|
crowd sourcing the experts | ||||||||
 |
||||||||
| |
||||||||
|
||||||||
|
||||||||
May 2012April 2012March 2012February 2012January 2012December 2011November 2011October 2011September 2011August 2011May 2011April 2011March 2011February 2011January 2011December 2010November 2010October 2010September 2010August 2010July 2010June 2010May 2010April 2010March 2010February 2010January 2010December 2009November 2009October 2009September 2009August 2009July 2009June 2009May 2009April 2009March 2009February 2009January 2009December 2008November 2008October 2008September 2008August 2008July 2008June 2008May 2008April 2008March 2008February 2008January 2008December 2007Complete Archives
InfoComm: New Routing Switcher from PESA Offers Internal Power, Optional Pushbutton ControlFOR-A to Introduce the FT-ONE—World’s First Full 4K Super Slow Motion Camera—at Cine GearAll-New ready2go Projects & Templates Collection Pushes the Limits of CreativityGrass Valley Exhibits File–Based Workflow Innovations At InfoComm 2012Maximize the Performance of Your 3D ApplicationsMTI Film Extends Cortex::Capture GiveawayFUJIFILM Optical Devices Division to EXHIBIT AT CINE GEAR EXPODVEO Announces U.S. Introduction of World’s First Seamless IP Redundancy SwitchTestronic Incorporates New Tool from Deluxe Digital Studios Into Award Winning File-Based QC LabIntroducing Schneider Kreuznach Cine-Xenar III Prime Lenses including 18mm/T2.2Full Compass Hosts “Music Biz” Workshop For Young MusiciansNVIDIA CEO to Present Keynote Address at GPU Technology ConferenceThe Hollywood Post Alliance Opens the 2012 HPA Awards Call for EntriesCineGear Solutions, Inc. Launch the aiRCam GP on Kickstarter.com for only $375Blackmagic Design To Host NYC Blackmagic Roadshow on May 24thHPA Sales Career Resource Group Presents High Noon: Shoot Out at the Editorial CorralFilm Chest Builds End-To-End Restoration Pipeline with Digital Vision ToolsStereoscopic Suite X1 Wins “MARIO” Award at NAB Show 2012THX & Dolby Color Science Class: May 24, 2012, Burbank, CACreateasphere Presents its Flagship Entertainment Technology ExpoS2000 Century/Canon 17mm T4 Tilt-Focus Lens PL MountAll-New Premium Toxic Templates(TM) Offer Refreshing Twist On Template GenreFuture Media Concepts Announces Adobe® Bootcamp July 9-20, in Washington, D.C.Bailey Heads Judging of 2012 KODAK Student ScholarshipsCodex and ARRI Continue Successful Partnership |
|
Band Pro announces new Carl Zeiss +0.5 DigiDiopter™Band Pro Film & Digital introduces the Carl Zeiss +0.5 DigiDiopter™. This new optic joins the DigiDiopter line of HD-quality diopters, currently available in +1 and +2 magnifications. The only ZEISS-quality diopters available, DigiDiopters are designed to work in conjunction with the popular ZEISS DigiPrime® and DigiZoom™ series, as well as all other top-grade 2/3” HD lenses. Carl Zeiss DigiDiopters are the ideal optical tool for extreme close ups or wide angle shots with a shallow depth of field. They attach easily to the front of the lens to provide increased close-focus range and magnification capability. DigiDiopters employ a unique, achromatic dual-lens assembly to minimize color fringing and spherical aberration, common problems with traditional single lens diopters. The ZEISS optical design ensures a high-resolution, high-contrast image with consistent precision anywhere in the frame. Carefully selected optical glass elements and the Zeiss proprietary T* anti-reflective coating —the same coating applied to Carl Zeiss DigiPrime®, and DigiZoom™ lenses—reduce light loss and flare, while improving transmission for crisp images with saturated colors and accurate blacks. DigiDiopters are designed to optically match the DigiPrime, and DigiZoom’s color balance, contrast, and overall image quality. Weighing about 10 ounces (285g) each, Zeiss DigiDiopters can be attached to the camera lens - or to each other - via a single thumbscrew. A unique self-centering clamping mechanism maintains a proper distance between diopter and lens and keeps them parallel to each other, ensuring optimal image quality. This mounting system puts the least amount of stress on the lens itself, while keeping the DigiDiopters securely in place. It also enables stacking the diopters on the front of the lens. The +0.5 can be placed on top of the +1 DigiDiopter to provide a +1.5 magnification or on top of the +2 DigiDiopter to offer a +2.5 magnification. Or all three may be stacked together to affect a full +3.5 magnification. The ZEISS DigiDiopters are manufactured at the Carl Zeiss Optics factory in Oberkochen, Germany and marketed worldwide exclusively by Band Pro Film & Digital. For more information, go to http://www.digiprimes.com, or contact Michael Bravin at Band Pro Film & Digital, 3403 West Pacific Avenue, Burbank, CA 91505, Phone: 818/841-9655, Fax: 818/841-7649, e-mail: .(JavaScript must be enabled to view this email address) Page 1 of 1 pages Advertisement |
|
|
||||
|
|
|||||||
To be considered for listing, contact pr (at) provideocoalition (dot) com
Copyright © 2012, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere
All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.