When you need to settle an argument, there’s nothing like the facts.
The video industry has saddled us users with some truly ugly numbers to deal with (such as 720x480, 29.97, and so forth) when working with digital video. Making matters worse, these numbers are often misquoted or misunderstood.
Thankfully, there are a few web sites out there with some truly valuable, correct information on digital video standards. Here are the sites we refer to most often when we need to know the inside scoop:
If you’re reading this blog hoping to learn - with post-humus apologies to Douglas Adams - The Answer to Life, The Universe, and Everything (view on Amazon), I’m afraid we may disappoint you from time to time: We don’t know all of the answers. But sometimes just asking questions is important, because it starts the discussions which eventually lead to the answers.
One question that’s floating around these days is “How the heck do I make money creating video content for the web, such as podcasts?” Indeed, it seems there is more money in teaching podcasting than in podcasting itself!
Motion Graphics concepts demonstrated…on a trampoline.
Chris Meyer | 02/08- 10:54 AM
Video training at its finest.
This isn’t new, but we just stumbled across it, and thought it would provide some comic relief going into the weekend. It’s a live, one-take, in-front-of-an-audience music video (for the song “zZz is playing: Grip") that is also a demonstration of common motion graphics techniques and video transitions, performed by folks on a trampoline. Ya gotta watch it more than once to pick up all the details, like the musicians on the left and right (the drummer on the left is also the singer), and the person painting the progress bar in real time underneath. Hang around until the end to see that it was indeed in front of an audience.
Welcome to the Creating Motion Graphics blog on ProVideo Coalition! We’re very happy to be here, and look forward to using this new forum to share with our fellow motion graphics artists tips and trends that we think might be useful or intriguing. We will also be posting an archive of many of our past articles and columns which contain a wealth of advice and techniques. And on occasion, we will be posting our musings on the state of the industry (such as in the rest of this entry, past the “more” jump).
The quirky first Handycam from Sonys CineAlta group offers stunning performance.
The US$6500 (street price) Sony PMW-EX1 is a six-pound, high definition Handycam with three 1/2” CMOS chips. It resolves a true 1920x1080 image; shoots both interlaced and progressive; records 1920x1080, 1440x1080 (HDV-compatible), and 1280x720 formats; and offers variable frame rates from 1 fps to 30 fps (1080p) or 60fps (720p). The camera records using long-GOP MPEG-2 on dual SxS solid-state memory cards, and provides a 10-bit SDI output with embedded audio and timecode. It is awkward to handhold, some controls are hard to use, and it lacks SD recording, but its excellent pictures, comprehensive image tweaks, and pin-sharp LCD make it a compelling HD camcorder.
We’ve been dipping a toe in the online training world…
Sorry for the blatant plug, but there’s a payoff: A free week of as much online video training as you can watch!
We’ve been getting into creating online video training, focusing on specific topics and techniques rather than creating long-form courses (that’s what our books are for). Our current titles are available either pay-as-you-go through Toolfarm or to subscribers of the Lynda.com Online Training Library.
If you’re not currently a Lynda.com subscriber, and are curious to check them out before signing up, you can try them out for free for seven days by clicking here. Feel free to pass this link around. In addition to After Effects, they offer training on a variety of 3D, DVD authoring, NLE, and business applications - even tutorials on operating systems.
For those who are considering creating their own tutorials that they’d like to make money off of, we’ve been testing the waters for the past year trying out a couple pay-as-you-go services in addition to Lynda.com’s subscription model, and - with all due respect to the excellent folks at Toolfarm and other places - Lynda.com has been the hands-down winner from the content creator side. We’ve found them to be a great company to work with, and we plan to be doing a lot more with them in the future. We’ll keep you apprised as we release more titles, or if our opinion changes.