PVC Pipeline Post Production Newsletter

Written by a collection of the best writers in the industry


Friday, December 25, 2009

Past Issue: December 2009

Chris Meyer | 12/25- 11:55 PM

The fourth PVC Pipeline | Post newsletter is out of print - but not out of sight.

The articles below were included in the Decmber 2009 edition of the PVC Pipeline | Post newsletter. If you haven’t already subscribed for the PVC newsletters, we suggest you do so now to ensure that you are notified as soon as they are available.

The articles in the fourth PVC Pipeline | Post newsletter included:

Vince Pace Podcast, Part II

by Michael Goldman

imageFrom The Trenches recently brought you part I of my recent podcast conversation with cinematographer/stereoscopic camera guru Vince Pace about development of the Fusion 3D Camera System for James Cameron’s “Avatar,” and Vince’s views on how “Avatar” and modern stereoscopic systems like Fusion are impacting modern entertainment and media. In case you missed part I over the conversation, you can find it here.

Cinema 4D Finally Brings 3D to Motion

by Mark Spencer

imageCinema 4D’s friendly interface and robust motion graphics toolset have made it the tool of choice for creating 3D motion graphic elements for title sequences, bumpers, interstitials, and the like. And it’s ability to export multipass renders as well as 3D data to After Effects have made it easy for After Effects users to integrate 3D into their projects. Well, with release 11.5, Final Cut Studio users can finally do the same, because Cinema can now export 3D data directly to a Motion project. By taking advantage of Motion’s real time render engine and Final Cut Pro integration, you can now create professional 3D projects or even Master Templates for your projects.

DSLR Shootout

by Scott Simmons

image Continuing on an article in the last Pro Video Coalition newsletter, The Basics of Avid Media Composer for a Final Cut Pro Editor, this article will look at a number of other functions and how they differ from Final Cut Pro to Media Composer. One of the main reasons why I’m writing these articles is that Avid offers a free, full-featured demo of Avid Media Composer 4 available for download. When I wrote the first piece that demo was only for 14 days. They have since upped the time for this trial to 30 days. That’s great as it brings this demo in line with most free demos and even affords enough time to try to learn the in’s and out’s of the application a little bit better any maybe even use it on a real job.

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Cinema 4D Finally Brings 3D to Motion

Mark Spencer | 12/25- 02:10 PM

Here’s How To Do It

Cinema 4D’s friendly interface and robust motion graphics toolset have made it the tool of choice for creating 3D motion graphic elements for title sequences, bumpers, interstitials, and the like. And it’s ability to export multipass renders as well as 3D data to After Effects have made it easy for After Effects users to integrate 3D into their projects. Well, with release 11.5, Final Cut Studio users can finally do the same, because Cinema can now export 3D data directly to a Motion project. By taking advantage of Motion’s real time render engine and Final Cut Pro integration, you can now create professional 3D projects or even Master Templates for your projects.

There are a few tricks to getting Cinema 4D to play nicely with Motion. In the video, I step through the workflow for preparing a Cinema 4D project for Motion, and then preparing the Motion project, swapping in video elements, adding text, and finally creating a Motion template that you can use in Final Cut Pro.

image

Reapplying Keyframes in Motion

Mark Spencer | 12/03- 01:11 PM

3 Ways to Copy Keyframes

I’ve been getting a few questions about copying and pasting keyframes in Motion. While you can copy-paste, there are a few other options that may work better for you. This short video looks at three different options for taking keyframes applied to one layer and applying them to another.

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