|
crowd sourcing the experts |
||||||||
| |
||||||||
 |
||||||||
Motion Graphics & Visual Effects
Written by a collection of the best writers in the industry 
Expression Shorts - Numerical ReadoutExpression Shorts - Random Words CycleExpression Shorts - Auto Fade LayerNull Swapper - Plexus/Particular Utility ScriptExpression Shorts - Read External Text DocumentThe Utility and Ease of Use for GenArts’ Sapphire EdgeMotion Tracking and Green Screen with After Effects & Mocha AEAfter Effects Leftovers - Part 5After Effects Leftovers - Part 4After Effects Leftovers - Part 3After Effects Leftovers - Part 2After Effects Leftovers - Part 1Friday InspirationMotion Graphics and Health Care ReformCinema 4D Finally Brings 3D to MotionDon’t Work for PeanutsTop VFX/MoGraph Twitterers to FollowMotion Graphics: Friday InspirationThe Centrica Carnivale part 3The Centrica Carnivale part 2Introducing the Centrica CarnivaleMove Projects from FCP to AE Seamlessly (and Free!)Universal Format ConverterThe Future Of Image EditingBelievable Hand-Held Motion Tracking with Mocha & After Effects CS4
February 2012January 2012November 2011October 2010April 2010March 2010December 2009November 2009October 2009August 2009July 2009June 2009May 2009April 2009March 2009February 2009January 2009December 2008November 2008October 2008September 2008Complete ArchivesCategory Archives |
|
Expression Shorts - Numerical ReadoutCreate numerical readouts for use in HUD style graphics.
With this Expression, I will show you how to feed numerical property information into a Text layer. Great for HUD numerical readouts that show coordinates or just various position info. more »Expression Shorts - Random Words CycleCreate a text layer that randomly cycles through words.
Learn how to make a text layer randomly cycle through an array of words that you assign it. Great for random HUD info, background filler, etc… more »Expression Shorts - Auto Fade LayerAutomatically fade a layer up and down without keyframes.
(CODE UPDATED 1/28 See article for updates) Learn how to fade a layer up and down without using keyframes. The cool part is that you can change the in/out points of your layer and it’ll adjust accordingly. more »
GentryMedia Sister Sites •
ProVideo Coalition •
(3) Comments •
Most recent comments by:
David Torno,
e.s.,
Rob,
•
Permalink
Null Swapper - Plexus/Particular Utility ScriptSwap Null layers for Light layers.
Need a helping hand changing your 3D/2D Null layers into Light layers so you can use them for Plexus or Trapcode Particular? Well this short tutorial will show you how, plus you get a free script that does the actual work for you. HOORAH! Advertisement Expression Shorts - Read External Text DocumentAE Text Layer source text from external document.
Welcome to the first episode of at least five at the moment in the Expression Shorts series. With this series I have put together some short tutorials on various After Effects Expression code that can be very handy. more »The Utility and Ease of Use for GenArts’ Sapphire Edge
GenArts’ Sapphire Edge is not a color grading plug-in in the traditional sense. If you’re looking for endless numbers of sliders, dials and switches that adjust an image using terms like lift, curves or channel mixer, then Edge is not your tool. But if you are looking for a large set of high-quality looks that can be applied with ease and quickly customized with only a minimal learning curve, then Sapphire Edge is just such a tool. more »
Editing •
GentryMedia Sister Sites •
ProVideo Coalition •
Motion Graphics •
Post Production •
Software •
(0) Comments •
•
Permalink
Motion Tracking and Green Screen with After Effects & Mocha AETrack, insert and matte - while retaining reflection integrity on shiny surfaces
Amazingly, a lot of people don’t even know that they already OWN Mocha AE… it ships along with After Effects CS4 and higher and is a stand-alone application for providing planar motion tracking. You’ve probably already seen the trick of using Mocha AE to track and insert an image or a video clip inside an iPhone, but how about dealing with fingers on the screen and reflections on the surface? Sure, you could root out the fingers with the RotoBrush tool in After Effects and get pretty decent results, but that’s a fairly time-consuming workflow if you can avoid it. This tutorial will show you how to take a video clip of an iPhone or iPad or any other handheld touch device set to a solid green screen, and insert your video clips or animations into to it perfectly, while realistically retaining the bright reflections on the shiny glass surfaces. *NOTE: You can follow along with this tutorial by downloading the free project folder with included source files (After Effects CS5.5) at this link from my web site HERE. more »
GentryMedia Sister Sites •
ProVideo Coalition •
Motion Graphics •
Visual Effects •
(0) Comments •
•
Permalink
After Effects Leftovers - Part 5Reheating old features you forgot you had…
This 5-part series looks at a selection of features that were in After Effects before CS5 but have been often overlooked. A total of 40 tips, tricks, workflow suggestions and general reminders are given covering topics including layout, masking, rendering and even using the interface. Part 5 wraps up the series by looking at presets and rendering. Adobe’s Todd Kopriva has kindly pointed out another bonus feature - a bunch of additional animation presets on the Adobe Exchange that is a great way to conclude the series. Thanks Todd! Click to audio / video »Page 1 of 9 pages 1 2 3 > Last » Advertisement |
|
|
||||
|
|
|||||||
2D Footage with a Stereo 3D Rig in After Effects CS5.5
Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5
Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output.
How to get the “24p” look for your live-switched multicam shoot
A contracted article, sponsored by Datavideo Corporation.
Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.
To be considered for listing, contact pr (at) provideocoalition (dot) com
Copyright © 2011, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere
All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.