(Page 1 of 1 pages for this article )

Thursday, February 05, 2009

Filed under:

The Orphanage Shuts Its Doors

Mark Christiansen | 02/05

San Francisco studio “suspending operations indefinitely” according to founder

As reported by Orphanage co-founder Stu Maschwitz on his blog, The Orphanage has indefinitely ceased operations. The San Francisco-based visual effects and animation company was founded a decade ago and was most recently the lead house on Frank Miller’s film The Spirit, and in the past had been the lead house on films including The Host and the last half-dozen films by Robert Rodriguez, not to mention major contributions to Hollywood tentpoles Iron Man, Superman Returns, Live Free or Die Hard, Pirates of the Carribean, The Day After Tomorrow, and many, many more.

No direct reason for the sudden announcement was included in the blog post, but it follows on the heels of other recent recession-related announcements, including, also in San Francisco the decision last week by Radium to close its original studio here.

On a personal note, as a onetime Orphan myself, I repeat Stu’s closing “message to the visual effects industry”: “You will never find a better employee than a former Orphan.”

(Page 1 of 1 pages for this article )

               



You must be registered to comment. This is an effort to reduce spam. Please REGISTER HERE.

Name:

Email:

Location:

URL:

Smileys

Remember my personal information

Notify me of follow-up comments?

Submit the word you see below:




Register for A Free Digital Asset Management Webcast
ASSIMILATE Announces Breakthrough 48 FPS Playback of RAW RED EPIC Stereo Streams
Give Your Production A Lift With Stackable Apple Boxes
Visual Effects Society (VES) Announces Winners of 10th Annual VES Awards
BenQ Introduces Short-Throw Projectors with Interactive Projection Technology
Spy Opens Doors On New Creative Studio In Santa Monica
Anton/Bauer Provides Rock-Solid Dependability For “The Amazing Race” As It Treks Across The Globe
Full Compass Systems Appoints Jim Ripp as Assistant Sales Manager
Exclusive 2012 Fletcher Camera Comparison Chart Now Available to PVC readers
Hasselblad Launches State-of-the-art Online Video Platform
Oscar-Nominated Jeff Cronenweth, ASC Set for Conversation at Createasphere’s ETE
Blackmagic Design Releases Support For Final Cut Pro X 10.0.3 Broadcast Monitoring
Livestream Integrates with NewTek TriCaster™
Westcott receives two Hot One Awards
Harrison Ford to be Feted by American Society of Cinematographers
JVC Unveils ProHD Portable Monitor Series
Audio-Technica Kicks Off “50 Years of Passionate Listening” Anniversary Celebration with Gala
Donny Osmond to Keynote NAB Show Luncheon
Eye Scream Factory Releases 74 DVE Transitions by Kevin P. McAuliffe
CoreCG Launches MentalCore, Breakthrough Solution for Optimizing the Maya and mental ray Workflow
An Immersive Keynote Announced for Createasphere’s Entertainment Technology Expo
Television Industry Leaders Bruce Rosenblum and Ben Silverman to Address 2012 NAB Show
Eyeheight Announces CC-3D Stereoscopic Colour Corrector
NewTek Unveils TriCaster™ Certified Operator Program
JVC Introduces ProHD Compact Studio
Blackmagic Design Releases HyperDeck Shuttle 2 with Avid DNxHD Recording and Playback
Cinedeck RX Delivers Tapeless Record, Monitoring and Playback WorkFlow
The Hollywood Post Alliance Presents The HPA Tech Retreat 2012
Major Blu-ray Industry Testing Event Set For North American Debut
Top Music Industry Brands Turn to NewTek to Deliver NAMM Experience Live Over the Web







Basic Lighting Setups for Green Screen

Jeff Foster | 01/23

from the “Green Screen Workshop: The Setup” series

There’s more to lighting your green screen than just sticking some green fabric up on a wall behind your talent and hoping for the best! Planning ahead and choosing the right setup for the shot you’re hoping to get is a key factor in determining what kind of lighting…

Smoke for Final Cut Pro Users

Grant Kay | 12/09

Getting started with Smoke

image

As a Senior Smoke Trainer here at Autodesk, I routinely get question from editors and artists asking me how Smoke compares to the software packages and plugins they use for everything from editing…

mocha Pro Demo at Editors’ Lounge

Terence Curren | 06/15

An awesome planar tracker… and a LOT more!

Mary Poplin demonstrates the power of mocha Pro (yeah, they spell it with a lower case “m”) at a recent Editors’ Lounge in Burbank. If you are interested in the power this app brings to tracking, rotoscoping and compositing, check this video out. Oh yeah, and the tracking data is supported in Boris Continuum Complete, so you can even use this data in your favorite NLE.

The subtle VFX work in Black Swan

Matt Jeppsen | 03/17

Good VFX execution that doesn’t draw undue attention

image

The filmmakers of Black Swan have been discussed for the choice to shoot much of the film on 16mm stock, as well as some coverage being shot on the Canon 5D and 7D DSLRs (see

To be considered for listing, contact pr (at) provideocoalition (dot) com


Copyright © 2011, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use  |  Privacy Policy

Check PageRank