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Tuesday, May 20, 2008
Rendering Motion Projects in Final Cut Pro
Mark Spencer | 05/20
The key to dramatically faster render times
If you have begun to explore Final Cut Studio’s application integration by embedding your Motion project files into your Final Cut Pro sequence, you may have noticed a rather large increase in render time for that sequence.
Part of the cause of the increased render time is due to the level of complexity of your Motion project, but there’s a setting in Final Cut Pro that can dramatically reduce render times with little to no impact on the quality of your Motion project—except for certain types of projects.
In Final Cut Pro, select the sequence, press Command-0 (zero) to bring up the Sequence Settings, and select the Render Control tab . By default, the Quality setting for Master Templates and Motion Projects is set to Best.

If you change it to Normal, you should see a significant reduction in render time. If you uncheck “Always Use Best Quality When Rendering Movies” you will reduce render times even further.
The only projects that require the Best setting are ones involving vector objects like shapes and text that are increased in size over 100% - for example, flying a camera through some text. Do a test render of a section of your .motn clip in your FCP sequence by setting In and Out points with both the Best and the Normal settings to determine if you need the Best settings - for most situations, Normal will probably be just fine, and will give you much faster renders.
To make all new sequences use the Normal setting by default, press Option-Q to bring up User Preferences, then go to the Render Control tab and change the setting there.
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Chris and Trish Meyer | 10/28
Another selection of “hidden gems” (and essential advice), this time from Chapter 44 of Creating Motion Graphics with After Effects.
We’re going through our book Creating Motion Graphics with After Effects 5th Edition (CMG5) and pulling out a few “hidden gems” from…
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Jeff Sengstack | 10/22
A case where the whole is indeed greater than the sum of its parts.
When you look at Adobe CS Production Premium’s video production tools - Premiere Pro, After Effects, Encore, Audition, and Photoshop - many if not all could be…
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PVC News Staff | 10/18
New API features simplify integration with third-party systems; new ProRes 4:4:4:4, AVC-Intra, DPX image sequence and adaptive streaming format support increase value for professional and new media workflows
Telestream®, the leading provider of digital media tools and workflow solutions, today announced the release of Episode® 6.2 multiformat video encoding software. New and improved API features expand…
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Chris and Trish Meyer | 10/28
Another selection of “hidden gems” (and essential advice), this time from Chapter 44 of Creating Motion Graphics with After Effects.
We’re going through our book Creating Motion Graphics with After Effects 5th Edition (CMG5) and pulling out a few “hidden gems” from…
|
Jeff Sengstack | 10/22
A case where the whole is indeed greater than the sum of its parts.
When you look at Adobe CS Production Premium’s video production tools - Premiere Pro, After Effects, Encore, Audition, and Photoshop - many if not all could be…
|
PVC News Staff | 10/18
New API features simplify integration with third-party systems; new ProRes 4:4:4:4, AVC-Intra, DPX image sequence and adaptive streaming format support increase value for professional and new media workflows
Telestream®, the leading provider of digital media tools and workflow solutions, today announced the release of Episode® 6.2 multiformat video encoding software. New and improved API features expand…
|
Chris and Trish Meyer | 10/16
Another selection of “hidden gems” (and essential advice), this time from Chapter 42 of Creating Motion Graphics with After Effects.
We’re going through our book Creating Motion Graphics with After Effects 5th Edition (CMG5) and pulling out a few “hidden gems” from…
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