Thursday, February 17, 2011
HPA Tech Retreat 2011 Day 3
Adam Wilt | 02/17- 10:32 PM
After the fear and trembling yesterday, suggestions of solutions; OLEDs; DSLRs; and more.

Day 3 (by my counting; HPA calls this Day 2, because Tuesday’s Super Session doesn’t count) covered LTO-5, LTFS, IMF, HDSLR, OLED, FIMS, SOA, SLA, monitors vs. displays, file-based mastering, Hollywood in the cloud, and Disney restorations.
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Tuesday, February 15, 2011
HPA Tech Retreat 2011 Day 1
Adam Wilt | 02/15- 10:41 PM
HPA Super Session 2011—Snowflake Workflows

HPA set the stage for the Super Session with these words:
“With all the options in workflow today, it seems no two projects are exactly alike. Just like snowflakes, our projects begin beautiful, shiny, and a unique wonder to behold. But as they slowly drift to their final destination, they seem to just turn into slush, as we leave them behind searching for our next wonderful, pristine, new way.”
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Sunday, February 13, 2011
HPA Tech Retreat 2011
Adam Wilt | 02/13- 10:21 PM
The industry’s most thought-provoking conference happens this week.

There’s a quiet gathering in Palm Springs every February. Many of the post-production industry’s leading luminaries, along with a gaggle of production folks, hangers-on, and ne’er-do-wells (including your correspondent) assemble for the Hollywood Post Alliance’s Tech Retreat, three and a half days of discussion about where the industry is and where it’s going.
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Saturday, February 12, 2011
How Would You Build The Entertainment Business From Scratch?
Terence Curren | 02/12- 09:16 AM
In a democratized green field, how different would a new studio look now?
Philip & I originally talked about the concept of starting over in production with a green field – no established starting points – in episode 11.
In this episode we take it a little deeper as there is a lot of ground to cover.
How would a new studio look? What would distribution look like? Would it be a return to the studio system approach of old?
These are just a few of the many areas we tackle in this episode of the Terence & Philip show.
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Tuesday, February 08, 2011
Maybe Facebook Is Good For Something After All
Bruce A Johnson | 02/08- 09:11 PM
SmartSound is giving away free music tracks!
I’m not really a huge Facebook fan, but I can recognize a bargain when I see one. If you are on Facebook and you “like” Smartsound, they’ll send you a free music track on February 15th. Hey, what can it hurt? It’s not like they want you to play Farmville or something.
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Tuesday, February 08, 2011
Panasonic AF-100: The Good, The Bad, and The Ugly
Art Adams | 02/08- 05:37 PM
Director Ian McCamey, Adam Wilt and myself take the AF-100 out for a spin in real world conditions.
The Panasonic AF-100 is getting a lot of buzz as a possible HDSLR killer. We used it in the real world in place of an HDSLR, and now we know. And soon, so will you. Read on…
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Wednesday, February 02, 2011
So You Think You Have An Original Idea?
Bruce A Johnson | 02/02- 07:53 PM
Think Again.
Everything is a Remix from Kirby Ferguson on Vimeo.
Everything is a Remix Part 2 from Kirby Ferguson on Vimeo.
Big thanks to Gary Bettan of Videoguys.com for pointing out a really interesting take on modern creativity. It’s at a site called EverythingisaRemix.info . A guy named Kirby Ferguson just disassembles two of the most sacred cows of the last forty years - Led Zeppelin and Star Wars - in a funny, deadpan way that makes “This American Life” sound like “Family Guy.” And they aren’t the only victims here - be sure to hang on through the credits for even more fun! There are currently two episodes out (of a promised four). Even though there are embed links in this post, be sure to go to his site and click on the “Donate” button. This guy deserves a little dough!
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Thursday, January 27, 2011
Super 35 size me
The Sony Tech Guy | 01/27- 02:54 PM
Sometimes bigger can actually mean better.
Next month marks the debut of Sony’s first handheld Super 35mm model for professionals: the PMW-F3. It’s also Sony’s first such camera with XDCAM EX recording and first with CMOS technology. And the F3 starts at just $16,000 MSRP. The new camera is beginning to make a name for itself after some sweet pre-production tests and first-on-the-block Vimeo posts. In this article, we’ll take a look at the new camera’s Super 35mm image sensor, and see exactly what Sony means by “Super 35.”
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