Friday, January 27, 2012

3D Layers Overview with Photoshop CS4-CS5.5

Jeff Foster | 01/27- 11:52 PM

Part Three: Video Editing & Animation with Photoshop CS4/CS5 Extended Series

Not only can you manipulate video layers in 3D space in Photoshop CS4 and later, but you can create 3D objects from primitives and import 3D models. In this FREE 12-minute tutorial from my Video Training DVD Photoshop CS4/CS5 Video & Animation, I give you an overview of the 3D workspace and how you can create, manipulate and modify 3D layers and tools right inside of Photoshop.

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Friday, January 27, 2012

After Effects Apprentice Free Video: Drawing Parametric Shapes

Chris and Trish Meyer | 01/27- 08:31 AM

The same tools you’ve used to create masks can also be used to create Shape Layers - with far more options than you might have imagined.

As we mentioned awhile back, we’ve been busy the past year and a half creating an extensive, multi-course video training series based on our popular beginner’s book After Effects Apprentice. Each course has two or more movies that are free for all to view; we’re re-posting those videos here on PVC to make sure you don’t miss them. In this movie, Chris shares a number of tips and tricks for creating parametric shapes.

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Thursday, January 12, 2012

After Effects Apprentice Free Video: The Puppet Starch Tool

Chris and Trish Meyer | 01/12- 02:15 PM

Not happy with how Puppet kinks and bends your image? The little-known Starch tool helps you straighten it out.

As we mentioned awhile back, we’ve been busy the past year and a half creating an extensive, multi-course video training series based on our popular beginner’s book After Effects Apprentice. Each course has two or more movies that are free for all to view; we’re re-posting those videos here on PVC to make sure you don’t miss them. In this movie, Chris demonstrates using the Starch tool to clean up problems that can appear when creating Puppet distortions in After Effects.

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Sunday, January 08, 2012

Daily Inspiration - Operation White Widow

Matt Jeppsen | 01/08- 04:00 PM

An animated short with a creative twist

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Here’s a short, inspirational piece I spotted on Vimeo, entitled “Operation White Widow.” Hopefully this will stimulate your creativity. Watch below…

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Saturday, January 07, 2012

After Effects Apprentice Free Video: Eraser Tool Modes

Chris and Trish Meyer | 01/07- 05:36 PM

How to target precisely what you’re erasing, from the source image to just your most recent paint stroke.

As we mentioned awhile back, we’ve been busy the past year and a half creating an extensive, multi-course video training series based on our popular beginner’s book After Effects Apprentice. Each course has two or more movies that are free for all to view; we’re re-posting those videos here on PVC to make sure you don’t miss them. In this movie, Trish discusses the different Eraser tool modes - Layer Source & Paint, Paint Only, and Last Stroke Only - and demonstrates when to use each.

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Tuesday, January 03, 2012

The Utility and Ease of Use for GenArts’ Sapphire Edge

PVC News Staff | 01/03- 09:28 PM

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GenArts’ Sapphire Edge is not a color grading plug-in in the traditional sense. If you’re looking for endless numbers of sliders, dials and switches that adjust an image using terms like lift, curves or channel mixer, then Edge is not your tool. But if you are looking for a large set of high-quality looks that can be applied with ease and quickly customized with only a minimal learning curve, then Sapphire Edge is just such a tool.

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Tuesday, December 20, 2011

The Smoke and Mirrors Behind Sweden’s Brokendoll

Clint Milby | 12/20- 02:06 PM

Brett Richards Tells Why His Post Is Up In Smoke

Winner of numerous ProMax awards in 2011, Sweden-based, boutique production company Brokendoll has garnered acclaim with their self-described “visually intense” high end productions for advertising, television and web.  You might think a company with this level of initial success would also have goals of growing, but according to Brett Richards, Brokendoll is intent on keeping their footprint small to maintain the quality of their productions, “It is important to the quality of the production that we have the right team on each job, so we avoid large, in house teams to maximize our flexibility.” 

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Saturday, December 17, 2011

Made with After Effects

Chris and Trish Meyer | 12/17- 11:02 AM

Join us for a live webcast Tuesday December 20 where we celebrate and critique some excellent work in our favorite application.

In what is become an annual tradition, the good folks over at motion.tv run a Made with After Effects competition. We participate in critiquing the entries, including pointing out the strong points as well as sharing our years of experience in suggesting ways to improve the work even further. The resulting discussion - as well as viewing the winners - is something we think is educational for all users looking to raise their game.

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LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse

Art Adams | 05/24- 11:24 AM

Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

I love stacking cucolorii (plural of “cucoloris”) and I thought it was time to write an article about how this technique works and why I like it so much. I was a bit stretched for ideas that would illustrate this concept… and then an eclipse happened. Why that made a difference is a very interesting story…

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Compositing in FCP X

Mark Spencer | 05/23- 05:03 AM

On this week’s MacBreak Studio

On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.

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