Friday, February 10, 2012
How to get the “24p” look for your live-switched multicam shoot
Allan Tépper | 02/10- 04:23 PM
A contracted article, sponsored by Datavideo Corporation.
Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.
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Thursday, February 09, 2012
Gear In 60 Seconds – Nauticam NA-60D
Matt Jeppsen | 02/09- 11:53 AM
Getting watery trick shots with this DSLR housing
Here’s another FreshDV Gear in 60 Seconds video, on the Nauticam NA-60D housing for Canon 60D DSLR stills & video. In this case, we used the housing to get some wild trick shots for a short narrative film. Watch me jump off a waterfall in the video below…
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Sunday, January 29, 2012
Stereo 3D Video Production with GoPro
Jeff Foster | 01/29- 02:15 AM
Using the GoPro HD Hero2 and the 3D Hero System with CineForm Software
Whether you love it or hate it, 3D Stereography is here for awhile. And if you’re totally into it like I am, you quickly realize that there are few turnkey workflows out there to capture and process 3D Stereo video that’s easy to setup, shoot and edit Stereo pairs. Sure, there are a lot of high-end (expensive to rent) systems for two cameras to shoot, software to sync/mux the footage and rigs you can build to edit it, but GoPro has brought it together with a fun and easy-to-use system that anyone can use.
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Saturday, January 28, 2012
Quick Look: Sony F65 4K Digital Cine Camera
Adam Wilt | 01/28- 06:05 PM
BandPro’s Jeff Cree shows off the F65 at Videofax in San Francisco.

Last week, San Francisco rental house extraordinaire Videofax took delivery of Sony F65 #15, and on Thursday BandPro’s Jeff Cree came up to show off the camera to local DPs, ACs, and DITs. I was able to shoot some photos and take some notes, which I have pulled together and annotated, in a somewhat scattershot manner, for your viewing pleasure. [Update 2012.01.29: typo & terminology fixes]
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Saturday, January 28, 2012
LIGHTING STRATEGIES: Exploiting a Single Light Source
Art Adams | 01/28- 11:14 AM
Sometimes all it takes to make a beautiful picture is placing one light—as long as it’s the proper light source. This still photo shows an example of one style of soft lighting that’s been in use for centuries, and for good reason: it works.
There are few things more elegant than lighting a shot with a single light source. It doesn’t always work, but when it does—it’s magical.
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Monday, January 23, 2012
Basic Lighting Setups for Green Screen
Jeff Foster | 01/23- 11:05 PM
from the “Green Screen Workshop: The Setup” series
There’s more to lighting your green screen than just sticking some green fabric up on a wall behind your talent and hoping for the best! Planning ahead and choosing the right setup for the shot you’re hoping to get is a key factor in determining what kind of lighting setup you’re going to require. Will it be in a studio? On-location? Indoors or outdoors? Full-length with walk-ons or just a talking head? Will your actors be making contact with the screen? These are all questions covered in this video lesson from my Green Screen Workshop series - this is a FREE video lesson, so enjoy!
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Sunday, January 22, 2012
Daily Inspiration - Fleet Foxes Montezuma
Matt Jeppsen | 01/22- 01:54 PM
Beautiful stop-motion and shadowplay on this music video
Great stop motion animation on this Fleet Foxes music video. I especially love how they’ve added depth by using the shadows as well. Simple concept, beautiful execution. Watch below…
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Sunday, January 22, 2012
Book Review: “The DSLR Filmmaker’s Handbook: Real-World Production Techniques”
Jeff Foster | 01/22- 02:09 PM
By Barry Andersson and Janie L. Geyen
There’s little more popular these days than being a budding Indie filmmaker slinging a 5D MkII over your shoulder and firing off hours of footage that you can then spend months editing to make your masterpiece come alive! The biggest problem is that MOST folks entering this endeavor are totally clueless about the process or where to even start - thus making every mistake in the book in the process. The DSLR Filmmaker’s Handbook: Real World Production Techniques (Sybex ISBN 978-0-470-87660-2) aims to help you get started with not only the basics of using the gear, but also the film-making production process in a visual overview - PLUS some very cool tips & tricks.
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