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Register for A Free Digital Asset Management WebcastASSIMILATE Announces Breakthrough 48 FPS Playback of RAW RED EPIC Stereo StreamsGive Your Production A Lift With Stackable Apple BoxesVisual Effects Society (VES) Announces Winners of 10th Annual VES AwardsBenQ Introduces Short-Throw Projectors with Interactive Projection TechnologySpy Opens Doors On New Creative Studio In Santa MonicaAnton/Bauer Provides Rock-Solid Dependability For “The Amazing Race” As It Treks Across The GlobeFull Compass Systems Appoints Jim Ripp as Assistant Sales ManagerExclusive 2012 Fletcher Camera Comparison Chart Now Available to PVC readersHasselblad Launches State-of-the-art Online Video PlatformOscar-Nominated Jeff Cronenweth, ASC Set for Conversation at Createasphere’s ETEBlackmagic Design Releases Support For Final Cut Pro X 10.0.3 Broadcast MonitoringLivestream Integrates with NewTek TriCaster™Westcott receives two Hot One AwardsHarrison Ford to be Feted by American Society of CinematographersJVC Unveils ProHD Portable Monitor SeriesAudio-Technica Kicks Off “50 Years of Passionate Listening” Anniversary Celebration with GalaDonny Osmond to Keynote NAB Show LuncheonEye Scream Factory Releases 74 DVE Transitions by Kevin P. McAuliffeCoreCG Launches MentalCore, Breakthrough Solution for Optimizing the Maya and mental ray WorkflowAn Immersive Keynote Announced for Createasphere’s Entertainment Technology ExpoTelevision Industry Leaders Bruce Rosenblum and Ben Silverman to Address 2012 NAB ShowEyeheight Announces CC-3D Stereoscopic Colour CorrectorNewTek Unveils TriCaster™ Certified Operator ProgramJVC Introduces ProHD Compact Studio |
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Exclusive 2012 Fletcher Camera Comparison Chart Now Available to PVC readersAn Easy Way to Compare Specifications for all the Major Brands
Thomas Fletcher has made the Fletcher Camera & Lenses 2012 Comparison chart available to PVC readers as a downloadable link. The Fletcher Camera 2012 Comparison Chart looks at 14 different cameras available on the market for various stated aspects and average daily rental rates. Canon, Phantom, Weisscam, Red, Alexa, and Sony all are included with various ranges and models. Download your quick reference today! more »NewTek Unveils TriCaster™ Certified Operator ProgramLive video producers now have resource to locate qualified live production and streaming experts
NewTek today introduced a certified operator program for live video producers who use TriCaster™. Live video production experts can qualify for the program by completing and passing the certified operator exam. The 75-question multiple choice and multiple response exam covers nine skill and knowledge areas. Certified operators will be listed on the NewTek website as live production and streaming professionals who meet the NewTek standards of excellence. more »
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JVC Introduces ProHD Compact StudioSystem for GY-HM150 Handheld Camcorder
JVC Professional Products Company, a division of JVC Americas Corp., today announced its ProHD Compact Studio solution, which configures the GY-HM150 ProHD handheld camcorder for a studio environment using two new accessories, the HZ-HM150VZR ProHD remote lens control and the DT-X71 ProHD monitor. The company also announced a limited-time rebate program that provides up to $600 in savings for customers who purchase the camcorder and ProHD Compact Studio components. more »
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JVC Unveils World’s First Handheld 4K CamcorderGY-HMQ10 Records Four Times Resolution of 1080p to SDHC/SDXC Media Cards
JVC Professional Products Company, a division of JVC Americas Corp., today announced the GY-HMQ10, the world’s first handheld 4K camcorder, which captures, records, and plays video images at four times the resolution of high definition television. Powered by JVC’s Falconbrid large-scale integration (LSI) chip for high-speed signal processing and a 1/2-inch CMOS imager with 8.3 million active pixels, it delivers real-time 3840x2160 footage at 24p, 50p, or 60p. more »
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Advertisement The American Society of Cinematographers NomineesThe Artist, The Girl with the Dragon Tattoo, Hugo, Tinker Tailor Soldier Spy, and The Tree of Life Nominated
LOS ANGELES, January 11, 2012 — Guillaume Schiffman, AFC (The Artist), Jeff Cronenweth, ASC (The Girl with the Dragon Tattoo), Robert Richardson, ASC (Hugo), Hoyte van Hoytema, FSF, NSC (Tinker Tailor Soldier Spy), and Emmanuel Lubezki, ASC, AMC (The Tree of Life) have been nominated in the feature film category of the 26th Annual American Society of Cinematographers (ASC) Outstanding Achievement Awards. The winner will be announced at the ASC Awards celebration at the Hollywood and Highland Grand Ballroom on February 12. more »
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Telestream Builds High Definition Instant Replay System for NASCAR Race OfficialsPipeline video capture and new Replay multichannel video player enable instant race analysis
Telestream®, the leading provider of video transcoding and workflow automation systems, today announced that it has created a new High Definition (HD) instant replay system for NASCAR race control officials. Developed for the start of the 2012 racing season, Telestream’s new Replay™ multichannel video player combines with its Pipeline™ HD video capture system to provide instant capture and display of 18 high definition 720p camera feeds. This allows race officials to instantly see detailed information to make rapid decisions about on-track aspects of the race. more »
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Canon U.S.A. Introduces the XJ95x8.6B Super-Telephoto Long-Zoom HD Field LensLens provides an unprecedented combination of the widest angle of view of any HD field lens presently in the broadcasting industry
In response to the ever-evolving requirements of live sports and other popular mobile-location HD productions, Canon U.S.A., Inc., a leader in digital imaging, has developed a series of long-zoom field lenses designed for some of the most demanding HDTV sports and outside-broadcast applications, including the popular XJ100x9.3B and XJ86x9.3B/13.5B lenses. Now, answering the need for an ever-diversifying range of creative HD production uses, Canon has developed a totally new-generation super-telephoto XJ95x8.6B lens, which provides an unprecedented combination of the widest angle of view of any HD field lens presently in the broadcasting industry with an augmented 95x focal range. more »
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SeeSense announces superior new Meuser HD lens for Toshiba HD cameraImproved optics offer superior resolution
SeeSense are pleased to announce the addition of the new Meuser Optik 3.5mm (69° FOV) 1/3” prism compatible HD lens to their armoury of compatible lenses for the Toshiba IK-HD1 camera system. The new improved optics offer vastly superior resolution with lower image distortion performance to any 3-CCD 1/3” C-mount prism camera including those from Toshiba, Iconix, Panasonic, Ikegami and Hitachi. more »
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Canon Makes Hollywood Debut with Launch of Cinema EOS SystemCompany’s All-New Cinema Lens Lineup, Video Camcorders and Digital SLR Cameras to Leave No Story Untold
Canon Inc. today announced Canon’s full-fledged entry into the motion picture production industry with the launch of the Cinema EOS System. Canon’s new professional digital cinematography system spans the lens, digital video camcorder and digital SLR camera product categories. more »
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2D Footage with a Stereo 3D Rig in After Effects CS5.5
Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5
Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output.
How to get the “24p” look for your live-switched multicam shoot
A contracted article, sponsored by Datavideo Corporation.
Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.
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