(Page 1 of 1 pages for this article )

Thursday, February 05, 2009

Filed under:

Super Bowl XLIII: Autodesk Technology Key Player in Commercials

PVC News Staff | 02/05

SAN RAFAEL, Calif., Feb. 3, 2009-Leading advertisers and movie studios
relied on technology from Autodesk, Inc. (NASDAQ: ADSK) to tackle the
cutting-edge visual effects and animation integral to delivering their
Super Bowl XLIII message.

“Super Bowl commercials and trailers are some of the most demanding

entertainment projects in the world,” said Bruno Sargeant, senior industry

manager for television and broadcast, Autodesk Media & Entertainment. “For

over 15 years, leading creatives have relied on a variety of Autodesk

solutions to shape awe-inspiring content.”

Several movie studios unveiled movie trailers during the Super Bowl to

generate excitement for upcoming releases. Industrial Light & Magic (ILM)

worked on two films whose trailers aired during the game: Transformers:

Revenge of the Fallen and Star Trek. On both projects, ILM used Autodesk

Maya 3D modeling, animation and rendering software and Autodesk Inferno

visual effects software as part of ILM’s SABRE system.

Numerous post-production facilities used Autodesk technology to work on the

creation of Super Bowl commercials (see Autodesk YouTube channel for links

to these commercials):

o Brickyard VFX worked on an impressive number of commercials: Bud Light

Lime’s Sphere of Summer, as well as Thugs, a commercial for a Denny’s

campaign. Both were shaped with the Autodesk Flame visual effects software

(Maya was also used on the Budweiser commercial). In addition, Brickyard

VFX used the Autodesk Smoke finishing effects software on Cash4Gold.com’s

One Up.

o PSYOP created three commercials that aired during the game: Coca Cola’s

Heist, Kellogg’s Plant a Seed as well as Fandamonium for Monster.com. All

were created with Flame, Maya and Softimage|XSI 3D modeling, animation and

rendering software.

o The Mill worked on the Gatorade Manifesto multi-commercial campaign using

Flame, Maya and Autodesk Combustion compositing software and The Chase for

Audi using Flame and Combustion.

o Method Studios created six commercials using a host of Autodesk tools.

Method used Flame and Combustion on five commercials: Tips for Career

Builders, The Ladders’ Little Creatures and Chairs, and Pepsi’s Pass and

Refresh Anthem - on which Maya was also used.  Method also used Flame and

Maya on Hulu’s Alec in Huluwood commercial.

o Framestore NY had a prolific Super Bowl season with six commercials:

Bridgestone’s two-commercial campaign Hot Item and Taters, and General

Electric’s Scarecrow. All were all shaped with Flame and Maya.  As well,

Framestore used Flame on E-Trade’s 401Kand Wings, and on Double Take for

Monster.com.

o MPC used Flame for compositing and 3D projection and Autodesk Burn, a

Linux-based rendering software for Pedigree Crazy Pets.

o Smoke & Mirrors New York used Flame for conforming and compositing the

Castrol Grease Monkeys commercial.

o Asylum worked on two commercials that aired during the game Coke Zero

Mean Troy using Inferno, Smoke and Flame and Teleflora Talking Flowers

using Inferno, Smoke, Flame, and Maya for modeling, rigging, animation and

lighting of the flower.

o Radium used Maya and Inferno for a Nextel Roadies commercial as well as

for two Sprint commercials which aired pre-game Highschool and Petals.

o AXYZ worked on the Budweiser Fetch commercial using Inferno.

About Autodesk

Autodesk, Inc., is a world leader in 2D and 3D design software for the

manufacturing, building and construction, and media and entertainment

markets. Since its introduction of AutoCAD software in 1982, Autodesk has

developed the broadest portfolio of state-of-the-art Digital Prototyping

solutions to help customers experience their ideas before they are real.

Fortune 1000 companies rely on Autodesk for the tools to visualize,

simulate and analyze real-world performance early in the design process to

save time and money, enhance quality and foster innovation. For additional

information about Autodesk, visit http://www.autodesk.com.

Autodesk, AutoCAD, Burn, Combustion, Flame, Inferno, Maya, Smoke ,

Softimage and XSI are registered trademarks or trademarks of Autodesk,

Inc., and/or its subsidiaries and/or affiliates in the USA and/or other

countries. All other brand names, product names or trademarks belong to

their respective holders. Autodesk reserves the right to alter product

offerings and specifications at any time without notice, and is not

responsible for typographical or graphical errors that may appear in this

document.

© 2009 Autodesk, Inc. All rights reserved

(Page 1 of 1 pages for this article )

               



You must be registered to comment. This is an effort to reduce spam. Please REGISTER HERE.

Name:

Email:

Location:

URL:

Smileys

Remember my personal information

Notify me of follow-up comments?

Submit the word you see below:




Register for A Free Digital Asset Management Webcast
ASSIMILATE Announces Breakthrough 48 FPS Playback of RAW RED EPIC Stereo Streams
Give Your Production A Lift With Stackable Apple Boxes
Visual Effects Society (VES) Announces Winners of 10th Annual VES Awards
BenQ Introduces Short-Throw Projectors with Interactive Projection Technology
Spy Opens Doors On New Creative Studio In Santa Monica
Anton/Bauer Provides Rock-Solid Dependability For “The Amazing Race” As It Treks Across The Globe
Full Compass Systems Appoints Jim Ripp as Assistant Sales Manager
Exclusive 2012 Fletcher Camera Comparison Chart Now Available to PVC readers
Hasselblad Launches State-of-the-art Online Video Platform
Oscar-Nominated Jeff Cronenweth, ASC Set for Conversation at Createasphere’s ETE
Blackmagic Design Releases Support For Final Cut Pro X 10.0.3 Broadcast Monitoring
Livestream Integrates with NewTek TriCaster™
Westcott receives two Hot One Awards
Harrison Ford to be Feted by American Society of Cinematographers
JVC Unveils ProHD Portable Monitor Series
Audio-Technica Kicks Off “50 Years of Passionate Listening” Anniversary Celebration with Gala
Donny Osmond to Keynote NAB Show Luncheon
Eye Scream Factory Releases 74 DVE Transitions by Kevin P. McAuliffe
CoreCG Launches MentalCore, Breakthrough Solution for Optimizing the Maya and mental ray Workflow
An Immersive Keynote Announced for Createasphere’s Entertainment Technology Expo
Television Industry Leaders Bruce Rosenblum and Ben Silverman to Address 2012 NAB Show
Eyeheight Announces CC-3D Stereoscopic Colour Corrector
NewTek Unveils TriCaster™ Certified Operator Program
JVC Introduces ProHD Compact Studio
Blackmagic Design Releases HyperDeck Shuttle 2 with Avid DNxHD Recording and Playback
Cinedeck RX Delivers Tapeless Record, Monitoring and Playback WorkFlow
The Hollywood Post Alliance Presents The HPA Tech Retreat 2012
Major Blu-ray Industry Testing Event Set For North American Debut
Top Music Industry Brands Turn to NewTek to Deliver NAMM Experience Live Over the Web







Adobe teases Prelude at the San Francisco Supermeet, FCPUG changes its name

Scott Simmons | 01/28

The Adobe sneak looks intriguing. Makes me excited for CS6.

From the looks of Twitter last night there were a couple of surprises at the Friday evening’s San Francisco Supermeet. First bit of news I saw was that Final Cut Pro User Group (FCPUG) has decided to drop the Final Cut Pro designation from their name to become the Creative Pro User Group. Second was a sneak peek from Adobe about a new application called Prelude.

3D Layers Overview with Photoshop CS4-CS5.5

Jeff Foster | 01/27

Part Three: Video Editing & Animation with Photoshop CS4/CS5 Extended Series

Not only can you manipulate video layers in 3D space in Photoshop CS4 and later, but you can create 3D objects from primitives and import 3D models. In this FREE 12-minute tutorial from my Video Training DVD Photoshop CS4/CS5…

From start to finish – an arsenal of tools

Marc-Andre Ferguson | 01/25

Finishing options from mobile workstations to pimped out desktops.

Choosing your next editing and finishing system

Marc-Andre Ferguson | 01/19

image

Are you thinking at changing your workflow? Are you looking at another NLE? And if so, why chose just one new application? Why not take this opportunity to think beyond your editing pipeline?

To be considered for listing, contact pr (at) provideocoalition (dot) com


Copyright © 2011, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use  |  Privacy Policy

Check PageRank