositing a shot in high def. The second edition has been fully revamped for After Effects CS4, and includes integration with Photoshop CS4 Extended and Flash Professional CS4.

The content contained in After Effects Apprentice - as well as the CMG Blogs and CMG Keyframes posts on ProVideoCoalition - are copyright Crish Design, except where otherwise attributed.

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Tuesday, January 27, 2009

The Differences Between AE CS3 and CS4

Chris and Trish Meyer | 01/27- 12:27 PM

A free chapter for Creating Motion Graphics owners that details the differences.

The short version:

A free chapter by us outlining in detail the differences between After Effects CS3 and CS4 - with project files - is now available on our publisher Focal Press’ web site.

The long version:

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Monday, January 26, 2009

A Mac Tablet Computer for Pros

Richard Harrington | 01/26- 04:21 PM

Axiotron ModBook Pro In-Depth Interview

A great tablet for Graphic and Video Pros

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Saturday, January 24, 2009

MacBook Pro goes to 17 Inches (A Video Look)

Richard Harrington | 01/24- 04:05 PM

My look at the MacBook Pro 17 Inch at Macworld Expo

My look at the MacBook Pro 17 and its features for Pros

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Thursday, January 22, 2009

Wiggle Transform Tips

Chris and Trish Meyer | 01/22- 04:04 PM

A video tutorial on using this new feature in AE CS4.

A small but very useful feature slipped into After Effects CS4 was a new Wiggle Transform operator for Shape Layers. When used by itself, it allows the user to automatically animate the anchor point, position, rotation, and scale of a layer without having to use expressions or animation presets; when used in conjunction with the Repeater shape layer operator, it enables the creation of writhing, pulsing, wiggling masses of shapes. However, there are a few tricks involved in getting it to do exactly what you want - so we created a video outlining these tricks as well as other related tips. Click the Play Video link below to watch it.


The content contained in our books, videos, blogs, and articles for other sites are all copyright Crish Design, except where otherwise attributed.

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Monday, January 12, 2009

On Artbeats.com: Faux Reflections

Chris and Trish Meyer | 01/12- 06:51 PM

Our recipie, including workflow tips.

There are a few different recipies out there on how to fake reflections in After Effects. We recently wrote up our favorite, using a combination of 3D space, nested compositions, Shape Layers to create more controllable gradients, and the lesser-known Lens Blur effect instead of Compound Blur. We also discuss how to set up a hierarchy of compositions to make it easier to swap out the source footage later, and how to use the technique to reflect an animating object on an imaginary floor.

Click here to download the PDF of “Faux Reflections” from Artbeats.com.

In addition to After Effects-only recopies, we should note that there are a couple of excellent third party plug-ins out there that create reflections. If you’re working in 2D space, check out RG Reflection inside Red Giant Software’s Warp plug-in set, which is available for After Effects, Premiere Pro, Final Cut Pro, Motion, and Avid Xpress Pro/Media Composer. If you’re working in 3D space, you should certainly then check out Zaxwerk’s Reflector for After Effects.

(BTW: This reflection trick is put to good use in the final lesson of our latest book, After Effects Apprentice (2nd Edition).)

The content contained in our books, videos, blogs, and articles for other sites are all copyright Crish Design, except where otherwise attributed.

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Friday, January 09, 2009

After Effects Apprentice Video Tutorial #1

Chris and Trish Meyer | 01/09- 12:15 AM

Learning your way around the AE CS4 interface.

We’ve just released After Effects Apprentice (2nd Edition). This book was designed for students looking to learn After Effects from scratch, as well as those who do not use AE full time (such as editors or web designers). It starts gently with an introduction to keyframing, and progresses through the important features (such as masks, mattes, effects, text, audio, 3D space, shape layers, expressions, parenting, and building advanced hierarchies of compositions) until you end up keying, stablizing, and compositing a shot in high def. The second edition has been fully revamped for After Effects CS4, and includes integration with Photoshop CS4 Extended and Flash Professional CS4.

The DVD-ROM that comes with the book includes an hour and a half of video tutorials that provide gentle introductions to major features inside After Effects, such as text and expressions. Here is the first video, which provides an overview of the After Effects user interface, including managing and rearranging it to best fit your needs. Included is an introduction to the new Composition Navigator and Mini Flowchart that were added in CS4. Click on the Play Video link below, and enjoy!

(Note: For those who are hearing-impaired, lynda.com has added Closed Captioning to these tutorials. They are available here. We are also in the process of creating video training for all of the After Effects Apprentice lessons; they will also appear on lynda.com. If you do not have a lynda.com subscription, click here for a free 7-day pass.)

After Effects Apprentice was designed for students looking to learn After Effects from scratch, as well as those who do not use AE full time (such as editors or web designers). It starts gently with an introduction to keyframing, and progresses through the important features (such as masks, mattes, effects, text, audio, 3D space, shape layers, expressions, parenting, and building advanced hierarchies of compositions) until you end up keying, stabilizing, and compositing a shot in high def. The second edition has been fully revamped for After Effects CS4, and includes integration with Photoshop CS4 Extended and Flash Professional CS4.

The content contained in After Effects Apprentice - as well as the CMG Blogs and CMG Keyframes posts on ProVideoCoalition - are copyright Crish Design, except where otherwise attributed.

more »

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2D Footage with a Stereo 3D Rig in After Effects CS5.5

Jeff Foster | 02/10- 06:09 PM

Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5

Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output.

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How to get the “24p” look for your live-switched multicam shoot

Allan Tépper | 02/10- 04:23 PM

A contracted article, sponsored by Datavideo Corporation.

Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.

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