May 2012
April 2012
March 2012
February 2012
January 2012
December 2011
November 2011
October 2011
September 2011
August 2011
May 2011
April 2011
March 2011
February 2011
January 2011
December 2010
November 2010
October 2010
September 2010
August 2010
July 2010
June 2010
May 2010
April 2010
March 2010
February 2010
January 2010
December 2009
November 2009
October 2009
September 2009
August 2009
July 2009
June 2009
May 2009
April 2009
March 2009
February 2009
January 2009
December 2008
November 2008
October 2008
September 2008
August 2008
July 2008
June 2008
May 2008
April 2008
March 2008
February 2008
January 2008
December 2007

Complete Archives
InfoComm: New Routing Switcher from PESA Offers Internal Power, Optional Pushbutton Control
FOR-A to Introduce the FT-ONE—World’s First Full 4K Super Slow Motion Camera—at Cine Gear
All-New ready2go Projects & Templates Collection Pushes the Limits of Creativity
Grass Valley Exhibits File–Based Workflow Innovations At InfoComm 2012
Maximize the Performance of Your 3D Applications
MTI Film Extends Cortex::Capture Giveaway
FUJIFILM Optical Devices Division to EXHIBIT AT CINE GEAR EXPO
DVEO Announces U.S. Introduction of World’s First Seamless IP Redundancy Switch
Testronic Incorporates New Tool from Deluxe Digital Studios Into Award Winning File-Based QC Lab
Introducing Schneider Kreuznach Cine-Xenar III Prime Lenses including 18mm/T2.2
Full Compass Hosts “Music Biz” Workshop For Young Musicians
NVIDIA CEO to Present Keynote Address at GPU Technology Conference
The Hollywood Post Alliance Opens the 2012 HPA Awards Call for Entries
CineGear Solutions, Inc. Launch the aiRCam GP on Kickstarter.com for only $375
Blackmagic Design To Host NYC Blackmagic Roadshow on May 24th
HPA Sales Career Resource Group Presents High Noon: Shoot Out at the Editorial Corral
Film Chest Builds End-To-End Restoration Pipeline with Digital Vision Tools
Stereoscopic Suite X1 Wins “MARIO” Award at NAB Show 2012
THX & Dolby Color Science Class: May 24, 2012, Burbank, CA
Createasphere Presents its Flagship Entertainment Technology Expo
S2000 Century/Canon 17mm T4 Tilt-Focus Lens PL Mount
All-New Premium Toxic Templates(TM) Offer Refreshing Twist On Template Genre
Future Media Concepts Announces Adobe® Bootcamp July 9-20, in Washington, D.C.
Bailey Heads Judging of 2012 KODAK Student Scholarships
Codex and ARRI Continue Successful Partnership

Monday, July 07, 2008

Matrox RT.X2 realtime HD editing platforms now with support for Windows Vista and Sony XDCAM EX

Randy Boyes | 07/07- 05:06 PM

Montreal, Canada, July 3, 2008 - Matrox®Video Products Group today announced that Matrox RT.X2 release 3.6 is now available. Highlights include support for Microsoft Windows Vista Business or Ultimate (32-bit) and realtime playback of Sony XDCAM EX .mp4 clips.

more »
(0) Comments • • Permalink


Monday, July 07, 2008

Red Giant Software releases Magic Bullet Instant HD Advanced

Randy Boyes | 07/07- 04:49 PM

Plug-in for Adobe After Effects CS3

San Francisco, CA, July 2, 2008 - Red Giant Software, publisher of Magic Bullet, Knoll Light Factory and Trapcode products, today introduced Magic Bullet Instant HD Advanced (formerly named Instant HD Pro). This new plug-in for Adobe After Effects CS3 delivers the highest possible quality conversion for SD to HD and is well-suited to prepare analog source footage and DV video clips for inclusion in HD projects. Instant HD Advanced combines de-interlacing and de-noising; advanced pan and scan; and a super-resolution algorithm for providing actual resolution enhancement. The easy-to-use preset menu helps users choose the right HD and 2K output formats.

more »
(0) Comments • • Permalink


Wednesday, July 02, 2008

Telestream FlipFactory drives down price of HD encoding

Randy Boyes | 07/02- 12:40 PM

Faster than real time HD to HD encoding on single server, new features on FlipFactory 6.1

Nevada City, Calif., July 1, 2008 – Telestream today announced availability of version 6.1 software release for its flagship FlipFactory® transcoding workflow automation product line. Significant codec optimization in FlipFactory now makes it possible for users to achieve high definition (HD) encoding speeds that were previously only attainable using multiple servers. FlipFactory 6.1 delivers HD-to-HD transcoding speeds up to 15 percent faster than real-time on a single server for edit-to-broadcast workflows, including popular DNxHD and DVCPRO HD formats. The ability to achieve these speeds on a single server means substantially lower costs for users.

more »
(0) Comments • • Permalink


Wednesday, July 02, 2008

Focus Enhancements announces availability of fifth generation DTE recorder

Randy Boyes | 07/02- 12:33 PM

New FS-5 direct to edit recorder introduces groundbreaking wireless metadata technology

Campbell, Calif. – July 1, 2008—Focus Enhancements Inc (NASDAQ: FCSE), a worldwide leader in media management and ultra wideband (UWB) wireless technology, today announced the general availability of the FS-5 Direct To EditÆ (DTE) recorder, the fifth generation in the company’s award-winning line of DTE recorders.

more »
(0) Comments • • Permalink



Advertisement


Tuesday, July 01, 2008

NewTek now shipping TimeWarp™ external replay controller

Randy Boyes | 07/01- 01:06 PM

Slow motion and instant replay are at your fingertips with TimeWarp for TriCaster™ and VT[5]™

San Antonio, TX—June 30, 2008—NewTek Inc., manufacturer of industry-leading video and 3D animation products, today announced it has begun shipping TimeWarp™, an external replay controller for the NewTek family of TriCaster™ products and VT[5]™. TimeWarp is a desktop controller that provides clip selection, marking and playback at selectable speeds, with complete external control of two digital disk recorders (DDRs).

more »
(0) Comments • • Permalink


Tuesday, July 01, 2008

Artbeats soars over the City of Angels

Randy Boyes | 07/01- 12:35 PM

HD, royalty-free footage of Los Angeles

Myrtle Creek, Ore. –— June 30, 2008 –— Shoot for the stars and take a trip high above the corporate towers and historic attractions of one of the most famous cities in the United States with Los Angeles Aerials 2 – Downtown and Los Angeles Aerials 2 – Surrounding Area, the newest royalty-free stock footage collections from Artbeats.

more »
(0) Comments • • Permalink


Tuesday, July 01, 2008

Maxon BodyPaint 3D helps Rhythm & Hues unleash its creative power

Randy Boyes | 07/01- 11:53 AM

Award-winning studio adopts BodyPaint 3D on feature film, “The Incredible Hulk”

MAXON, June 30, 2008 - MAXON Computer, a leading developer of professional 3D modeling, painting, animation and rendering solutions, today announced that Rhythm & Hues (R&H), one of Hollywood’s premier visual effects and animation powerhouses, turned to MAXON’s BodyPaint 3D, to address a myriad of complex texture painting challenges associated with the creation of central scenes and characters in the recently released Universal Pictures feature film, The Incredible Hulk (Hulk) - most notably, The Hulk’s distinctive muscle-popping green skin.

more »
(0) Comments • • Permalink


Page 3 of 3 pages  <  1 2 3


Advertisement



Find Your Voice
steve martin

Recording & Editing Multi-take Voice Overs in Soundtrack Pro

Color Workflows With Different Video Formats
Andrew Balis

Getting Video In and Out of Color

Photoshop & Motion
Mark Spencer

Two Great Tastes That Taste Great Together

Stock Footage Options Continue To Expand
Mark Spencer

It’s getting cheaper and easier to find stock footage for your project

Motion and the OoO, Part 2
Mark Spencer

A Two-Part Motion Tip

The HD Survival Handbook
Brian Gary

Philip Hodget’s Tome on All Things High Definition







image

Find Your Voice

steve martin | 07/30- 11:51 AM

Recording & Editing Multi-take Voice Overs in Soundtrack Pro

In this excerpt from Ripple Training’s “Sound Editing & Mastering in Soundtrack Pro” Steve will show you how fast, fluid and fun it is to edit voice overs in Soundtrack Pro using the Multitake Editor.

Click here to watch tutorial

image

Color Workflows With Different Video Formats

Andrew Balis | 07/22- 11:51 AM

Getting Video In and Out of Color

One of the most confusing issues that comes up frequently with new users of Color is how to get in and out of Color with different types of video formats. Therefore, the purpose of this article is to clear up the confusion by presenting the four main workflows Color can utilize, as well as how each format can be handled by Color.  This article relates to users of Color version 1.0.2 or later.  We’ll look at how to handle video formats captured via capture card, as well as how to work with “native” formats captured via FireWire such as DV, DVCPRO 50, DVCPRO HD and HDV. 

To be considered for listing, contact pr (at) provideocoalition (dot) com


Copyright © 2012, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use  |  Privacy Policy

Check PageRank