(Page 1 of 1 pages for this article )

Wednesday, April 22, 2009

Filed under: *VIDEO*CS4Post ProductionTipsTrainingVisual Effects

Face Replacement Part 2: ADVANCED

David Torno | 04/22

Because Two Heads Are Better Than One

image

Welcome to part two of the Face Replacement tutorial, I highly recommend viewing part one (HERE) if you haven’t done so already, since I will be using a lot of the same techniques and I move though some of the repeat steps a little faster in this tutorial. Hopefully part one got you well on your way to doing your first simple face replacement. In part two I will show you how to track and composite a more advanced moving face, more specifically one that is doing a 180 degree turn.

In part two of this series I will talk about… - Using Mocha to track and stabilize footage that is changing perspective - How to composite the elements in After Effects - Using stock plugins to degrade P2 1080 footage to look VHS like. - Show After Effects shortcut keys - How to find out more about the producer, director and the cast Once again I would like to thank the following people for allowing me to use footage from the Pistol Youth - “In My Eyes” music video for this tutorial. Executive Producer: Steve Buchanan More Fancy Website Director: Isaac Rentz Isaac Rentz Website Cast: Bradley Hanan Carter of Pistol Youth Pistol Youth Website

Click to play audio / video »

(Page 1 of 1 pages for this article )

               



You must be registered to comment. This is an effort to reduce spam. Please REGISTER HERE.

Name:

Email:

Location:

URL:

Smileys

Remember my personal information

Notify me of follow-up comments?

Submit the word you see below:


 
Native DSLR Editing in Premiere Pro CS5
Jason Levine | 05/05

Now that CS5 has officially been announced, launched, and available for download and purchase, I figured it was time to blog about one of my favorite features in Premiere Pro…Native DSLR editing.

A few months back, while on Press Tour in Singapore I purchased a Canon 7D. Having only worked with some 5DMKII footage (during our demo-asset creation phase) I was really psyched to ‘get my hands dirty’ and see what…

What You Need to Know about Green, Blue and RED
Art Adams | 09/23

I hope you like blue in your greens under tungsten light…

In a recent article I surmised that RED was mixing green into the blue channel to eliminate blue noise under tungsten light. I had a theory but no proof of what was going on. Now I have proof.

Perfecting Green Screen Photos
Karl Soule | 03/24

Cleaning out the green on green screen

image

My friend Rufus Deuchler recently gave me a challenge. I started in video production working with virtual sets and chromakeying over a decade ago. I’ve used many different…




Advertisements













Partner Text Links



Copyright 2008 ProVideo Coalition LLC