Wednesday, April 16, 2008

Snapshots - NAB 2008 Day 2

Adam Wilt | 04/16- 01:44 AM

Codex Digital, SpeedGrade, Tangent, SI2K, and Nila

Codex Digital Portable and disk pack

Highlights of my walking around the show floor on Tuesday…

Codex Digital showed working versions of their Portable digital cine recorder. $44K gets you the lunchbox plus a three-hour drive pack, and the superb Codex user interface.

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Wednesday, April 16, 2008

Things to know about NAB

Bruce A Johnson | 04/16- 12:31 AM

There’s more than gear to consider.

First thing to know about NAB:  Las Vegas is probably one of the last cities in the world where you can routinely expect to pay exorbitant money for Internet service in your hotel room.  However, at McCarran Airport, wifi is free.  That probably explains why I’m posting this now, as I wait to board my flight home.

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Tuesday, April 15, 2008

Snapshots - NAB 2008 Day 1

Adam Wilt | 04/15- 03:20 AM

Various images from the show floor

Carlos Acosta shows off his prototype shoulder mount for the F23

Carlos Acosta shows off his prototype shoulder mount for the F23 at the Band Pro booth. Fully flexible configuration: grips rotate freely or lock down, and adjust laterally, vertically, and in or out. Shoulder pad is positionable and can be angled; split foam padding velcroed in place allows easy changes, such as a thicker pad on the “outboard” side for better balance. Completely tool-free adjustment and assembly, too; and squeak-free by design. Nice work!

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Monday, April 14, 2008

Killer Camera Support From Sachtler

Scott Gentry | 04/14- 08:11 PM

I spent some time today at the Sachlter booth checking out the Artemis vest and support – ACT 2.  I enclosed a press release after the jump, but here’s what caught my attention:

• Build quality seems top quality
• Carbon Fiber, Carbon Fiber, Carbon Fiber!
• This sucker was built on a vibration table to optimize its ability for quick motion and no flex
• New internal electronics to handle the higher wattage camera systems such as RED
• Revised vest ads to breathability and flexibility

While I don’t have a need for one of these slick items, I still want one…

Press release after the jump:

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Monday, April 14, 2008

Petrol Bags

Scott Gentry | 04/14- 07:56 PM

Clever Rain Covers From Petrol

As I’ve mentioned in a previous post – I’m a bag person.  Today I stopped by the folks at Petrol and got a glimpse of some of their newer products.  Lucky for me my checkbook was elsewhere.

Prior to leaving for NAB, I was looking for a back that I could walk the floor, quickly pull out my video camera, microphone, etc and start shooting.  But I also needed my Nikon D300 in case I needed to get a few great shots.  Oh yeah, and I almost forgot, I need my computer to post during the show if necessary.  Petrol has such animals, and more.  While the bags got my attention, a slick rain coat for my camera kept my attention.

Rain slickers tend to be very good form fitting products you buy for specific camera models.  What if you want to add a Matte Box?  You’re out of luck likely.  Similarly if you’d like to share slickers across different cameras, you’ll find they don’t fit.  Petrol’s newest is pretty slick indeed.  While not form fitting, it attaches to the hot shoe to stabilize it, but it’s got velcro to wrap where necessary.  Clever idea really.

Full press release after the jump:

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Monday, April 14, 2008

Red One News - Builds, Lenses, Accessories

Mike Curtis | 04/14- 05:40 PM

Build 16 news, new lenses & details, new Pro Accessories

...so besides Scarlet, Epic, and Red Ray, there was (Oh Yeah!) news for Red One too. They have some new lenses, accessories, and firmware builds coming for the Red One. I got hands on with the big honkin’ 18-85mm zoom, and it is GOOD. I looked at the new 7” Pro LCD and I like it. Read on for the details that aren’t on the website.

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Drobo Delivers Data Defense
Sara Frances

Super Heroic efforts rule the digital universe,

My lengthy Adobe Premiere Pro CS6 review now online
Scott Simmons

Studio Daily posted the review last week after pounding the thing on a number of edits

LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse
Art Adams

Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

Compositing in FCP X
Mark Spencer

On this week’s MacBreak Studio

David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection
Todd_Kopriva

Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.

After Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 Composition
Chris and Trish Meyer

...plus an update on what’s next for the Apprentice series.

Final Cut Pro X Multicam Editing webinar now available on-demand
Scott Simmons

Plus a little screencast in this blog post on a topic we didn’t get to cover.

CAMERAS: Food Fights with the FS700
Art Adams

You want 240fps 1920x1080? I’ve got your high-speed HD right here… for less than $10K.

How to get good production dialogue
Matt Jeppsen

Use a boom mic and some common sense!

After Effects Apprentice Free Video: Using Parenting to Animate Layers as a Unit
Chris and Trish Meyer

Taking advantage of parenting, multiple 3D views, and AE’s built-in calculator to coordinate a multi-layer animation.

Rigging the Bird
Mark Spencer

Motion Magic on MacBreak Studio

10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6
Scott Simmons

These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement







image

Drobo Delivers Data Defense

Sara Frances | 05/26- 10:09 AM

Super Heroic efforts rule the digital universe,

where we’re all acquiring and creating media at an alarming rate—media that requires vast amounts of storage space. If your clients are like mine, they are remarkably unsophisticated, sometimes even careless, about how and why to protect the valuable images we make for them. Drobo® changes all that. When they come crying to you, wouldn’t it be great to be the hero and say, “yes, I’ve got you covered!”

My lengthy Adobe Premiere Pro CS6 review now online

Scott Simmons | 05/26- 07:08 AM

Studio Daily posted the review last week after pounding the thing on a number of edits

Last week Studio Daily published my Adobe Premiere Pro CS6 review. It’s a longie but a goodie as I tried to go into detail about what I really like and what I kinda don’t like about this brand new Premiere Pro. I had been pounding it hard on several projects before writing the review. I have had a few questions about exactly what kind of jobs I’ve been working on with it.

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