(Page 1 of 1 pages for this article )

Wednesday, October 28, 2009

Filed under:

Assimilate’s Scratch Energizes London

PVC News Staff | 10/28

ASSIMILATE adds to Soho user base, signs new Channel Partner, and announces upcoming event

ASSIMILATE™, developer and provider of the SCRATCH Digital Process Solution™, has announced increased sales success in London, to post production companies MFX-London and 179 Ltd, the appointment of CWPro as a reseller partner for the UK, and a new cooperation with projectiondesign, manufacturer of high-performance projectors for post production, which will see ASSIMILATE showcase its recently-launched Rocket Fuel bundle for optimised RED ONE™ 4K workflow, in conjunction with projectiondesign’s new cineo projectors, at a special event in Soho on October 29th.

Continuing Success:

VFX and DI post-production boutique MFX-London has purchased SCRATCH as its flagship VFX review, conform, grading and deliverables system. The company’s Brussels-based division already owns two SCRATCH systems, and has deployed SCRATCH on-set since 2006 to streamline 2K and 4K data workflows from camera into post. After using SCRATCH’s post-production capabilities on broadcast projects including Discovery Channel’s WW2 Remembered teasers, and digital features such as The Last Harbour, MFX has implemented a third SCRATCH system in-house at its Rathbone Place facility. SCRATCH is now being used for the VFX review, conform and DI grade of over 1,000 shots on the puppeteered comedy feature Jackboots On Whitehall.

“Over time we developed new data workflows from set to post with SCRATCH,” said Clare Cheetham, co-founder and VFX producer. “In the meantime, SCRATCH’s DI grading and RED workflow capabilities really blossomed, making it a serious contender against the traditional, and more expensive, tools that people have been using up until now. We also feel close to ASSIMILATE’s people as they have dedicated support just down the road.”

Start-up facility 179, located on Wardour Street, Soho, has also selected SCRATCH as its primary grading and data workflow hub.

The company’s managing director Neil Harris commented, “As data-based acquisition in the broadcast and features sectors increases, SCRATCH will provide us with an extremely versatile and cost-effective solution to service these data-based workflows. SCRATCH is also a powerful and intuitive grading tool in its own right, and is especially good at handling RED 4K footage. We are delighted to be working with ASSIMILATE and SCRATCH, and are looking forward to the exciting development of SCRATCH in the years to come.”

MFX-London and 179 join other companies already using SCRATCH in London, including Cinesite, MPC, The Mill, Sonic Films and the National Film & Television School (NFTS).


Strengthening The Push:

To complement ASSIMILATE’s sales and support offices in Wardour Street, Soho, the company has appointed CWPro (Professional Audio and Video) (http://www.cwpro.co.uk) as a new reseller partner for ASSIMILATE’s 4K RED solutions including RED ROCKET, and the new ROCKET FUEL bundle, which includes the tools for real-time ingest, conform, delivery and output of RED ONE™ 4K digital camera material.

Seeing Is Believing:

ASSIMILATE, in cooperation with projectiondesign (http://www.projectiondesign.com), manufacturer of high-performance projectors specifically made for post production, will showcase, 2K and 4K real-time post in SCRATCH, as well as the new Rocket Fuel bundle for optimised RED ONE™ 4K workflow, using projectiondesign’s new cineo series of production-specific projectors. These display colour-accurate 2D and 3D stereo in REC709 and DCI colour spaces, and fit 2m to 8m-width screens. The event takes place at The Slug & Lettuce, 80-82 Wardour Street, from 12.00 to 17.00, Thursday, 29th Oct.

(Page 1 of 1 pages for this article )

               



You must be registered to comment. This is an effort to reduce spam. Please REGISTER HERE.

Name:

Email:

Location:

URL:

Smileys

Remember my personal information

Notify me of follow-up comments?

Submit the word you see below:




InfoComm: New Routing Switcher from PESA Offers Internal Power, Optional Pushbutton Control
FOR-A to Introduce the FT-ONE—World’s First Full 4K Super Slow Motion Camera—at Cine Gear
All-New ready2go Projects & Templates Collection Pushes the Limits of Creativity
Grass Valley Exhibits File–Based Workflow Innovations At InfoComm 2012
Maximize the Performance of Your 3D Applications
MTI Film Extends Cortex::Capture Giveaway
FUJIFILM Optical Devices Division to EXHIBIT AT CINE GEAR EXPO
DVEO Announces U.S. Introduction of World’s First Seamless IP Redundancy Switch
Testronic Incorporates New Tool from Deluxe Digital Studios Into Award Winning File-Based QC Lab
Introducing Schneider Kreuznach Cine-Xenar III Prime Lenses including 18mm/T2.2
Full Compass Hosts “Music Biz” Workshop For Young Musicians
NVIDIA CEO to Present Keynote Address at GPU Technology Conference
The Hollywood Post Alliance Opens the 2012 HPA Awards Call for Entries
CineGear Solutions, Inc. Launch the aiRCam GP on Kickstarter.com for only $375
Blackmagic Design To Host NYC Blackmagic Roadshow on May 24th
HPA Sales Career Resource Group Presents High Noon: Shoot Out at the Editorial Corral
Film Chest Builds End-To-End Restoration Pipeline with Digital Vision Tools
Stereoscopic Suite X1 Wins “MARIO” Award at NAB Show 2012
THX & Dolby Color Science Class: May 24, 2012, Burbank, CA
Createasphere Presents its Flagship Entertainment Technology Expo
S2000 Century/Canon 17mm T4 Tilt-Focus Lens PL Mount
All-New Premium Toxic Templates(TM) Offer Refreshing Twist On Template Genre
Future Media Concepts Announces Adobe® Bootcamp July 9-20, in Washington, D.C.
Bailey Heads Judging of 2012 KODAK Student Scholarships
Codex and ARRI Continue Successful Partnership
Blackmagic Design To Host LA Blackmagic Roadshow on May 16th
AJA Video Systems Sweeps NAB 2012 Best of Show Awards
Red Giant Announces Full Support for Adobe Creative Suite 6
Oscar®-Nominee Dante Spinotti Named 2012 Kodak Cinematographer-in-Residence at UCLA/TFT
24-Frame Playback gets a new moniker







Check out a Number of Hardware and Software Options from B&H

Jeremiah Karpowicz | 05/16

Everything you need in one place

image

We grabbed Jerry Zorek, Manager of Business Development at B&H, to learn about what B&H was showing off at their studio booth.  He shows us a Resolve system with the…

Final Cut Pro X Multicam Editing webinar now available on-demand

Scott Simmons | 05/15

Plus a little screencast in this blog post on a topic we didn’t get to cover.

image

I had great fun last week presenting the Final Cut Pro X multicam editing webinar…

10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6

Scott Simmons | 05/11

These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement

image

Adobe is making a big play for Final Cut Pro users with their CS6 release of Premiere Pro. It’s vastly improved over the Premiere Pro of old and is a lot like Final…

A collection of Avid Media Composer related links for my NAB Migrating to Avid class

Scott Simmons | 05/03

I promised to post a bunch of helpful links for migrating editors so here they are.

image

With the 2012 NAB show a thing of the past that means the Post|Production world conference is a thing of the past too. One of the classes I taught this year was Essentials…

To be considered for listing, contact pr (at) provideocoalition (dot) com


Copyright © 2012, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use  |  Privacy Policy

Check PageRank