Tuesday, April 26, 2011

NAB 2011 - Camera Support

Adam Wilt | 04/26- 10:46 PM

Gearnex MoCo! Cranky sliders! The panto-jib! Throw the RED a dogbone! And more…

Yes, there’s actually a GH2 in there… somewhere… (grin)

Another NAB, and more camera support kit for cameras big and small. Here I look at just a few things that caught my eye.

more »

Monday, April 25, 2011

NAB 2011 - Lenses

Adam Wilt | 04/25- 09:16 PM

PL-Mount and otherwise, cine-style lenses are proliferating.

Two Illumina S35mm T1.3 Primes.

More lenses! Crikey, RED builds an affordable PL-mount camera, Sony and Panasonic bring out even more affordable PL-capable cameras, and suddenly there are PL-mount (or interchangeable-mount) lenses everywhere!

more »

Sunday, April 24, 2011

NAB 2011 - Stereo 3D

Adam Wilt | 04/24- 10:00 PM

A quick look at some of the S3D oddities on offer at NAB 2011.

If you’re gonna shoot S3D, why not watch S3D? Dual PMW-F3s on a mirror rig.

I’m a Chauncey Gardner when it comes to 3D: I like to watch. But as long as stereo 3D requires a bulky mirror rig, or a data cart like the one below, watching is all I’m likely to do. Fortunately, NAB shows that I’m not the only one who feels that way: there were plenty of [somewhat more] practical solutions for shooting stereo.

more »

Sunday, April 24, 2011

NAB 2011 - Recorders

Adam Wilt | 04/24- 12:39 PM

On-camera recording devices, plus the end of tape?

Sound Devices PIX 240 main display with all data overlays enabled.

If NAB had an unofficial theme this year, it was “the year of compact on-camera digital recorders.” And the subtext? Suddenly, silently: ProRes everywhere.

more »

Sunday, April 24, 2011

NAB 2011 - FilmLight

Adam Wilt | 04/24- 12:26 PM

The film scanner / color management / grading system company’s NAB offerings.

FilmLight’s Blackboard 2 softkey control surface.

 

UK company FilmLight is packaging their high-end color-grading system Baselight as an “under US$1000” plugin for Final Cut Pro. They’ve also announced the new Blackboard 2 soft-key control surface, and they’re now the non-US distributor for Visionary Archive.

more »

Saturday, April 23, 2011

NAB 2011 - Ikegami’s HDS-F90 LSS 4/3” Camcorder

Adam Wilt | 04/23- 04:27 PM

An Ikegami GFCam large-single-sensor 4/3” camera with a PL-mount lens???

The folks over at DSLR News Shooter found that Ikegami is making a 4/3” PL-mount camcorder—Ikegami, fercryinoutloud!

more »

Thursday, April 21, 2011

NAB 2011 Video - 3rd-Party Support for the AG-AF100

Adam Wilt | 04/21- 09:37 PM

Lenses, lens mount adapters, matte boxes, follow-focuses, and more…

Panasonic’s Jan Crittenden Livingston shows off some of the 3rd-party accessories for the large-single-sensor, interchangeable-lens AF100 camcorder.

900x506 QuickTime movie, 1 Mbit/sec h.264, 38 Mbytes.

Click to PLAY VIDEO »more »

Thursday, April 21, 2011

Polecam Starter Pack stands high at NAB 2011

Dorian Gentry | 04/21- 08:21 PM

21 April 2011: Polecam has reconfirmed its position as the global leader in truly portable systems for digital film and television content creation with the US launch of Polecam Starter Pack at NAB 2011 in Las Vegas.  Aggressively priced at under US $10,000, the new rig is designed for use with latest-generation compact camcorders and D-SLR heads while retaining all the versatility for which Polecam systems are renown.

“Polecam Starter Pack is one of our most exciting new products since we introduced the original Polecam system in 1998,” comments the company’s founder and Managing Director Steffan Hewitt.  “Its three interlocking carbon-fibre poles give a forward reach of nearly 12 feet.  This allows visually stunning overhead pan and tilt sequences to be performed without the logistical or health-and-safety issues that arise when using a heavyweight crane.

more »

Thursday, April 21, 2011

NAB 2011 Video - Panasonic AG-HPX250

Adam Wilt | 04/21- 10:17 AM

An AVC-Intra P2 Handheld Camcorder

Panasonic’s Steve Cooperman discusses the upcoming HPX250, a handheld camcorder with a 21x zoom recording AVC-Intra to P2 cards, as well as all flavors of DV, DVCPRO, and DVCPROHD. Think of it as a full-res HVX200 or HPX170 for the Modern Era.

900x506 QuickTime movie, 1 Mbit/sec h.264, 13 Mbytes.

Click to PLAY VIDEO »more »

Wednesday, April 20, 2011

NAB 2011 Video - Panasonic’s second-generation 3D Camcorder

Adam Wilt | 04/20- 10:34 PM

The AG-3DP1 has a 17x zoom and records to dual P2 cards

Steve Cooperman of Panasonic describes the 1/3” 3MOS AG-3DP1 3D P2 camcorder. It should be available later this year, but pricing has not been announced.

900x506 QuickTime movie, 1 Mbit/sec h.264, 12 Mbytes.

Click to PLAY VIDEO »more »

Page 2 of 15 pages  <  1 2 3 4 >  Last »



LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse
Art Adams

Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

Compositing in FCP X
Mark Spencer

On this week’s MacBreak Studio

David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection
Todd_Kopriva

Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.

After Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 Composition
Chris and Trish Meyer

...plus an update on what’s next for the Apprentice series.

Final Cut Pro X Multicam Editing webinar now available on-demand
Scott Simmons

Plus a little screencast in this blog post on a topic we didn’t get to cover.

CAMERAS: Food Fights with the FS700
Art Adams

You want 240fps 1920x1080? I’ve got your high-speed HD right here… for less than $10K.

How to get good production dialogue
Matt Jeppsen

Use a boom mic and some common sense!

After Effects Apprentice Free Video: Using Parenting to Animate Layers as a Unit
Chris and Trish Meyer

Taking advantage of parenting, multiple 3D views, and AE’s built-in calculator to coordinate a multi-layer animation.

Rigging the Bird
Mark Spencer

Motion Magic on MacBreak Studio

10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6
Scott Simmons

These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement

Blackmagic: We’re ready to remove the Band-Aid!
Allan Tépper

If you agree, please sign the online petition requesting the required updates.

Adobe is coming to a city near you!
Michelle Gallina

CS6 Production Premium Road Show







LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse

Art Adams | 05/24- 11:24 AM

Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

I love stacking cucolorii (plural of “cucoloris”) and I thought it was time to write an article about how this technique works and why I like it so much. I was a bit stretched for ideas that would illustrate this concept… and then an eclipse happened. Why that made a difference is a very interesting story…

image

Compositing in FCP X

Mark Spencer | 05/23- 05:03 AM

On this week’s MacBreak Studio

On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.

To be considered for listing, contact pr (at) provideocoalition (dot) com


Copyright © 2012, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use  |  Privacy Policy

Check PageRank