The second day of the hottest equipment show in LA
Cine Gear Expo on the blazing-hot Universal backlot
Day 2 of Cine Gear Expo dawned sunny and hot—our in-car temperature display registered 102 degrees Fahrenheit by 1:30pm. Despite the heat, there were plenty of things worth seeing.
Day 4 - We have a 3pm call for a 4pm start (we’re skewing later in the day as we need to shoot nighttime footage) and plan to shoot to midnight, covering the climactic dinner and post-dinner scenes.
Still life with water bottle: An EX1 sports a DvRig Junior; Alan Hereford’s homebrew DvRig is at the bottom of the picture.
Day 0 - Finishing up our preproduction for Rob Nilsson’s film, “Maelstrom”, Tim and I head up to San Francisco and Emeryville to pick up gear. Videofax has an EX1 with wide-angle adaptor to back up ours and serve as a B camera, and Chater Camera has two Lectrosonics wireless systems with Sonotrim mikes to supplement my two existing Sony WRR/WRT-28 wirelesses with ECM-77s.
Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…
I love stacking cucolorii (plural of “cucoloris”) and I thought it was time to write an article about how this technique works and why I like it so much. I was a bit stretched for ideas that would illustrate this concept… and then an eclipse happened. Why that made a difference is a very interesting story…
On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.
To be considered for listing, contact pr (at) provideocoalition (dot) com
All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.