(Page 1 of 1 pages for this article )

Monday, November 30, 2009

Filed under:

Digital Film Tools Releases Power Matte v2

PVC News Staff | 11/30

Digital Film Tools releases Power Matte v2 for Adobe After Effects—a simple and fast interactive image matting tool.

Power Matte is an easy to use interactive image matting tool capable of extracting almost any object in an image—even if you are dealing with fine hair detail, smoke, or reflections. This extraction process creates what is known as a matte—essentially a black and white cutout. White matte areas are extracted, black areas not, and gray areas in between represent a level of transparency. Once a matte is extracted, the foreground object can be seamlessly composed onto a new background as well as apply filter and image corrections only within the area defined by the matte. All this is made possible without the aid of blue or green screen photography.

To work this magic, Power Matte iteratively estimates the transparency value for every pixel in the image, based on a small sample of foreground (what you want to cut out) and background (what you want to get rid of), marked by defining simple open or closed masks. Results show that compared with previous approaches, our method is more efficient and requires minimal effort to extract high quality mattes for foregrounds with significant semi-transparent regions. In addition, the foreground edge colors can be estimated in the semi-transparent areas to create a seamless composite. What was once thought of as the Holy Grail of digital imaging is now a reality with Power Matte.

After intense research and development, we’ve created an enhanced rendering algorithm coupled with multiprocessor acceleration for Power Matte v2 to allow it to render incredibly faster using far less memory. This means that you can matte much larger images at much faster speeds than before. Just how fast are we talking about? Using a 2048 x 1556 pixel image on an Intel Quad Core CPU (Q6700) running at 2.66GHz, the previous version of Power Matte would process the matte in 2:42 minutes. Power Matte v2 now processes the same matte in 6.4 seconds using 5 times less memory.

Power Matte is based on unpublished research and technology by Jue Wang from the University of Washington and is available for download or purchase at: http://www.digitalfilmtools.com for $245. Upgrade pricing is available for existing customers.

Digital Film Tools brings together the unbeatable combination of superior software designers, motion picture visual effects veterans, video editors and photographers. Add three Emmy Awards and experience in creating visual effects for hundreds of feature films, commercials and television shows and you have a recipe for success.

(Page 1 of 1 pages for this article )

               



You must be registered to comment. This is an effort to reduce spam. Please REGISTER HERE.

Name:

Email:

Location:

URL:

Smileys

Remember my personal information

Notify me of follow-up comments?

Submit the word you see below:




Register for A Free Digital Asset Management Webcast
ASSIMILATE Announces Breakthrough 48 FPS Playback of RAW RED EPIC Stereo Streams
Give Your Production A Lift With Stackable Apple Boxes
Visual Effects Society (VES) Announces Winners of 10th Annual VES Awards
BenQ Introduces Short-Throw Projectors with Interactive Projection Technology
Spy Opens Doors On New Creative Studio In Santa Monica
Anton/Bauer Provides Rock-Solid Dependability For “The Amazing Race” As It Treks Across The Globe
Full Compass Systems Appoints Jim Ripp as Assistant Sales Manager
Exclusive 2012 Fletcher Camera Comparison Chart Now Available to PVC readers
Hasselblad Launches State-of-the-art Online Video Platform
Oscar-Nominated Jeff Cronenweth, ASC Set for Conversation at Createasphere’s ETE
Blackmagic Design Releases Support For Final Cut Pro X 10.0.3 Broadcast Monitoring
Livestream Integrates with NewTek TriCaster™
Westcott receives two Hot One Awards
Harrison Ford to be Feted by American Society of Cinematographers
JVC Unveils ProHD Portable Monitor Series
Audio-Technica Kicks Off “50 Years of Passionate Listening” Anniversary Celebration with Gala
Donny Osmond to Keynote NAB Show Luncheon
Eye Scream Factory Releases 74 DVE Transitions by Kevin P. McAuliffe
CoreCG Launches MentalCore, Breakthrough Solution for Optimizing the Maya and mental ray Workflow
An Immersive Keynote Announced for Createasphere’s Entertainment Technology Expo
Television Industry Leaders Bruce Rosenblum and Ben Silverman to Address 2012 NAB Show
Eyeheight Announces CC-3D Stereoscopic Colour Corrector
NewTek Unveils TriCaster™ Certified Operator Program
JVC Introduces ProHD Compact Studio
Blackmagic Design Releases HyperDeck Shuttle 2 with Avid DNxHD Recording and Playback
Cinedeck RX Delivers Tapeless Record, Monitoring and Playback WorkFlow
The Hollywood Post Alliance Presents The HPA Tech Retreat 2012
Major Blu-ray Industry Testing Event Set For North American Debut
Top Music Industry Brands Turn to NewTek to Deliver NAMM Experience Live Over the Web







Adobe teases Prelude at the San Francisco Supermeet, FCPUG changes its name

Scott Simmons | 01/28

The Adobe sneak looks intriguing. Makes me excited for CS6.

From the looks of Twitter last night there were a couple of surprises at the Friday evening’s San Francisco Supermeet. First bit of news I saw was that Final Cut Pro User Group (FCPUG) has decided to drop the Final Cut Pro designation from their name to become the Creative Pro User Group. Second was a sneak peek from Adobe about a new application called Prelude.

From start to finish – an arsenal of tools

Marc-Andre Ferguson | 01/25

Finishing options from mobile workstations to pimped out desktops.

Choosing your next editing and finishing system

Marc-Andre Ferguson | 01/19

image

Are you thinking at changing your workflow? Are you looking at another NLE? And if so, why chose just one new application? Why not take this opportunity to think beyond your editing pipeline?

Digieffects v2.5 - Damage & Delirium Explored

Jeff Foster | 12/27

Taking a look into Digieffects latest creative plugin effects

Digieffects has updated and optimized their plugin effects to be Adobe CS5/64-bit compatible and have added some great new tools to their suite of tools! Both Damage v2.5 and Delirium v2.5 are fully compatible with the latest versions of After Effects, Premiere Pro, FCP and Edius. Even better…

To be considered for listing, contact pr (at) provideocoalition (dot) com


Copyright © 2011, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use  |  Privacy Policy

Check PageRank