Tuesday, February 01, 2011

10 Screenwriting Tips from Joss Whedon

Matt Jeppsen | 02/01- 01:15 PM

Ten Tips from geek filmmaker royalty

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Yeah, that title got your attention didn’t it! Over at Scriptwriting in the UK there’s a nice post with ten detailed tips on screenwriting, by none other than geek-filmmaker darling Joss Whedon. And a damn fine collection of tips indeed. My personal favorite is #5…quoted below:

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Friday, January 21, 2011

What $300 Buys These Days

Bruce A Johnson | 01/21- 03:30 PM

One of those “I sure hope this is true” stories…

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OK, folks, have a look at “Lazy Teenage Superheroes,” a funny, really watchable (and slightly NSFW for language) 13-minute riff on science fiction:

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Friday, January 21, 2011

Film-Office Tax Credits Scandal!

Bruce A Johnson | 01/21- 06:30 AM

Wow, this would make a GREAT screenplay!

The Los Angeles Times has an interesting article about Iowa’s “alleged abuses of its film tax credit program.”  I don’t know how surprising this is, given that the Iowa film office apparently described their program as “half-priced filmmaking.”

It would be wrong not to note that the LA Times has a horse in this race - there is more than a hint of schadenfreud in this piece - but on the whole, this revisits well-trodden ground.  Jeez, even I wrote about it!

Not to pile on, but there is yet another article on the subject this morning from the New York Times (registration probably required), regarding New Jersey’s film subsidy program, which Republican Governor Chris Christie is looking to gut.  The intense problem of gauging these programs effectiveness is summed up in this one excellent paragraph, written by NYT reporter Michael Cieply:

Studies about the efficacy of film credits, which became widespread in the last eight years, have been maddeningly divergent in their conclusions, depending on methodology, the structure of the credit and, sometimes, who sponsors the report.

I believe we have a BINGO!

When I wrote about Wisconsin’s film subsidy program back in 2009, things were tough for state governments.  By all accounts, things are worse in 2011.  If I were a betting man, I’d wager that film subsidy programs are going to become an even more endangered species in the near future.

What do you think?

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Thursday, January 13, 2011

A Look Back on 2010

Terence Curren | 01/13- 03:24 PM

Take a look back on what changed in 2010: cheaper (and great) technology, large sensors, 3D, the state of the business, distribution options and more.

In this episode of the Terence and Philip Show – with able assistance from Secret HQ’s Greg Huson – take a look back on what changed in 2010 from our perspective.

There’s a lot in this show from Resolve to dissolve.

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Tuesday, January 04, 2011

The LED Camera Light Shootout…

Bruce A Johnson | 01/04- 11:59 AM

...that I wish I had gotten to first!

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A guy named Frank Glencairn, whom I think is in England somewhere, has gone and done what we’ve all thought about: 

A shootout between five inexpensive LED sunguns.

(OK, so maybe the term “inexpensive” doesn’t quite stretch to cover the Litepanels LP Micro, but I digress.)

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Wednesday, November 10, 2010

Let’s Clean Up That Shot - Beforehand!

Bruce A Johnson | 11/10- 09:03 AM

...Without Actually Moving Anything

We’ve all gotten our footage back to the edit bay and found something we didn’t want in the frame.  Light stand, audio cable, water bottle, you name it.  What if we could remove irritants from the picture BEFORE the fact - without actually moving anything?  Check the next page for an amazing demo.

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Tuesday, September 28, 2010

Martini QuickShot Creator puts pre-viz directly into FCP

Matt Jeppsen | 09/28- 08:37 PM

Simple pre-visualization software for the rest of us

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Just watched the demo for Martini Quickshot Creator, and must say that this $199 software package looks AWESOME. Check out the demo here...you can quickly build pre-visualized scenes for a project from a library of characters and scenes. All from within Final Cut Pro. This software looks simply brilliant.

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Monday, August 30, 2010

The Best of Stunning Good Looks

Art Adams | 08/30- 02:31 PM

A directory of my best articles, sorted by topic.

This entry is a guide to my best articles, sorted by topic. Enjoy!

more »

Page 3 of 6 pages  <  1 2 3 4 5 >  Last »


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2D Footage with a Stereo 3D Rig in After Effects CS5.5
Jeff Foster

Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5

How to get the “24p” look for your live-switched multicam shoot
Allan Tépper

A contracted article, sponsored by Datavideo Corporation.

Gear In 60 Seconds – Nauticam NA-60D
Matt Jeppsen

Getting watery trick shots with this DSLR housing

Any Way You Want It
Mark Spencer

Setting Up a Rig in Motion 5 on MacBreak Studio

Editing with Final Cut Pro X
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7 Professional Editors Share Their FCP X Experiences

Another week in After Effects
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A news roundup

Redrock Micro’s ultraCage for the C300
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New Cage Fits New Camera Like A Glove

Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
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Kicking the tires on the Final Cut Pro X 10.0.3 Multicam update
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25 Camera Angles in 25 Minutes
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Multicamera Editing in Final Cut Pro X

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2D Footage with a Stereo 3D Rig in After Effects CS5.5

Jeff Foster | 02/10- 06:09 PM

Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5

Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output.

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How to get the “24p” look for your live-switched multicam shoot

Allan Tépper | 02/10- 04:23 PM

A contracted article, sponsored by Datavideo Corporation.

Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.

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