PVC Production Pipeline Newsletter

PVC Pipeline is a newsletter containing original articles created by some of the best writers in the industry. Subscribers receive advance access to these articles before they appear on the rest of the PVC website. This page contains summaries of each of the articles released in this newsletter; click on either the title at the top or the "more" link at the end of each summary to read the entire article. We also encourage you to visit the rest of the PVC website to see more content.

If you arrived here by way of a shared link rather than a subscriber email, we encourage you to click on the link in the upper right corner of each page to subscribe. Subscriptions are free, and subscribers receive first notice of these articles being posted. These articles will exist on this page for only a couple of weeks before being released to the rest of the PVC web site.

Wednesday, March 17, 2010

The Green Screen Handbook Brings Reality and Fantasy Together with Cinematic Results

Jeff Foster | 03/17- 01:21 PM

An amazing wealth of extensive information that combines historical research, practical application, accurate lighting, shooting and set up for the very first time in one book!

Press Release

Ventura, CA (PRWEB) March 17, 2010—If you want to make movies with green screen compositing technology, The Green Screen Handbook, written by author, producer and motion graphics specialist Jeff Foster, is just for you. Published by Sybex (Wiley)  this unique guide is a comprehensive how-to of professional production techniques, step-by-step instruction, and tips that can save you time and money. Learn when to use green screens instead of blue, find out how the pros operate in professional studios and get amazing results—even on a shoestring budget.

Topics include matting and keying basics; setups using fabric, portable background panels, or paint; lighting and digital camera essentials; broadcast TV hardware switchers; professional HD and major motion picture compositing; multiple-colored screen composites (background, foregrounds, and objects); directing storyboards and talent; working with virtual sets; motion tracking; and much more. A DVD accompanies the book that includes sample footage and all project files for each chapter.

According to Foster, “No one yet has provided this kind of extensive information that combines historical research, practical application, accurate lighting, shooting and set up in one book. My passion for this subject combined with twenty years experience hopefully has resulted in a project that will raise the level of green screen production from the novice to the professional.”

The Green Screen Handbook retails for $49.99 US and is available at TheGreenScreenHandbook.com (for a 30% discount) and distributed through book retailers worldwide and Amazon.com.

ISBN: 978-0-470-52107-6
Publisher: Sybex (Wiley) March 15, 2010
Paperback: 384 pages

Watch this short video trailer to get a preview of the major topics covered in this book:

PRESS QUOTES:

“No author today knows as much about professional green screen use than Jeff Foster — and his book is a treasure-trove of techniques for real-world production.”
- Jay Nelson, Editor/Publisher, Design Tools Monthly

“The Green Screen Handbook book has it all: interesting historical notes, edifying technical background, practical pre-production tips, and honest comparisons of various hardware and software tools that can help you in your compositing work. Anyone who is about to tackle a compositing job that involves keying should spend a few hours with Jeff’s book first. It’ll be time well spent.”
- Todd Kopriva, Adobe

“Jeff Foster has written the ultimate Green Screen Handbook . . . a must-have educational resource for anyone wanting to learn and master this highly demanded video technique.”
- Rod Harlan, Layers Magazine

“What a great find! I was looking for resources for our live video productions on motion.tv, and came across this book. It’s loaded with valuable reference information – but more importantly, it’s enjoyable to read! Definitely not your typical ‘handbook’.”
- Elaine Montoya {motion.tv}

“This is THE handbook for anyone working with green screen. Everything you need to know is covered in detail.”
- Colin Smith, PhotoshopCAFE

About Jeff Foster

Jeff has been producing and training for traditional and digital images, photography, illustration, motion graphics, and special effects for DV and film for over 20 years. His clients include Tribune Broadcasting, Motorola, Nestle, McDonnell Douglas, FOX Television, Spike TV, Discovery/TLC, Universal Studios, and Disney. His best-selling book title, “After Effects and Photoshop - Animation and Production Effects for DV and Film,” provides tips and tricks for creating believable animations and reveals special effects secrets the professionals have been using for years. Jeff has written or contributed to several After Effects and Photoshop books and has been a featured speaker at Macworld, Photoshop World, Adobe MAX and NAB conferences. Besides corporate and private training Jeff is part of a team of Adobe application instructors at onlineinstruct.com. Jeff can be contacted through his company at: www.PixelPainter.com



Page 1 of 1 pages


Advertisement



Drobo Delivers Data Defense
Sara Frances

Super Heroic efforts rule the digital universe,

My lengthy Adobe Premiere Pro CS6 review now online
Scott Simmons

Studio Daily posted the review last week after pounding the thing on a number of edits

LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse
Art Adams

Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

Compositing in FCP X
Mark Spencer

On this week’s MacBreak Studio

David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection
Todd_Kopriva

Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.

After Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 Composition
Chris and Trish Meyer

...plus an update on what’s next for the Apprentice series.

Final Cut Pro X Multicam Editing webinar now available on-demand
Scott Simmons

Plus a little screencast in this blog post on a topic we didn’t get to cover.

CAMERAS: Food Fights with the FS700
Art Adams

You want 240fps 1920x1080? I’ve got your high-speed HD right here… for less than $10K.

How to get good production dialogue
Matt Jeppsen

Use a boom mic and some common sense!

After Effects Apprentice Free Video: Using Parenting to Animate Layers as a Unit
Chris and Trish Meyer

Taking advantage of parenting, multiple 3D views, and AE’s built-in calculator to coordinate a multi-layer animation.

Rigging the Bird
Mark Spencer

Motion Magic on MacBreak Studio

10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6
Scott Simmons

These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement







image

Drobo Delivers Data Defense

Sara Frances | 05/26- 10:09 AM

Super Heroic efforts rule the digital universe,

where we’re all acquiring and creating media at an alarming rate—media that requires vast amounts of storage space. If your clients are like mine, they are remarkably unsophisticated, sometimes even careless, about how and why to protect the valuable images we make for them. Drobo® changes all that. When they come crying to you, wouldn’t it be great to be the hero and say, “yes, I’ve got you covered!”

My lengthy Adobe Premiere Pro CS6 review now online

Scott Simmons | 05/26- 07:08 AM

Studio Daily posted the review last week after pounding the thing on a number of edits

Last week Studio Daily published my Adobe Premiere Pro CS6 review. It’s a longie but a goodie as I tried to go into detail about what I really like and what I kinda don’t like about this brand new Premiere Pro. I had been pounding it hard on several projects before writing the review. I have had a few questions about exactly what kind of jobs I’ve been working on with it.

To be considered for listing, contact pr (at) provideocoalition (dot) com


Copyright © 2012, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use  |  Privacy Policy

Check PageRank