(Page 1 of 1 pages for this article )

Monday, August 31, 2009

Filed under:

THE FOUNDRY RELEASES NUKE 5.2

PVC News Staff | 08/31

Leading visual effects software developer, The Foundry, has announced the latest release of its powerful compositing application Nuke.

Nuke 5.2, now shipping, features new pre-comp tools that facilitate structured and collaborative workflow through referencing of external scripts; Python improvements for the creation of custom user interface panels and script driven actions; metadata support direct in the node graph; and the ability to register multiple ‘Viewer Process’ Gizmos for user-defined viewer processing, including new GPU support for 3D LUTs and GLSL shaders.


In addition Nuke 5.2 enables video monitor preview through Blackmagic Decklink, AJA Kona and Xena cards and introduces a RED R3D Redcode format reader that brings the full range of picture information into a full 32bit float-processing environment.


Viewer playback performance has been significantly improved, with flexible disk caching introduced at script nodes, and numerous bugs fixed.

Richard Shackleton, Nuke product manager at The Foundry commented: “We are continually working with, and listening to, our customers to ensure we understand their needs, wants and priorities. Nuke 5.2 and our future development programme will deliver productivity and workflow gains, as well as expand the production and creative tasks that can be tackled within the platform.

“I am very excited about delivering a wide range of new features in this release to support our customers ever-increasing breadth of challenges and complex deliverables. Nuke 5.2 and our future development roadmap will continue to deliver productivity and workflow gains as well as expanding the production and creative tasks that the Nuke platform can achieve.”


This philosophy of continual innovation focused on solving VFX and production requirements continues at The Foundry with Nuke 6.0 and NukeX 6.0 due for release in Q4 this year.  For a pre-release peek, visit us on stand 7.F28 at IBC, where you can also see in depth customer demonstrations and talk directly with our team.


For more information on Nuke see http://www.thefoundry.co.uk.


About The Foundry

The Foundry is a world-leading innovator of visual effects and image processing technologies that boost productivity in motion picture and video post production. On February 10th 2007, the Academy of Motion Picture Arts and Sciences awarded a Sci-Tech Award® to The Foundry’s development team for the Furnace image processing suite. The company now holds two products with AMPAS Sci-Tech Award® winning technology including high-end compositing system Nuke.

The Foundry’s products support a wide range of host platforms including After Effects, Autodesk® Media and Entertainment Systems, Avid DS, Baselight, Film Master, Nuke, Shake and Final Cut Pro.


Customers include: ILM, Framestore, The Mill, Soho, Duboi, Digital Domain, The Moving Picture Company, Sony Pictures Imageworks, Warner Bros and Weta Digital Ltd.


The Foundry recently completed a management buyout led by Advent Venture Partners. The company is headquartered in London, and has offices in Los Angeles.


For more information please visit The Foundry’s website at http://www.thefoundry.co.uk, or call +44 20 7434 0449.

(Page 1 of 1 pages for this article )

               



You must be registered to comment. This is an effort to reduce spam. Please REGISTER HERE.

Name:

Email:

Location:

URL:

Smileys

Remember my personal information

Notify me of follow-up comments?

Submit the word you see below:




Register for A Free Digital Asset Management Webcast
ASSIMILATE Announces Breakthrough 48 FPS Playback of RAW RED EPIC Stereo Streams
Give Your Production A Lift With Stackable Apple Boxes
Visual Effects Society (VES) Announces Winners of 10th Annual VES Awards
BenQ Introduces Short-Throw Projectors with Interactive Projection Technology
Spy Opens Doors On New Creative Studio In Santa Monica
Anton/Bauer Provides Rock-Solid Dependability For “The Amazing Race” As It Treks Across The Globe
Full Compass Systems Appoints Jim Ripp as Assistant Sales Manager
Exclusive 2012 Fletcher Camera Comparison Chart Now Available to PVC readers
Hasselblad Launches State-of-the-art Online Video Platform
Oscar-Nominated Jeff Cronenweth, ASC Set for Conversation at Createasphere’s ETE
Blackmagic Design Releases Support For Final Cut Pro X 10.0.3 Broadcast Monitoring
Livestream Integrates with NewTek TriCaster™
Westcott receives two Hot One Awards
Harrison Ford to be Feted by American Society of Cinematographers
JVC Unveils ProHD Portable Monitor Series
Audio-Technica Kicks Off “50 Years of Passionate Listening” Anniversary Celebration with Gala
Donny Osmond to Keynote NAB Show Luncheon
Eye Scream Factory Releases 74 DVE Transitions by Kevin P. McAuliffe
CoreCG Launches MentalCore, Breakthrough Solution for Optimizing the Maya and mental ray Workflow
An Immersive Keynote Announced for Createasphere’s Entertainment Technology Expo
Television Industry Leaders Bruce Rosenblum and Ben Silverman to Address 2012 NAB Show
Eyeheight Announces CC-3D Stereoscopic Colour Corrector
NewTek Unveils TriCaster™ Certified Operator Program
JVC Introduces ProHD Compact Studio
Blackmagic Design Releases HyperDeck Shuttle 2 with Avid DNxHD Recording and Playback
Cinedeck RX Delivers Tapeless Record, Monitoring and Playback WorkFlow
The Hollywood Post Alliance Presents The HPA Tech Retreat 2012
Major Blu-ray Industry Testing Event Set For North American Debut
Top Music Industry Brands Turn to NewTek to Deliver NAMM Experience Live Over the Web







Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch

Scott Simmons | 02/07

If you haven’t heard they have moved from FCP7 to Media Composer

Back in January news broke that reality television producers Bunim/Murray were switching their post-production facilities from Final Cut Pro to Avid Media Composer. This probably didn’t come as a great shock to anyone who follows post-production as the release of Final Cut Pro X had left many people (especially those…

Kicking the tires on the Final Cut Pro X 10.0.3 Multicam update

Scott Simmons | 02/05

The ease of setup and managing multicam clips makes this the best FCPX update yet

image

As we all know by now Apple released their promised update to Final Cut Pro X that added multicam. It’s only been a week and there’s already a lot of articles and tutorials about how…

Blackmagic Design Releases Support For Final Cut Pro X 10.0.3 Broadcast Monitoring

PVC News Staff | 02/01

Broadcast monitoring in Final Cut Pro 10.0.3 allows video output to external monitors and other equipment

image

Blackmagic Design today released Desktop Video 9.2 beta 1, a software update for its capture and playback products that adds broadcast monitoring support with the new Final Cut Pro X 10.0.3 update.…

Update Alert: Final Cut Pro X goes to 10.0.3

Scott Simmons | 01/31

A big update adds multicam, manual relinking, broadcast monitoring and the ability to move a project over from FCP7

image

Is it early 2012? It is and Apple has kept its promise with an update that takes Final Cut Pro X to 10.0.3. The promised features…

To be considered for listing, contact pr (at) provideocoalition (dot) com


Copyright © 2011, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use  |  Privacy Policy

Check PageRank