(Page 1 of 1 pages for this article )

Monday, November 23, 2009

Filed under:

ARRIFLEX D-21 Captures Eclectic TV Slate

PVC News Staff | 11/23

Acclaimed for its ability to render filmlike images, the ARRIFLEX D-21 digital camera is an industry workhorse with a slate of TV shows admired by audiences and critics alike. Series include V (ABC), Community (NBC), Lie To Me (Fox), Nurse Jackie (Showtime), Bored To Death (HBO) and Supernatural (CW). From comedies to episodic dramas, the D-21 brings an artful aesthetic and simple workflow to productions of all types. In addition, the camera’s familiar operation allows crews accustomed to shooting on film a quick, painless transition to shooting digital.

Says Stephan Ukas-Bradley, ARRI’s Digital Production Product Manager: “The ARRIFLEX D-21 has proven to be a creative tool that is efficient and dependable in a variety of shooting scenarios. We are very proud of the amazing work these storytellers are accomplishing with this camera.”

Bored To Death is an offbeat comedy starring Jason Schwartzman as a writer who becomes a private investigator. Ted Danson and Zach Galifiniakis co-star in this show shot with two D-21s on location in New York City by DP Vanja Cernjul. The hit series has been renewed for a sophomore season.

Cernjul is also behind the camera on Nurse Jackie. The half-hour drama stars Edie Falco as an unconventional nurse who must navigate the intricate health care. The pilot episode was the highest rated premiere in Showtime’s history.

V is an updated re-imagining of the 1983 science fiction miniseries. USA Today’s Robert Bianco put V on his list of top ten new shows. Stephen Jackson serves as Director of Photography for the drama, incorporating much visual effects and greenscreen work with more character-driven scenes.

Community is a comedy starring Joel McHale and Chevy Chase. DP James Hawkinson developed a striking look that distinguishes the show from many other comedies currently on air. The production utilizes a compressed file-based workflow by recording to Sony XDcam, which enables a very time and cost efficient way to edit.

Lie To Me stars Tim Roth as a lie detection specialist who determines the truth by interpreting body language and psychology. The show takes advantage of the D-21’s full sensor for shallow depth of field to capture with extreme close-ups, the small tics and expressions people inadvertently communicate when they lie. The series is photographed by Jerry Siddell and Joseph Gallegher.

Supernatural is a thrilling drama following two brothers as they battle evil. The series is now in its fifth season with the last two seasons shot on the D-21. The show has a moody look that was established by DP Serge Ladouceur to reflect the dark themes of the show.

To learn more about the ARRIFLEX D-21 and view a new credits gallery, go to http://www.arridigital.com

About the company:

Located in Munich, Germany, Arnold and Richter Cine Technik (A&R) was founded in 1917 and is the largest manufacturer of professional motion picture equipment in the world. In 2001, ARRI was restructured and converted into a closely held corporation. The company is involved in all aspects of the film industry: engineering, design, manufacturing, production, visual effects, post-production, equipment rental and laboratory services (film and sound). Manufactured products and technologies include professional digital acquisition with the ARRIFLEX D-21, in addition to camera systems for 16mm, 35mm, 65mm film, location and studio lighting fixtures, digital imaging systems like the ARRISCAN, ARRILASER, ARRICUBE, ARRIQCP and our new software, ARRI Relativity™. These products and services are offered through a network of subsidiary companies, agents and representatives worldwide.

For locations and more information, visit: http://www.arri.com

(Page 1 of 1 pages for this article )

               



You must be registered to comment. This is an effort to reduce spam. Please REGISTER HERE.

Name:

Email:

Location:

URL:

Smileys

Remember my personal information

Notify me of follow-up comments?

Submit the word you see below:




Register for A Free Digital Asset Management Webcast
ASSIMILATE Announces Breakthrough 48 FPS Playback of RAW RED EPIC Stereo Streams
Give Your Production A Lift With Stackable Apple Boxes
Visual Effects Society (VES) Announces Winners of 10th Annual VES Awards
BenQ Introduces Short-Throw Projectors with Interactive Projection Technology
Spy Opens Doors On New Creative Studio In Santa Monica
Anton/Bauer Provides Rock-Solid Dependability For “The Amazing Race” As It Treks Across The Globe
Full Compass Systems Appoints Jim Ripp as Assistant Sales Manager
Exclusive 2012 Fletcher Camera Comparison Chart Now Available to PVC readers
Hasselblad Launches State-of-the-art Online Video Platform
Oscar-Nominated Jeff Cronenweth, ASC Set for Conversation at Createasphere’s ETE
Blackmagic Design Releases Support For Final Cut Pro X 10.0.3 Broadcast Monitoring
Livestream Integrates with NewTek TriCaster™
Westcott receives two Hot One Awards
Harrison Ford to be Feted by American Society of Cinematographers
JVC Unveils ProHD Portable Monitor Series
Audio-Technica Kicks Off “50 Years of Passionate Listening” Anniversary Celebration with Gala
Donny Osmond to Keynote NAB Show Luncheon
Eye Scream Factory Releases 74 DVE Transitions by Kevin P. McAuliffe
CoreCG Launches MentalCore, Breakthrough Solution for Optimizing the Maya and mental ray Workflow
An Immersive Keynote Announced for Createasphere’s Entertainment Technology Expo
Television Industry Leaders Bruce Rosenblum and Ben Silverman to Address 2012 NAB Show
Eyeheight Announces CC-3D Stereoscopic Colour Corrector
NewTek Unveils TriCaster™ Certified Operator Program
JVC Introduces ProHD Compact Studio
Blackmagic Design Releases HyperDeck Shuttle 2 with Avid DNxHD Recording and Playback
Cinedeck RX Delivers Tapeless Record, Monitoring and Playback WorkFlow
The Hollywood Post Alliance Presents The HPA Tech Retreat 2012
Major Blu-ray Industry Testing Event Set For North American Debut
Top Music Industry Brands Turn to NewTek to Deliver NAMM Experience Live Over the Web







Adobe teases Prelude at the San Francisco Supermeet, FCPUG changes its name

Scott Simmons | 01/28

The Adobe sneak looks intriguing. Makes me excited for CS6.

From the looks of Twitter last night there were a couple of surprises at the Friday evening’s San Francisco Supermeet. First bit of news I saw was that Final Cut Pro User Group (FCPUG) has decided to drop the Final Cut Pro designation from their name to become the Creative Pro User Group. Second was a sneak peek from Adobe about a new application called Prelude.

Why Do You Make That Edit… Not How!

Terence Curren | 12/10

Instead of focusing on the technical aspects, this popular Editors’ Lounge panel focused on the creative side of editing and why we make specific editing choices.

image

The Editors’ Lounge, sponsored by Alpha Dogs post in Burbank…

Is TV Broken?

Bruce A Johnson | 12/07

or:  if It Ain’t Broke, Does it Need To Be Fixed?

I don’t generally re-post links to articles, but this one from CNN’s Business Insider Matt Rosoff caught my eye.  Give it a read, but the thumbnail is this:

What is so flawed about the television watching experience that Steve…

The FCP X update? It matters….is now the time to jump on board?

PVC News Staff | 10/19

More Info About the Final Cut X Update(Sponsored by FMC)

FCP X has caused quite a controversy in the video community; between massive changes in software design and a struggle for professional workflows, the new version (while amazing) has been a rocky release for Apple.  This new update starts to address some of the criticisms from professionals.

Why Apple’s update should matter for you:


The update for FCPX shows one thing very clearly: Apple is listening. …

To be considered for listing, contact pr (at) provideocoalition (dot) com


Copyright © 2011, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use  |  Privacy Policy

Check PageRank