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Richard HarringtonRichard Harrington A certified instructor for Adobe, Apple, and Avid, Richard Harrington is a practiced expert in motion graphic design and digital video. His producing skills were also recognized by AV Multimedia Producer Magazine who named him as one of the Top Producers of 2004. Rich is a member of the National Association of Photoshop Professionals Instructor Dream Team, and a popular speaker on the digital video circuit. He is also an instructor at the Art Institute of Washington and the American University in Washington, D.C. Rich is an internationally published author. His book, Photoshop CS for Nonlinear Editors, was the first of its kind to focus on Photoshopâ's application in the world of video. He is also a contributing author for Final Cut Pro On the Spot, After Effects On the Spot, After Effects at Work, and The Photoshop World Dream Team Book, Volume 1. A Masters Degree in Project Management fills out Rich's broad spectrum of experience.
Lowel Prime LED LightsTrimming in the Adobe Premiere Pro CS6 timelineA More Intuitive 3-Way Color Corrector for Adobe Premiere Pro CS6Cutting a Multicamera Sequence in Adobe Premiere Pro CS6New Adobe Webinars for Free TrainingMaster New Keyboard Shortcuts in Adobe Premiere Pro CS6HP Z1 Workstation Launches at NABAdobe CS6 Announce Date RevealedCanon Confirms 5D Mark III and 1DX will NOT Get Clean HDMI OutA Mobile Tripod System from NAB 2012A Sneak Peak at Plural Eyes Version 3G-SPEED eS ProAdobe Reveals Future Areas of Focus at NAB 2012What’s New in Creative Suite CS6A Rolling Tripod and Bag ComboIn-Depth Overview of New AJA Products at NAB 2012Nvidia & CUDA Update from NAB 2012Vincent Laforet & the Canon C300DSLR Field TestBlu-ray and Final Cut StudioMoving Footage From Final Cut Pro to After EffectsKeying with After EffectsThe Rise of Field MonitorsHigh Definition Review and Approval with Apple TVFinal Cut Studio Documentation and Workflows Now Online
May 2012April 2012November 2009October 2009August 2009July 2009June 2009January 2009December 2008November 2008September 2008August 2008July 2008June 2008May 2008April 2008Complete Archives |
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Nvidia & CUDA Update from NAB 2012Learn what’s new with CUDA technology and how it can help video editing and motion graphics.
An interview about what’s happening at NVIDIA and how CUDA is making giant leaps in performance. more »Vincent Laforet & the Canon C300RHED Pixel producer Pamela Berry catches up with Vincent Laforet
Learn about what new things lie ahead for Vincent Laforet. more »
*VIDEO* •
Cameras •
GentryMedia Sister Sites •
ProVideo Coalition •
NAB2012 •
Pre-Production •
Production •
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DSLR Field TestWe Put Three Cameras Through Their Paces and Try Out Some New Gear as Well
I am truly excited by the convergence of technology that is occurring with DSLR cameras and video recording. The format allows for the recording of some truly amazing images due to sensor size and lens selection. But like all technologies, it suffers from some constraints that need to be overcome. more »
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Cameras •
Hardware •
Production •
(31) Comments •
Most recent comments by:
Scott Gentry,
Scott Gentry,
Chris Meyer,
Chris Meyer,
Jeff Kreines,
Chris Meyer,
Scott Gentry,
scott erickson,
keenast,
Richard Harrington,
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Blu-ray and Final Cut StudioHow to author Blu-ray discs with the new Final Cut Studio
There’s a good chance that HD has become a major player (or even the only format) in your work. With the latest incarnation of Final Cut Studio, Apple offers several ways to deliver HD. You can of course go back to tape or create downloadable and streaming H.264 files. Most requested though, is the ability to create Blu-ray discs. more » Advertisement Moving Footage From Final Cut Pro to After EffectsLearn how to seamlessly move footage without wasting time or disk space.
Getting your footage from Final Cut Pro to After Effects is a very common workflow. In fact, so many people choose to work this way that there are several free and for sale workflow tools on the market. While the task may seem as easy as a batch export, there is often precious metadata and organizational work that you’ll want to take from Final Cut Pro into After Effects. more »
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Motion Graphics •
Post Production •
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jeetuxp,
ellathebella,
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Keying with After EffectsAn introduction to using Keylight with Adobe After Effects
Looking for another way to key? Be sure to check out this video for a detailed demonstration of keying with Keylight in After Effects. You’ll also learn a few advanced tricks to finalize the shot.
CS4 •
Motion Graphics •
Post Production •
Visual Effects •
(2) Comments •
Most recent comments by:
Richard Harrington,
Eric,
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The Rise of Field MonitorsField Monitors See Significant Improvements and Increased Importance in Wake of HD Productions
I’ve recently spent a lot of time evaluating our production processes looking for ways to improve efficiency. There were two motivating factors. First, we’ve pretty much abandoned Standard Definition production, relegating it only to live web events where we are streaming the content or where the client demands it. Second, I was working on a new book, Video Made on a Mac: Production and Postproduction Using Apple Final Cut Studio and Adobe Creative Suite with Robbie Carman. In it we try to evaluate ways to efficiently integrate Apple and Adobe software into best practices for production and post. We discovered a lot along the way, in particular that “field” monitors have taken on a whole new life of usefulness. Here are a few of the things we discovered in the last few months of HD production. more »
Production •
(4) Comments •
Most recent comments by:
JeffBach,
Richard Harrington,
JeffBach,
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High Definition Review and Approval with Apple TVHow a “consumer” electronic device can save you time, money, and frustration
My production company, like many of yours, has jumped with both feet into the HD waters. Production is easier than ever with great tapeless acquisition formats. Post keeps getting simpler with powerful desktop solutions and great breakout boxes. Seems like the only place it really falls apart is the client review stage. Sure, you can compress HD clips for web delivery. Problem is most clients don’t have the monitor resolution, RAM, etc. to view HD (and don’t even get me started on color and contrast issues with the average PC monitor). You could burn a Blu-ray disc, except at $12 a pop (plus rush courier) that gets pretty expensive (and time consuming). So what’s a discerning post company to do? No the answer is not VHS… it’s Apple TV. more »Page 3 of 13 pages < 1 2 3 4 5 > Last » Advertisement |
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LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse
Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…
I love stacking cucolorii (plural of “cucoloris”) and I thought it was time to write an article about how this technique works and why I like it so much. I was a bit stretched for ideas that would illustrate this concept… and then an eclipse happened. Why that made a difference is a very interesting story…
Compositing in FCP X
On this week’s MacBreak Studio
On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.
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