We at Meets The Eye have been discussing frame rates today, triggered by the article at http://www.projectorcentral.com/judder_24p.htm. We’d like to use frame rate as a creative control, not as overcranking or undercranking, but as a presentation tool to affect mood and perception. None of us are particularly enamored of 24 fps, and Tim Blackmore was feeling frustrated enough by it and its persistence as a baseline for production and distribution that he composed the following:
Our Frame Rate, who art in heaven,
hallowed be thy cadence.
Though new display technology come,
thy blur be done,
on LCDs as it is on Plasmas
Give us this day our daily motion sickness.
And forgive us our disgust,
as we forgive those who use slow frame rates to spite us.
And lead us not into 2:3 pulldown,
but deliver unto us both HD and 4K.
For thine is the look, the feel and the tired old standard.
for ever and ever. Amen.
You might disagree, but then, that often happens with religious issues…
In which a series of tests becomes the fastest spec spot shoot in history
About a week and a half ago I received an email from Leigh Blicher, partner at Videofax in San Francisco. “Just wanted to let you know our F35 has arrived.” My response read something like this: “Ooo! Oh! Oh oh oh! Ooooo oh oh OH! Oh! OHHHHH! Can I come over and PLAY?”
This spot would have been hell if I hadn’t used the RED
This spot was part of a web campaign for California’s No on Prop 8 campaign. In my previous article I wrote about another No on Prop 8 that we shot in four hours on a Sunday afternoon. This is what we shot in the morning. It’s all one take, which is pretty rare for a spot.
Two PARs, a couple of bounce cards and some grid cloth make this spot shine
A while back I posted a Quicktime movie of this project, shot for the California “No on Prop 8” campaign. At the time I promised that lighting diagrams would be along shortly. I lied. I just got around to this today.
$80 turns your PMW-EX1’s LCD into a big, beautiful viewfinder.
The Hood-Pro Sock-loupe turns the EX1’s LCD into an EVF.
Lots of people have said, “if only there were a viewfinder lens I could mount on the PMW-EX1‘s LCD, I’d be happy.” Palm Desert shooter Mike Stevens not only said it, he did it: his Hood-Pro hood is a strap-on LCD hood, and the Sock-loupe is, well, a sock with a +7 diopter loupe sewn into the toe. Pull the sock over the hood, and hey presto! You’ve turned the LCD into an eye-level EVF, arguably better than the one on the EX3. The floppy sock squishes up against your face, whether or not you wear glasses, providing a good seal against extraneous light, while the two-element lens provides a close-up, detailed view of the LCD.
I teach Motion to a lot of After Effects users. Sometimes they end up in my class because they want to be there; other times their organization has sent them and they…