Welcome to part two of the Face Replacement tutorial, I highly recommend viewing part one (HERE) if you haven’t done so already, since I will be using a lot of the same techniques and I move though some of the repeat steps a little faster in this tutorial. Hopefully part one got you well on your way to doing your first simple face replacement. In part two I will show you how to track and composite a more advanced moving face, more specifically one that is doing a 180 degree turn.
In part two of this series I will talk about…
- Using Mocha to track and stabilize footage that is changing perspective
- How to composite the elements in After Effects
- Using stock plugins to degrade P2 1080 footage to look VHS like.
- Show After Effects shortcut keys
- How to find out more about the producer, director and the cast
Once again I would like to thank the following people for allowing me to use footage from the Pistol Youth - “In My Eyes” music video for this tutorial.
Executive Producer: Steve Buchanan More Fancy Website
Director: Isaac Rentz Isaac Rentz Website
Cast: Bradley Hanan Carter of Pistol Youth Pistol Youth Website
In this two part series, I’ll show you how to track and composite a face onto another body using After Effects and Mocha AE. Learn some of the tricks and hurdles you may have to deal with when trying to produce this type of effect.
This tutorial is a special one and a little different in that it doubles as a small behind-the-scenes video as well. Emphasis on small. Most of you may recall the infamous Pistol Youth music video, “In My Eyes” that was storming the web a few months back. You know, the one with the Golden Girls…. AHHHHH! Yes, now you remember…..and if you don’t, or if you missed out on this event…..here is the video that caught a lot of attention.
WARNING FOR GOLDEN GIRL FANS: You may find this unbelievably funny or absolutely disturbing. :D
Since the release of the Pistol Youth music video back in January 09, I have been getting lots of emails and comments from people, a lot of which have been asking, “how did you do that?”, “Did you use Syntheyes, Mocha, Shake or After Effects?”, How long did that take”, some just commented “Wow, that totally freaked me out, but it was awesome!”, etc… Well, to answer some of the questions…
Tracking: Mocha AE
Compositing: After Effects
Number of shots: 62
Number of heads replaced: 96 (not all of them made the cut)
Total hours for vfx: 65 hours (spread over three weeks)
How many actors: Just one, Brad did all of the faces.
So, on with the show. In part one of this series I talk about…
- The base setup that was used when filming Brad on greenscreen
- Why the audio was recorded at half speed
- Using Mocha to track and stabilize footage
- How to composite the elements in After Effects
- Using stock plugins to degrade P2 1080 footage to look VHS like.
- Show After Effects shortcut keys
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Studio Daily posted the review last week after pounding the thing on a number of edits
Last week Studio Daily published my Adobe Premiere Pro CS6 review. It’s a longie but a goodie as I tried to go into detail about what I really like and what I kinda don’t like about this brand new Premiere Pro. I had been pounding it hard on several projects before writing the review. I have had a few questions about exactly what kind of jobs I’ve been working on with it.
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