(Page 1 of 1 pages for this article )

Wednesday, April 07, 2010

Filed under:

GENARTS UNVEILS MONSTERS GT FOR ADOBE AFTER EFFECTS USERS

PVC News Staff | 04/07

Unique Suite of Effects Combines One-of-a-Kind Creativity With Dramatic Advances in Control

image

GenArts Inc., the premier provider of specialized visual effects software for the film, television and video industries, announced today GenArts Monsters GT™ for Adobe After Effects users. Designed to complement GenArts Sapphire’s industry-standard everyday tools, Monsters GT offers its one-of-a-kind effects to After Effects users. Adobe CS5-compatible, Monsters GT features a revamped user interface to provide excellent control, and full GPU and floating point support to maximize image quality and cost benefits.

With an array of stunning effects not found in any competing products, Monsters GT is the ideal suite of plug-ins to set any post-production house apart from its competitors. These unique tools include:

·Stylize effects such as CCTV, NightVision and Brush

·Warps and distort effects such as HeatHaze, Puddle and Ripple

·Particle effects such as Rain, Smoke and Snow

·Fluidz and Trailz effects (formerly found in GenArts Raptors™)

Previously only available on high-end compositing systems like Autodesk and Quantel, this new version of GenArts Monsters now extends the same opportunity for creativity to motion graphics artists using Adobe After Effects. Historically, these artists have faced some of the biggest creativity challenges because their graphics are only onscreen for short periods of time. Monsters GT overcomes this barrier by enabling a huge visual impact in a small space of time. A completely revamped user interface offers the intuitive settings and controls that have made GenArts products the industry standard for more than 13 years. In addition, Monsters GT has been optimized to support GPU and floating point, enabling real-time interactivity at HD resolutions, faster render speeds, and the highest image quality and dynamic range available.

image

“Raising the bar in visual effects whilst constantly upgrading our infrastructure and keeping to budget is always a challenge,” said Mark Wildig, CTO of Smoke and Mirrors. “We’ve been using Monsters on Autodesk systems for years and we’ve always loved the looks they create, but they’re sometimes difficult to control. The availability of Monsters GT will significantly change the game. The new combination of control and performance will allow us to push the boundaries of our creativity at all levels.”

“Visual effects artists and post-production facilities are constantly looking for new ways to differentiate themselves by creating an unrivaled product for their customers in an era of shrinking budgets, and Monsters GT delivers,” said Steve Bannerman, CMO, GenArts. “Featuring effects you can’t find anywhere else, coupled with outstanding control and performance, one thing is crystal-clear: This is definitely not your father’s Monsters.”

Pricing and Availability

GenArts Monsters GT for After Effects will be available in May 2010. Pricing will be $999 for either node-locked or floating licenses. GenArts Sapphire/Monsters bundle will be offered at $2,299 (node-locked only).

GenArts will showcase a pre-release demo of Monsters GT in Booth No. SL2607 at the 2010 NAB Show, held April 10-15 at the Las Vegas Convention Center in Las Vegas. Please visit http://www.genarts.com for more information on GenArts Monsters GT and our appearance at NAB.

Since the company’s founding in 1996, GenArts software has been utilized in thousands of films, television broadcasts and commercials, including more than 20 Oscar-nominated pieces such as Titanic; I, Robot; Armageddon; Star Wars Episode I, GT and GTI; The Matrix trilogy; The Lord of the Rings trilogy; Pearl Harbor; Spider Man; Pirates of the Caribbean; Harry Potter and the Prisoner of Azkaban; Transformers; The Chronicles of Narnia: The Lion, the Witch and the Wardrobe; Avatar and many more.

About GenArts

GenArts, Inc. is the premier provider of specialized digital visual effects for the film, broadcast and video industries. As visual effects have become essential to the art of storytelling, GenArts’ tools have emerged as the standard for creating high-end visual effects at leading studio, broadcast and post-production facilities around the world. GenArts’ products have been used extensively to create an array of breathtaking effects for countless feature films, television shows, commercials and music videos. GenArts enjoys the unique distinction of having been a key component of an Oscar-nominated film for the past 13 consecutive years. 

The GenArts Sapphire™, Monsters™, Raptors™, Tinder™ and particleIllusion™ portfolio equips digital artists with a collection of state-of-the-art visual effects such as glows, light rays, lens flares, film, fire, fluid and particles to create the continually innovative looks that bring the entertainment industry’s dazzling stories and broadcasts to life. GenArts tools seamlessly integrate as software plug-ins into all leading editing and compositing systems. GenArts was founded in 1996 in Cambridge, Mass. http://www.genarts.com.

(Page 1 of 1 pages for this article )

               



You must be registered to comment. This is an effort to reduce spam. Please REGISTER HERE.

Name:

Email:

Location:

URL:

Smileys

Remember my personal information

Notify me of follow-up comments?

Submit the word you see below:




InfoComm: New Routing Switcher from PESA Offers Internal Power, Optional Pushbutton Control
FOR-A to Introduce the FT-ONE—World’s First Full 4K Super Slow Motion Camera—at Cine Gear
All-New ready2go Projects & Templates Collection Pushes the Limits of Creativity
Grass Valley Exhibits File–Based Workflow Innovations At InfoComm 2012
Maximize the Performance of Your 3D Applications
MTI Film Extends Cortex::Capture Giveaway
FUJIFILM Optical Devices Division to EXHIBIT AT CINE GEAR EXPO
DVEO Announces U.S. Introduction of World’s First Seamless IP Redundancy Switch
Testronic Incorporates New Tool from Deluxe Digital Studios Into Award Winning File-Based QC Lab
Introducing Schneider Kreuznach Cine-Xenar III Prime Lenses including 18mm/T2.2
Full Compass Hosts “Music Biz” Workshop For Young Musicians
NVIDIA CEO to Present Keynote Address at GPU Technology Conference
The Hollywood Post Alliance Opens the 2012 HPA Awards Call for Entries
CineGear Solutions, Inc. Launch the aiRCam GP on Kickstarter.com for only $375
Blackmagic Design To Host NYC Blackmagic Roadshow on May 24th
HPA Sales Career Resource Group Presents High Noon: Shoot Out at the Editorial Corral
Film Chest Builds End-To-End Restoration Pipeline with Digital Vision Tools
Stereoscopic Suite X1 Wins “MARIO” Award at NAB Show 2012
THX & Dolby Color Science Class: May 24, 2012, Burbank, CA
Createasphere Presents its Flagship Entertainment Technology Expo
S2000 Century/Canon 17mm T4 Tilt-Focus Lens PL Mount
All-New Premium Toxic Templates(TM) Offer Refreshing Twist On Template Genre
Future Media Concepts Announces Adobe® Bootcamp July 9-20, in Washington, D.C.
Bailey Heads Judging of 2012 KODAK Student Scholarships
Codex and ARRI Continue Successful Partnership
Blackmagic Design To Host LA Blackmagic Roadshow on May 16th
AJA Video Systems Sweeps NAB 2012 Best of Show Awards
Red Giant Announces Full Support for Adobe Creative Suite 6
Oscar®-Nominee Dante Spinotti Named 2012 Kodak Cinematographer-in-Residence at UCLA/TFT
24-Frame Playback gets a new moniker







Overshadowed at NAB

Mark Spencer | 05/01

3 interesting products that passed under the radar

image

While I was once again teaching at Post|Production World at NAB this year, with classes every day, I did manage to make it to the show floor a few times. Since the…

Overshadowed at NAB

Mark Spencer | 05/01

3 interesting products that passed under the radar

image

While I was once again teaching at Post|Production World at NAB this year, with classes every day, I did manage to make it to the show floor a few times. Since the…

Overshadowed at NAB

Mark Spencer | 05/01

3 interesting products that passed under the radar

image

While I was once again teaching at Post|Production World at NAB this year, with classes every day, I did manage to make it to the show floor a few times. Since the…

For broadcast news, “Starbucks is the new microwave!”

Allan Tépper | 04/24

A recurring theme at NAB 2012, but how true is it?

image

If you’re involved in traditional broadcast news, you know that the most popular established way to send your urgent remote stories back to the TV station is via microwave. For those…

To be considered for listing, contact pr (at) provideocoalition (dot) com


Copyright © 2012, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use  |  Privacy Policy

Check PageRank