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crowd sourcing the experts |
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Richard HarringtonRichard Harrington A certified instructor for Adobe, Apple, and Avid, Richard Harrington is a practiced expert in motion graphic design and digital video. His producing skills were also recognized by AV Multimedia Producer Magazine who named him as one of the Top Producers of 2004. Rich is a member of the National Association of Photoshop Professionals Instructor Dream Team, and a popular speaker on the digital video circuit. He is also an instructor at the Art Institute of Washington and the American University in Washington, D.C. Rich is an internationally published author. His book, Photoshop CS for Nonlinear Editors, was the first of its kind to focus on Photoshopâ's application in the world of video. He is also a contributing author for Final Cut Pro On the Spot, After Effects On the Spot, After Effects at Work, and The Photoshop World Dream Team Book, Volume 1. A Masters Degree in Project Management fills out Rich's broad spectrum of experience.
Lowel Prime LED LightsTrimming in the Adobe Premiere Pro CS6 timelineA More Intuitive 3-Way Color Corrector for Adobe Premiere Pro CS6Cutting a Multicamera Sequence in Adobe Premiere Pro CS6New Adobe Webinars for Free TrainingMaster New Keyboard Shortcuts in Adobe Premiere Pro CS6HP Z1 Workstation Launches at NABAdobe CS6 Announce Date RevealedCanon Confirms 5D Mark III and 1DX will NOT Get Clean HDMI OutA Mobile Tripod System from NAB 2012A Sneak Peak at Plural Eyes Version 3G-SPEED eS ProAdobe Reveals Future Areas of Focus at NAB 2012What’s New in Creative Suite CS6A Rolling Tripod and Bag ComboIn-Depth Overview of New AJA Products at NAB 2012Nvidia & CUDA Update from NAB 2012Vincent Laforet & the Canon C300DSLR Field TestBlu-ray and Final Cut StudioMoving Footage From Final Cut Pro to After EffectsKeying with After EffectsThe Rise of Field MonitorsHigh Definition Review and Approval with Apple TVFinal Cut Studio Documentation and Workflows Now Online
May 2012April 2012November 2009October 2009August 2009July 2009June 2009January 2009December 2008November 2008September 2008August 2008July 2008June 2008May 2008April 2008Complete Archives |
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This Bag is Awesome – My thoughts on the Boda DryA new camera bag for Digital SLRs At the recent Photoshop World conference, I picked up a new camera bag. This one is a lens bag, and is designed to condense your camera bag into a few lenses and essential gear. Be sure to check out the BODA Dry (a ton of the Photoshop World instructors and staff picked up on this). Here’s what’s cool. The bag hold 4+ lenses (including long lenses) It’s very comfortable with both a shoulder and a waist strap (I find the shoulder strap more comfortable, but the waist strap fits well and has hip pads like a backpackers pack). The product looks durable with waterproof bullistic cordura and even a very tight zipper to keep rain out. It has a media card wallet, lens changing pouch, and even business card case. The gear is designed to be used with one hand (and the thoughtful construction shows). I used the bag while hiking around Red Rock (outside Las Vegas) and it was a true joy. Very comfortable and very easy to use… I still love my Kata bag for lugging the gear, but when I trim down to go mobile… this one is great. 101 UAP - Stealing the Sunset - Understanding Adobe PhotoshopLearn how to colorize skies to match Instructor Richard Harrington shows you how to “steal the sunset,” or use Photoshop to take the colors of one sunset and map it to another image. Like the podcast? Subscribe for FREE. Advertisement |
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Rendering Motion Projects in Final Cut Pro
The key to dramatically faster render times
If you have begun to explore Final Cut Studio’s application integration by embedding your Motion project files into your Final Cut Pro sequence, you may have noticed a rather large increase in render time for that sequence.
Part of the cause of the increased render time is due to the level of complexity of your Motion project, but there’s a setting in Final Cut Pro that can dramatically reduce render times with little to no impact on the quality of your Motion project—except for certain types of projects.
Cinema Craft Encoder MP for Compressor 3
High Quality MPEG-2 Encoding for Final Cut Studio 2
Cinema Craft, the industry leader in MPEG-2 encoding for DVD, is going to release a Compressor 3 plug-in by the end of this month. I wrote an article on Ken Stone’s site that takes a look at both the plug-in itself and the technology behind it…the Cinema Craft Xtream encoding engine. The majority of Hollywood releases on DVD have been encoded using the Xtream engine, and it’s the same engine that’s at the core of the Cinema Craft Encoder MP plug-in for Compressor.
In addition to high quality, Cinema Craft Encoder MP is a full Compressor plug-in (vs. a QuickTime Component) so it has access to all of Compressor’s features like frame controls and geometry.
If you’re going to be in Los Angeles on May 21st, 2008, I’m going to do a demo of the software at the May LAFCPUG meeting.
BG
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