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Register for A Free Digital Asset Management WebcastASSIMILATE Announces Breakthrough 48 FPS Playback of RAW RED EPIC Stereo StreamsGive Your Production A Lift With Stackable Apple BoxesVisual Effects Society (VES) Announces Winners of 10th Annual VES AwardsBenQ Introduces Short-Throw Projectors with Interactive Projection TechnologySpy Opens Doors On New Creative Studio In Santa MonicaAnton/Bauer Provides Rock-Solid Dependability For “The Amazing Race” As It Treks Across The GlobeFull Compass Systems Appoints Jim Ripp as Assistant Sales ManagerExclusive 2012 Fletcher Camera Comparison Chart Now Available to PVC readersHasselblad Launches State-of-the-art Online Video PlatformOscar-Nominated Jeff Cronenweth, ASC Set for Conversation at Createasphere’s ETEBlackmagic Design Releases Support For Final Cut Pro X 10.0.3 Broadcast MonitoringLivestream Integrates with NewTek TriCaster™Westcott receives two Hot One AwardsHarrison Ford to be Feted by American Society of CinematographersJVC Unveils ProHD Portable Monitor SeriesAudio-Technica Kicks Off “50 Years of Passionate Listening” Anniversary Celebration with GalaDonny Osmond to Keynote NAB Show LuncheonEye Scream Factory Releases 74 DVE Transitions by Kevin P. McAuliffeCoreCG Launches MentalCore, Breakthrough Solution for Optimizing the Maya and mental ray WorkflowAn Immersive Keynote Announced for Createasphere’s Entertainment Technology ExpoTelevision Industry Leaders Bruce Rosenblum and Ben Silverman to Address 2012 NAB ShowEyeheight Announces CC-3D Stereoscopic Colour CorrectorNewTek Unveils TriCaster™ Certified Operator ProgramJVC Introduces ProHD Compact Studio |
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ASSIMILATE Announces Breakthrough 48 FPS Playback of RAW RED EPIC Stereo StreamsIn SCRATCH and SCRATCH Lab
ASSIMILATE, Inc today announced that SCRATCH® and SCRATCH Lab® version 6.1 have achieved never-before-seen performance levels in the playback of RED EPIC Stereo content. SCRATCH Lab now provides DITs, DPs and Directors with dailies playback and review of RAW Stereo EPIC streams, direct from the camera at a full 48 FPS. SCRATCH 6.1 finishing systems can achieve the same 48 FPS playback rate of EPIC Stereo content even after sophisticated color grades and VFX have been applied. more »
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Blackmagic Design Releases Support For Final Cut Pro X 10.0.3 Broadcast MonitoringBroadcast monitoring in Final Cut Pro 10.0.3 allows video output to external monitors and other equipment
Blackmagic Design today released Desktop Video 9.2 beta 1, a software update for its capture and playback products that adds broadcast monitoring support with the new Final Cut Pro X 10.0.3 update. more »
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Eye Scream Factory Releases 74 DVE Transitions by Kevin P. McAuliffeNew Professional Presets for Avid Media Composer 6, Symphony 6, Avid FX 6, and Boris RED 5
Eye Scream Factory, a provider of time-saving design templates, presets, and royalty-free content for digital media artists, today announced the availability of 74 DVE transition presets created by Kevin P. McAuliffe, Senior Editor at MIJO in Toronto, Canada, and an Avid Media Composer editor for 15 years. The presets include a wide variety of organic and fluid DVE transitions. more »
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An Immersive Keynote Announced for Createasphere’s Entertainment Technology ExpoVisionary Ed Lantz Talks Immersion, Transmedia, Strategy in the Vortex Dome
Createasphere’s Spring Entertainment Technology Expo - the top gathering of entertainment and media professionals, technical innovators, and content experts on the West Coast showcasing emerging media trends in production, post, animation, VFX, advertising, and streaming content - will take place on Thursday, March 1st, 2012, at LA Center Studios in Los Angeles. The industry summit will feature trend-setting keynotes, immersive demonstrations in the Vortex Dome, a full exhibition area, networking opportunities and education. more »
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Advertisement Blackmagic Design Releases HyperDeck Shuttle 2 with Avid DNxHD Recording and PlaybackHyperDeck Shuttle records the highest quality uncompressed or compressed video formats onto common low cost SSDs in the smallest possible size
Blackmagic Design today released a new version of its popular HyperDeck Shuttle Solid State Disk recorder. HyperDeck Shuttle 2 replaces the existing model and adds broadcast quality 10-bit recording and playback to the Avid DNxHD format for the same low price of $345. more »
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The Hollywood Post Alliance Presents The HPA Tech Retreat 2012Four Incomparable Days of Industry-Leading Sessions, Networking and Demonstrations at 18th Annual Confab
The Hollywood Post Alliance® Tech Retreat 2012, the 18th annual gathering of post production industry leaders, is set to take place February 14-17, at the Hyatt Grand Champions Resort in Indian Wells, CA. Over the course of four days, the industry’s technical, business and creative leaders will gather for exploration and information exchange, sharply focusing on the latest developments and trends. The HPA Tech Retreat has long been recognized as a must-attend event for serious post production professionals, whether at work in acquisition and production, IT, engineering, broadcasting, 3D, digital-cinema and distribution or manufacturing. For nearly two decades, the topics and attendees gathering at the HPA Tech Retreat® have helped to define and clarify the trends and technologies driving the industry. more »
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Major Blu-ray Industry Testing Event Set For North American DebutTestronic Labs Hosts RRT Where Content Owners and Manufacturers Go Face to Face in Compatibility Tests
Testronic Labs - the global leader in quality assurance and localization services for film and television, games, mobile applications, websites, hardware, and software - has announced that they will be hosting the content providers and player manufacturer’s round-robin test (RRT) for the Blu-ray industry. The event will be held in North America on January 17th and 18th 2012, at Testronic’s Burbank, California facility. The Testronic RRT will allow content provider representatives from major studios, their vendors, and Blu-ray player manufacturers and developers from all over the world - US, Japan, Korea, Taiwan and China - to participate in a face to face, plug-and-play circuit of players and contents. more »
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ASSIMILATE Announces Support For RED SDK 4.2] With The Release of SCRATCH 6.1Dramatic RED performance gains, Expanded SDI output capabilities and support for the new Tangent Element control surface power latest release
ASSIMILATE, the leading provider of powerful post-production tools for digital workflows, has shipped the 6.1 versions of its renowned SCRATCH® digital intermediate finishing tool. This new version offers new features designed to deliver higher productivity and creativity to artists working with RED and HDRx media, as well as those working in production grading and finishing pipelines. SCRATCH version 6.1 provides support for the upcoming Element control panel from Tangent, and includes the support for SDI output on the Mac via AJA KONA 3G cards first announced at IBC, 2011. more »
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Upcoming Webcast: Moving to Adobe Premiere Pro and Using an HP WorkstationAward winning editor talks about switching from Final Cut Pro to Adobe Premiere CS5.5
Creative Director, Producer, and Editor Christine Steele talks about her journey switching from Final Cut Pro to Adobe Premiere CS5.5 and discusses the powerful performance benefits she gets by using an HP system when working with high resolution as well as compressed video formats. Christine will demonstrate real-time performance advantages using Adobe Creative Suite on an HP Elitebook, as well as discuss how Adobe content creation workflows are enhanced with HP systems and monitors. more »
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2D Footage with a Stereo 3D Rig in After Effects CS5.5
Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5
Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output.
How to get the “24p” look for your live-switched multicam shoot
A contracted article, sponsored by Datavideo Corporation.
Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.
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