2D Footage with a Stereo 3D Rig in After Effects CS5.5

Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output.

Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch

Back in January news broke that reality television producers Bunim/Murray were switching their post-production facilities from Final Cut Pro to Avid Media Composer. This probably didn’t come as a great shock to anyone who follows post-production as the release of Final Cut Pro X had left many people (especially those in the broadcast world) a bit stunned at its lack of broadcast features. There was a lot written about this subject but I had a few more questions so I spoke with Bunim/Murray’s senior vice president of Post Production Mark Raudonis as he has been the public face of this switch. Our Q and A follows.

Kicking the tires on the Final Cut Pro X 10.0.3 Multicam update

As we all know by now Apple released their promised update to Final Cut Pro X that added multicam. It’s only been a week and there’s already a lot of articles and tutorials about how this new feature works. I sat down with it some over the weekend to kick the tires and see how it performed. What follows are some thoughts, notes and observations as I was working with it. I was especially curious as to how it might work for music videos.

Avid now lets you edit video on your iPad for US$4.99. Should you?

I was privileged to find out a few hours in advance of the public announcement of Avid Studio for iPad, since Avid contracted me to translate and localize the press release, as fortunately they often do. There was something about this press release that really intrigued me. It wasn’t so much the specific advantages that Avid Studio for iPad has over other editing apps for iPad, like offering both Storyboard and Timeline views in a single iPad app, or being able to import source material from anywhere inside or outside of the iPad. It was more the fact that the announcement was coming from Avid, and the spirit of the two quotes that appear at the end of the press release. In this article, I’ll give a first look at the app, define what it is (and what it isn’t), and extrapolate about what this can mean for video editing in the short, mid, and long term. Of course, I’ll include those two quotes that intrigued me so much.

Update Alert: Final Cut Pro X goes to 10.0.3

Is it early 2012? It is and Apple has kept its promise with an update that takes Final Cut Pro X to 10.0.3. The promised features are there as well including what looks like an interesting and well thought-out multicam implementation. Broadcast monitoring is there too but it’s labeled as a beta implementation though if the drivers are there it should work. And they said it couldn’t be done but it has been: there’s now a way to easily move a Final Cut Pro 7 project to Final Cut Pro X that’s made possible by an updated XML and a 3rd party software product.

AJA’s Io XT w/ Thunderbolt is now available, but it is not Riker: What’s the cover-up?

AJA is now shipping its US$1495 Io XT, AJA’s first Thunderbolt device which I covered in detail when it was first announced in September 2011. Some of you have asked me whether the Io XT is the same as the prototype code-named “Riker” product that AJA showed at NAB back in April 2011. The answer is no. This article will explain why the Io XT is not Riker, review the currently-available Thunderbolt audio/video i/o devices I’ve covered so far (including the Pegasus Thunderbolt RAID), and clarify William Riker’s involvement in the Pegasus cover-up, as well as that of Leo Laporte, who recently declared Thunderbolt to be “D.O.A.” and “too late” on MacBreak Weekly. Even though neither is true, I think Leo had a very good reason to say those things.

Pegasus Thunderbolt RAID5 from PROMISE

As many ProVideo Coalition readers may recall, I have written about disk arrays from PROMISE before, although the last time it was primarily to be used with a computer with an eSATA port. Now that all Mac computers (except for the MacPro tower) use a Thunderbolt port, many are looking for a disk array which will have the appropriate connection and that will be at least as fast as what they got previously with eSATA. In this article, you’ll find my results with the Pegasus from PROMISE, used both with a Mac Mini and a MacBook Air. You’ll also find PROMISE’s official position on journaling or non-journaling with this device, since this was not previously documented anywhere to my knowledge.

Adobe teases Prelude at the San Francisco Supermeet, FCPUG changes its name

From the looks of Twitter last night there were a couple of surprises at the Friday evening’s San Francisco Supermeet. First bit of news I saw was that Final Cut Pro User Group (FCPUG) has decided to drop the Final Cut Pro designation from their name to become the Creative Pro User Group. Second was a sneak peek from Adobe about a new application called Prelude.

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