When I walked past these the first time, I thought they might be antennas left on the Moon to shoot signals back to earth. But a little research proved to me that these are great lighting devices. NOTE: a big “Thanks!” to my colleague Erik Higgs for letting me edit on his laptop while I was in Vegas.
You are going to have to look at your 4K footage on *something.*
At NAB 2012, when you see a crowd of people clotted around a small booth, it’s a sign you should pay attention. The Eizo full 4K monitor I found there was easily one of the most beautiful I saw all week, with a price tag to match. Also: A belated “Thanks!” to my colleague Erik Higgs for letting me edit on his laptop while in Vegas.
Richard Harrington discuss the future of Adobe Video with Bill Roberts the Director of Video Product Management for Adobe. They discuss future areas of focus that Adobe has and where Creative Suite is going.
Richard has had a long history with Adobe including producing official Adobe books and training. He also runs his own shop using Adobe software.
Richard Harrington interviews Dave Helmly the Sr. Technical Sales Manager Pro Video/Audio Americas for Adobe. They discuss the future of post-processing and what’s new within Adobe Premiere Pro.
Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…
I love stacking cucolorii (plural of “cucoloris”) and I thought it was time to write an article about how this technique works and why I like it so much. I was a bit stretched for ideas that would illustrate this concept… and then an eclipse happened. Why that made a difference is a very interesting story…
On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.
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