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Thursday, July 02, 2009

Filed under: Post Production

Past Issue: June 2009

Chris Meyer | 07/02

The second PVC Pipeline | Post newsletter is out of print - but not out of sight.

The articles below were included in the June 2009 edition of the PVC Pipeline | Post newsletter. If you haven’t already subscribed for the PVC newsletters, we suggest you do so now to ensure that you are notified as soon as they are available.

The articles in the second PVC Pipeline | Post newsletter included (click on the “more” link):

The Basics of Avid Media Composer for a Final Cut Pro Editor

by Scott Simmons

What follows in this article is not a debate of Avid vs. Final Cut Pro or a conversion document that says you should move from Final Cut Pro to Avid Media Composer, but rather a step-by-step guide for anyone new to Avid (or curious about the software in general) to launch the software and perform a few basic functions.

Believable Hand-Held Motion Tracking with Mocha & After Effects CS4

by Jeff Foster

One of the best additions to After Effects CS4 is the inclusion of a stand-alone application called Mocha for AE from Imagineer Systems. This is a powerful planar motion tracker and stabilizer that does an amazing job of tracking all kinds of elements in motion or to stabilize a character or a scene with shaky footage. Even though Mocha does a remarkable job of stabilizing footage I thought I’d put Mocha to the test with some hand-held footage from a compact DV cam and track the footage, shaking and all!

PAR for the Course

by Chris Meyer

Over the years, I have seen a lot of folklore and bad math employed to determine how to work with non-square pixels, resulting in a plethora of incorrect working practices. Therefore, in this article I’m going to spend a lot of time laying out the historical and mathematical basis for where these numbers came from. Hopefully this will provide you with a solid foundation on which you can build a new set of working practices.

Searchable Video with Creative Suite 4

by Richard Harrington

With the proliferation of video on the Web, access to information is getting easier to find and understand (for most). The challenge is twofold: first is getting people to find and search your video for the right information and second is if the individual has an auditory impairment, so much information is only available in the audio track.

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