May 2012
April 2012
March 2012
February 2012
January 2012
December 2011
November 2011
October 2011
September 2011
August 2011
May 2011
April 2011
March 2011
February 2011
January 2011
December 2010
November 2010
October 2010
September 2010
August 2010
July 2010
June 2010
May 2010
April 2010
March 2010
February 2010
January 2010
December 2009
November 2009
October 2009
September 2009
August 2009
July 2009
June 2009
May 2009
April 2009
March 2009
February 2009
January 2009
December 2008
November 2008
October 2008
September 2008
August 2008
July 2008
June 2008
May 2008
April 2008
March 2008
February 2008
January 2008
December 2007

Complete Archives
InfoComm: New Routing Switcher from PESA Offers Internal Power, Optional Pushbutton Control
FOR-A to Introduce the FT-ONE—World’s First Full 4K Super Slow Motion Camera—at Cine Gear
All-New ready2go Projects & Templates Collection Pushes the Limits of Creativity
Grass Valley Exhibits File–Based Workflow Innovations At InfoComm 2012
Maximize the Performance of Your 3D Applications
MTI Film Extends Cortex::Capture Giveaway
FUJIFILM Optical Devices Division to EXHIBIT AT CINE GEAR EXPO
DVEO Announces U.S. Introduction of World’s First Seamless IP Redundancy Switch
Testronic Incorporates New Tool from Deluxe Digital Studios Into Award Winning File-Based QC Lab
Introducing Schneider Kreuznach Cine-Xenar III Prime Lenses including 18mm/T2.2
Full Compass Hosts “Music Biz” Workshop For Young Musicians
NVIDIA CEO to Present Keynote Address at GPU Technology Conference
The Hollywood Post Alliance Opens the 2012 HPA Awards Call for Entries
CineGear Solutions, Inc. Launch the aiRCam GP on Kickstarter.com for only $375
Blackmagic Design To Host NYC Blackmagic Roadshow on May 24th
HPA Sales Career Resource Group Presents High Noon: Shoot Out at the Editorial Corral
Film Chest Builds End-To-End Restoration Pipeline with Digital Vision Tools
Stereoscopic Suite X1 Wins “MARIO” Award at NAB Show 2012
THX & Dolby Color Science Class: May 24, 2012, Burbank, CA
Createasphere Presents its Flagship Entertainment Technology Expo
S2000 Century/Canon 17mm T4 Tilt-Focus Lens PL Mount
All-New Premium Toxic Templates(TM) Offer Refreshing Twist On Template Genre
Future Media Concepts Announces Adobe® Bootcamp July 9-20, in Washington, D.C.
Bailey Heads Judging of 2012 KODAK Student Scholarships
Codex and ARRI Continue Successful Partnership

Thursday, December 03, 2009

Music 2 Hues announces Holiday Promotions and over 50 new download music tracks.

PVC News Staff | 12/03- 11:31 AM

Music 2 Hues, a leading supplier of Production Music & Sound Effects to the, Film, Video, Animation, & Multimedia Industries has just added over 50 new downloadable tracks in their Music Download Center.

more »
(0) Comments • • Permalink


Wednesday, December 02, 2009

FUJINON INTRODUCES NEW PL MOUNT ZOOM LENS

PVC News Staff | 12/02- 10:36 AM

image

Fujinon introduced the new 75-400mm T2.8-T3.9 PL mount zoom lens (model number HK5.3x75) at the International Broadcast Equipment Exhibition (Inter BEE 2009) in Chiba City, Japan on November 18.

more »
(0) Comments • • Permalink


Page 4 of 4 pages « First  <  2 3 4


Advertisement



Cinema 4D Finally Brings 3D to Motion
Mark Spencer

Here’s How To Do It

Reapplying Keyframes in Motion
Mark Spencer

3 Ways to Copy Keyframes

Ripple Training Releases New Final Cut Pro and Motion Tutorials
Mark Spencer

Comprehensive World-Class Training for Flagship Final Cut Studio Applications

Don’t Work for Peanuts
Mark Spencer

Beware of Bottom-Fishing Producers







image

Cinema 4D Finally Brings 3D to Motion

Mark Spencer | 12/25- 02:10 PM

Here’s How To Do It

Cinema 4D’s friendly interface and robust motion graphics toolset have made it the tool of choice for creating 3D motion graphic elements for title sequences, bumpers, interstitials, and the like. And it’s ability to export multipass renders as well as 3D data to After Effects have made it easy for After Effects users to integrate 3D into their projects. Well, with release 11.5, Final Cut Studio users can finally do the same, because Cinema can now export 3D data directly to a Motion project. By taking advantage of Motion’s real time render engine and Final Cut Pro integration, you can now create professional 3D projects or even Master Templates for your projects.

There are a few tricks to getting Cinema 4D to play nicely with Motion. In the video, I step through the workflow for preparing a Cinema 4D project for Motion, and then preparing the Motion project, swapping in video elements, adding text, and finally creating a Motion template that you can use in Final Cut Pro.

image

Reapplying Keyframes in Motion

Mark Spencer | 12/03- 01:11 PM

3 Ways to Copy Keyframes

I’ve been getting a few questions about copying and pasting keyframes in Motion. While you can copy-paste, there are a few other options that may work better for you. This short video looks at three different options for taking keyframes applied to one layer and applying them to another.

To be considered for listing, contact pr (at) provideocoalition (dot) com


Copyright © 2012, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use  |  Privacy Policy

Check PageRank