Friday, January 27, 2012

3D Layers Overview with Photoshop CS4-CS5.5

Jeff Foster | 01/27- 11:52 PM

Part Three: Video Editing & Animation with Photoshop CS4/CS5 Extended Series

Not only can you manipulate video layers in 3D space in Photoshop CS4 and later, but you can create 3D objects from primitives and import 3D models. In this FREE 12-minute tutorial from my Video Training DVD Photoshop CS4/CS5 Video & Animation, I give you an overview of the 3D workspace and how you can create, manipulate and modify 3D layers and tools right inside of Photoshop.

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Friday, January 27, 2012

Tangent Element panels are now shipping

Scott Simmons | 01/27- 01:55 PM

DaVinci Resolve isn’t listed as being supported as of yet. Hopefully soon.

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Word came out today from Tangent Devices that the first Element panels are now shipping. If you don’t remember the Element is Tangent’s newest color grading control panel that uses a modular design that is four separate pieces that can be purchased separately. They are designed to work together to make a more full featured panel than the Wave with trackballs and rings, knobs and buttons and transport controls if the buyer so desires. As for supported applications, Assimilate SCRATCH and Apple Color are two more common applications on the list but the one many people are asking about, DaVinci Resolve, is (so far) missing.

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Tuesday, January 24, 2012

The 11th Annual San Francisco FCPUG SuperMeet

Clint Milby | 01/24- 12:34 PM

This Friday 1/27/2012—See, Get Seen and Win Big Prizes!

If you’re planning to be in the San Francisco/Bay Area this Friday, then you have a great opportunity to attend the most renowned user group meetups in the world, the FCPUG SuperMeet!

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Monday, January 23, 2012

Avid Media Composer 6 review online

Scott Simmons | 01/23- 07:35 PM

Plus a few other Media Composer 6 bits and pieces

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Last week a review that I wrote of Avid Media Composer 6 went online over at Studio Daily. Here’s the link so if you’re interested in what I think is a rather thorough review that tries to go beyond just bullet points and a feature list then please give it a read. Now that I’ve had a couple of months beyond the first kicking the tires reaction here’s a few more MC6 observations.

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Sunday, January 22, 2012

Update Alert: Magic Bullet Suite 11.2

Scott Simmons | 01/22- 01:49 PM

Avid Media Composer 6 support for Magic Bullet Looks is the big highlight

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Red Giant Software must have been doing some work over the holidays (that or they’ve had a busy 2012 thus far) as just over week ago we saw an update to Magic Bullet Suite. Beside offering full Mac OS X Lion compatibility the big news is that Magic Bullet Looks now runs in Avid Media Composer 6.

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Sunday, January 22, 2012

Book Review: “The DSLR Filmmaker’s Handbook: Real-World Production Techniques”

Jeff Foster | 01/22- 02:09 PM

By Barry Andersson and Janie L. Geyen

There’s little more popular these days than being a budding Indie filmmaker slinging a 5D MkII over your shoulder and firing off hours of footage that you can then spend months editing to make your masterpiece come alive! The biggest problem is that MOST folks entering this endeavor are totally clueless about the process or where to even start - thus making every mistake in the book in the process. The DSLR Filmmaker’s Handbook: Real World Production Techniques (Sybex ISBN 978-0-470-87660-2) aims to help you get started with not only the basics of using the gear, but also the film-making production process in a visual overview - PLUS some very cool tips & tricks.

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Friday, January 13, 2012

Is There A Future For Editors

Terence Curren | 01/13- 09:01 AM

Will we be outsourced or automated out of existence?

In this latest episode of “The Terence and Philip Show” we discuss the outsourcing of editing jobs, remote (a.k.a cloud) editing and automation in production. What’s happening now and how will it evolve in the near future. Philip also sneaks in a preview of an interesting show he’ll be involved with in 2012.

Click the link below and join the conversation.

Since we recorded this show, another automatic editing application went live. Check out Magisto

more »

Thursday, January 12, 2012

Update Alert: FxFactory 3.0

Scott Simmons | 01/12- 09:50 AM

A solid update to the popular plug-in tool brings new effects, new development partners including Nattress

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A big update just hit the Final Cut Pro / Adobe After Effects world this week with Noise Industries FxFactory 3. This update to the popular plug-in architecture introduces not just a lot of new effects but a new interface to the actual FxFactory program. This release sees an interesting new color correction tool from Yanobox and the first FxFactory tools from Nattress and an FCPX only transition package from idustrial revolution.

more »

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2D Footage with a Stereo 3D Rig in After Effects CS5.5
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Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5

How to get the “24p” look for your live-switched multicam shoot
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2D Footage with a Stereo 3D Rig in After Effects CS5.5

Jeff Foster | 02/10- 06:09 PM

Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5

Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output.

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How to get the “24p” look for your live-switched multicam shoot

Allan Tépper | 02/10- 04:23 PM

A contracted article, sponsored by Datavideo Corporation.

Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.

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