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Register for A Free Digital Asset Management WebcastASSIMILATE Announces Breakthrough 48 FPS Playback of RAW RED EPIC Stereo StreamsGive Your Production A Lift With Stackable Apple BoxesVisual Effects Society (VES) Announces Winners of 10th Annual VES AwardsBenQ Introduces Short-Throw Projectors with Interactive Projection TechnologySpy Opens Doors On New Creative Studio In Santa MonicaAnton/Bauer Provides Rock-Solid Dependability For “The Amazing Race” As It Treks Across The GlobeFull Compass Systems Appoints Jim Ripp as Assistant Sales ManagerExclusive 2012 Fletcher Camera Comparison Chart Now Available to PVC readersHasselblad Launches State-of-the-art Online Video PlatformOscar-Nominated Jeff Cronenweth, ASC Set for Conversation at Createasphere’s ETEBlackmagic Design Releases Support For Final Cut Pro X 10.0.3 Broadcast MonitoringLivestream Integrates with NewTek TriCaster™Westcott receives two Hot One AwardsHarrison Ford to be Feted by American Society of CinematographersJVC Unveils ProHD Portable Monitor SeriesAudio-Technica Kicks Off “50 Years of Passionate Listening” Anniversary Celebration with GalaDonny Osmond to Keynote NAB Show LuncheonEye Scream Factory Releases 74 DVE Transitions by Kevin P. McAuliffeCoreCG Launches MentalCore, Breakthrough Solution for Optimizing the Maya and mental ray WorkflowAn Immersive Keynote Announced for Createasphere’s Entertainment Technology ExpoTelevision Industry Leaders Bruce Rosenblum and Ben Silverman to Address 2012 NAB ShowEyeheight Announces CC-3D Stereoscopic Colour CorrectorNewTek Unveils TriCaster™ Certified Operator ProgramJVC Introduces ProHD Compact Studio |
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Adobe Demos Future Technology At NABAdobe showed some awesome stuff at NAB. My favorite was a future version of Premiere that transcribes your footage, then makes the transcription searchable for both editing and publishing to the web. RED Ray IntroducedA full on “hat trick” for Red this morning with 3 major announcements. Welcom to the RED Ray. RED Epic Announced
On the hot heels of Scarlett, we have Epic. 5K baby! • This 5K camera has a full-frame S35mm Mysterium X sensor. RED will allow ONE customers to trade in their cameras for a full $17,500 credit towards the EPIC when it ships in 2009. Interested to learn how much money you’ll ned o drop? Approx. $30,000.
Red Announces Scarlett At NAB
RED just announced Scarlet , its promised “pocket professional” camera at NAB. With all of the hype around RED One, this one should take off on its own right. Here’s the deets: 2 / 3-inch Mysterium X sensor, shooting 1 to 120 FPS and records to dual CompactFlash cards. It can handle up to 100MB per second of REDCODE RAW HD video. More to come!
Advertisement More New Panasonic Cameras - HMC 150Panasonic also used the press conference to introduce us to the AG-HMC150 handheld. This unit records to familiar SD and SDHC cards up to 32GB. In HE mode, that’s 12 hours of 1440x1080 HD content on one 32GB card! Full on press release goodness after the jump. more » Panasonic Intros 2 New P2HD Varicams: 2700 & 3700
Varicam 3700 Varicam 2700 Press Info after the jump. more »Sony Announces the EX3Sony announces a new sister to the EX1, the new EX3 with interchangeable lenses. You know you’re in a room with tech guys when Miss Universe 2008 walks out on stage to intro the EX3 and the crowd is taking more pictures of the camera, than Miss Universe.
Of course Sony didn’t hand out press information, instead pushing attendees to the web. Honestly, that feels a little lame for a press conference. But adding insult to injury, the link for the EX3 information goes nowhere. Nice job PR folks. Here’s the link to all of the NAB Sony news, perhaps they’ll update their broken links soon: Sony NAB Press Info Alec Shapiro SVP of Sony’s Business and Professional division did share some interesting facts with us:
Panasonic Intros AG-HPX 170The press conference for Panasonic went slightly long, but it was full of interesting product introductions. First up: AG-HPX170 P2 HD Handheld Available in the Fall with 5 year warranty. Press release after the jump
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How to get the “24p” look for your live-switched multicam shoot
A contracted article, sponsored by Datavideo Corporation.
Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.
Gear In 60 Seconds – Nauticam NA-60D
Getting watery trick shots with this DSLR housing
Here’s another FreshDV Gear in 60 Seconds video, on the Nauticam NA-60D housing for Canon 60D DSLR stills & video. In this case, we used the housing to get some wild trick shots for a short narrative film. Watch me jump off a waterfall in the video below…
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